Happy Puppy Vintage Computers

Beautiful and functional. These 24 colorful truly vintage mangets are great for everyday office uses: to hold reminders, personal correspondence, todo lists on refrigerator or office cabnets. Add beauty and fun to daily office work. Superb quality from Cavallini. Enjoy these yourself or give them as gifts to anyone...individually, the magnet can be a great gift for your favorite customer!

Impressive sound performance meets outstanding vintage in this tabletop radio. This tabletop radio features a clean, "new-stalgic" look with a touch of vintage flare and an acoustically tuned and ported speaker enclosure. With big sound that is sure to impress, listen to all your favorites with the integrated iPod dock, analog AM/FM radio tuner or by simply connecting your MP3 player, CD unit or other external device. Features: Universal Dock for iPod or iPhone Play and Charge iPod or iPhone AM/FM Radio Portable Audio Ready-Simply Plug In Your Portable Audio Device Or MP3 Player Color: Black, Red Size 13"W x 5.25"H x 6"D Shipping Weight: 5.5 lbs Analog Tuner AC Power Adapter 3" Studio Driver

CD PLAYER ; PROGRAMMABLE 20-TRACK MEMORY ; LED DISPLAY; AM/FM RADIO ; ANALOG TUNER ; EXTERNAL FM ANTENNA ; DYNAMIC FULL RANGE STEREO SPEAKERS; FUNCTION SELECT

All 78 episodes of the first and second seasons--including "Enter the Lone Ranger," "Trouble for Tonto," "Masked Deputy," "The Hooded Men," and "Mr. Trouble"--plus three Lone Ranger cartoons from the 1960s, the 1959 "Lassie" episode "Peace Patrol" featuring the masked lawman, an 88-page book, comic book and photo reprints, and more collectible items are gathered in a 12-disc set. 31 2/3 hrs. total. Standard; Soundtrack: English Dolby Digital mono; radio broadcast.

Season OneThanks to sharp writing and a pitch-perfect ensemble cast, Frasier became one of the smartest and funniest television shows of the 1990s. Following the 1993 demise of Cheers, Diane's fussy psychiatrist boyfriend, Frasier Crane (Kelsey Grammer), seemed an unlikely candidate for a spin-off series, yet the show earned smash ratings and dozens of Emmy Awards, including Outstanding Comedy Series and Outstanding Lead Actor (Grammer) in the very first season. In an inspired bit of casting, Grammer was matched with David Hyde Pierce as his brother and fellow psychiatrist Niles, and the rest of the players included his radio-program manager, Roz (Peri Gilpin), his father, Marty (John Mahoney), his father's physical therapist, Daphne (Jane Leeves), and the dog Eddie (Moose). In the first season, Frasier and Marty try to learn how to coexist in the same apartment; Niles and Daphne spend a stormy evening in Niles's house; Frasier acquires pushy agent Bebe (Harriet Sansom Harris) and searches for love with Amanda Donohoe among others; his ex-wife Lilith (Bebe Neuwirth) makes a guest appearance; the family takes a cross-country trip in a Winnebago; and the two brothers collaborate on a book. Bonus features aren't spectacular, but are a cut above many similar DVD sets. Executive producers Peter Casey and David Lee provide a commentary track on the pilot episode. In a 20-minute making-of segment, they and the principal cast members discuss the creation of the show, casting (Lisa Kudrow was the other finalist for the character of Roz), and the mystery of the omni-absent Maris. "Frasier Crane's Apartment" looks at the set and props, and each disc spotlights a few of the celebrity voices that appeared as the radio show's callers. --David Horiuchi Season Two Frasier picked up its second season with another round of comedy as intelligent as its pompous title character. Fortunately, the sniping between Frasier (Kelsey Grammer) and his father, Marty (John Mahoney), that took up a lot of the first season is mostly past, and the crack ensemble was ready to roll in a number of memorable episodes. Frasier tries to set up Daphne (Jane Leeves) with the new station manager in "The Matchmaker," Frasier, Niles (David Hyde Pierce), and Marty go fishing in "Breaking the Ice," Frasier and Niles jump into politics in "The Candidate," the team of Frasier and Roz (Peri Gilpin) breaks up ("Roz in the Doghouse"), and Frasier and Niles open a restaurant in "The Innkeepers." It was Pierce's Niles who emerged as a star in the second season, lusting after Daphne, learning about parenthood in "Flour Child," and challenging a Bavarian fencer for the hand of his ever-absent wife, Maris, in the comic tour de force "An Affair to Forget." Pierce picked up a well-deserved first Emmy, and the show repeated its first-season Emmys for comedy series and lead actor. Frasier's dates included Jobeth Williams (whom he takes on a disastrous getaway to Bora Bora), Shannon Tweed, and Tea Leoni, and other guest stars were Nathan Lane and, from his original show, Cheers, Bebe Neuwirth and Ted Danson. --David Horiuchi Season Three With this third season, Frasier scored an impressive hat trick, winning its third successive Emmy for Outstanding Comedy Series. You don't need too much analysis to get to the bottom of this unprecedented success. The series was a primetime oasis of wit and sophistication, with welcome forays into farce that pricked Frasier's bubble of pomposity. His priceless reactions to the assaults on his dignity are worthy of Jack Benny. Frasier (Kelsey Grammer) can be infuriating, as in "The Focus Group," in which he is obsessed with knowing why a lone focus group participant (guest star Tony Shalhoub) doesn't like him. But he is also endearing in his delusional view of himself as, in the words of one mocking bystander, a "man of the people." Frasier meets his match in new station owner Kate Costas (Oscar-winner Mercedes Ruehl). Their combative relationship turns to lust over the course of the first 10 episodes. But the season's most pivotal story arc is the separation of Niles (David Hyde Pierce) and Maris. "Moon Dance," which marked Grammer's directorial debut, is a series benchmark, as a crestfallen Niles tangos with his unrequited love, Daphne (Jane Leeves), at a high society ball. Not that the Crane family still doesn't have issues to work out. Frasier cannot abide being beaten at chess by Martin (John Mahoney) in "Chess Pains." Frasier and Niles ill-advisedly go into joint practice in "Shrink Rap," and find themselves on the opposite sides of a sanity hearing in "Crane vs. Crane." Lilith is sorely missed, but in this season's blast-from-the-past episode, Shelley Long returns in "The Show Where Diane Comes Back." It is a joy to see Cheers resurrected, if only in Diane's self-absorbed new play, which Frasier agrees to back. And any episode with Frasier's amoral agent Bebe (Harriet Sansom Harris) is must-see television. Frasier's humor was character-based, rather than topical, giving it a longer shelf life. For those who lament the end of one of television's gold standard series, this boxed set will be excellent therapy. --Donald Liebenson Season Four Frasier's fourth season was mostly about relationships. Niles (David Hyde Pierce), now separated from Maris, is back on the market like his bachelor brother, Frasier (Kelsey Grammer). That's great when the pair goes to a cabin with a pair of fetching women (Megan Mullaly, later of Will and Grace, and Lisa Darr), but Niles is never able to completely dispel his attachment to his suffocating wife... or to Daphne (Jane Leeves). His obsession with the latter gets an immediate burst in the season's first episode, in which he has to masquerade as Daphne's husband, then later comes to a head when she appears at his apartment door asking to stay the night. The boys have the usual disputes with their father (John Mahoney), including their disdain for the former cop's new girlfriend, Sherry (Marsha Mason), the boisterous, banjo-twangin', "gotcha"-playing bartender who would remain a regular cast member through the end of the series. Ex-wife Lilith (Bebe Neuwirth) makes her annual appearance, this time when she and Frasier try to get Frederick into an exclusive prep school. And the title character? As much as Frasier teases his producer Roz (Peri Gilpin) about her dating habits, he himself is lonely, leading him to a memorable airport encounter with guest star Linda Hamilton and a season finale that proves a kind of a harbinger to the series' final episode. This season made Frasier a perfect four-for-four at the Emmys, winning its fourth consecutive award for Outstanding Comedy Series. Unlike previous seasons, this DVD set has no bonus features. --David Horiuchi Season Five Frasier's fifth season is marked by two central themes. First is Roz's (Peri Gilpin) unexpected pregnancy, which naturally opens the door for countless promiscuity jokes for the radio show's beleaguered producer. The second is the continuing drama of Niles (David Hyde Pierce) and his frosty wife, Maris, which seems to finally come to a head. Not that even a good marriage has ever kept Niles from pining for Daphne (Jane Leeves), of course. Frasier's (Kelsey Grammer) show is sailing along, and for the occasion of his 1000th show, is honored by the mayor for "Frasier Crane Day," which allows the cast to do some rare location shooting in Seattle. But he has some problems with KACL management, and the prospect of tough contract negotiations tempts him to return to the Dark Side, in the form of agent Bebe (Harriet Sansom Harris). His personal life continues to sputter, even when he meets a perfect woman (Sela Ward as a fashion model studying zoology, Lindsay Frost as a high-powered defense attorney). The annual guest appearance by ex-wife Lilith (Bebe Neuwirth) comes with a bizarre twist, and his father (John Mahoney) comes to a critical point with his girlfriend (Marsha Mason). Frasier won its fifth consecutive Emmy for Outstanding Comedy Series, Grammer and Pierce won their third and second statuettes, respectively, and Patti Lupone was nominated for her guest appearance as Frasier's vengeful Greek aunt. --David Horiuchi Season Seven This is the pivotal season that finally, finally brings together Niles (David Hyde Pierce) and Daphne (Jane Leeves), Frasier's answer to Ross and Rachel. Daphne, engaged to Donny (Saul Rubinek), learns of Niles' unrequited feelings for her from an extremely medicated Frasier in "Back Talk." If Daphne's impending marriage was not obstacle enough to keep them apart, there is fussy, phobic, and formidable Dr. Mel Karnofsky (Jane Adams), Maris's former plastic surgeon, who is introduced in "The Late Dr. Crane" as a romantic interest for Niles. The season culminates in the Emmy-nominated episode "Something Borrowed, Someone Blue," arguably the show's very best, and most satisfying cliffhanger, in which Niles and Daphne make like Ben and Elaine in The Graduate, only in a Winnebago. Bebe Neuwirth makes another memorable return as the dread Lilith Crane in "The Apparent Trap," in which son Frederick employs psychological warfare to try and get a mini-bike from his parents. Episodes featuring Frasier's amoral agent Bebe Glaser (Harriet Samson Harris) are always a season highlight, and "Morning Becomes Entertainment" is no exception, as Bebe and Frasier (Kelsey Grammer) team up to host a TV morning chat show (who knew that Frasier had "a way with voices," as witness his Sean Connery and James Mason impressions!). Dan Butler also returns as Bulldog in the poignant episode "The Dog That Rocks the Cradle," A welcome addition to Frasier's gallery of colorful characters in Simon (Anthony LaPaglia in an Emmy-nominated performance), Daphne's besotted brother. Frasier Crane is a witty and urbane New Yorker cartoon in a lewd, crude shock jock world. In the hilarious episode "Radio Wars," he literally becomes the butt of his radio station's new morning team's stunts. Frasier is also at odds with his substitute producer, Mary (Kim Coles), a you-go-girl black woman, in "Something About Dr. Mary." The series excelled at farce, and "RDWRER" is vintage Frasier, as the Crane men embark on a New Year's Eve road trip to Sun Valley, and Niles mistakenly thinks he's been kidnapped when he falls asleep in the wrong Winnebago. Another season benchmark is "Out with Dad," in which Frasier is compelled to pass off his father (John Mahoney) as gay. The lack of extras on this four-disc set is disappointing, but as wine snob Frasier might say, the seventh season was a very good year for the show that bears his name, and it's a pleasure to uncork its many delights. --Donald Liebenson Season Eight Seemingly not content to win all those Emmys for Outstanding Comedy Series, Frasier made a convincing bid in its eighth season for Best Drama. Make no mistake, Frasier still serves up its unique blend of sophisticated wit and farce with the usual panache. But season 8 finds Frasier (Kelsey Grammer) in a contemplative mood and mid-life crisis mode. The episode "Frasier's Edge" resonates throughout the season, as a lifetime achievement award and a suspect (only to Frasier) congratulatory note from a mentor sends him into a characteristic tailspin. "Thank you for honoring my life," a subdued Frasier remarks at the awards ceremony. "I just wish I knew what to do with the rest of it." It is just one of several powerful moments on which many of the season's best episodes fade out. In the season finale, Frasier finds himself torn between a new, "perfect" woman in his life, Claire (Patricia Clarkson), and the tempestuous Lana (Jean Smart reprising her Emmy-winning role, and winning her second consecutive statuette). In an affectionate phone call with Lilith (Bebe Neuwirth), he asks, "Do you think I know how to be happy?" In the cleverly constructed "Sliding Frasiers," which takes its cue from the film Sliding Doors, parallel Valentines Day storylines illustrate how "the tiniest decision can change your whole destiny." In "Cranes Unplugged," Frasier feels like he and his son Freddy are growing apart, but on a predictably disastrous camping trip, they manage to share "a golden moment." John Mahoney, too, gives an Emmy-worthy performance in "A Day in May," as Martin attends a parole board hearing for the man who shot him. But it's not all sturm and drang. "The Show Must Go Off" features an Emmy-winning performance by Derek Jacobi as a former Shakespearean actor Frasier rediscovers at a sci-fi convention and mounts a one-man show, only to discover that he is a talentless ham. In "Motor Skills," Niles (David Hyde Pierce) and Frasier enroll in an automobile repair class and take on unaccustomed roles as the class bad boys. This season also resolves all the obstacles keeping Niles and Daphne (Jane Leeves) apart, including a lawsuit by jilted groom Donny (Saul Rubinek), the vindictive schemes of Niles's jilted fiancée, Mel (Jane Adams), and Niles and Daphne's own illusions about each other. For longtime viewers with an emotional investment in Frasier and company, this is a richly satisfying season worthy of this gold-standard series. --Donald Liebenson Season Nine After a distinguished run of Emmy-winning seasons, Frasier is, by its ninth season, in something of "a tiny lull" (as Frasier describes the state of his radio talk show career in the episode "Junior Agent") when its guest stars took home more Emmys than the much-decorated ensemble (Anthony LaPlaglia, reprising his role as Daphne's besotted brother, Simon, in the two-parter, "Mother Load"). But Frasier still shows signs of its usual brilliance in balancing farce and sparkling wit. After the hour-long season-opener, in which Frasier (Kelsey Grammer) explores his unhappy love life with the help of subconscious incarnations of Lilith (Bebe Neuwirth), Diane (Shelley Long), and a hippy to whom Frasier was briefly married (who knew?; and where's Nanny G?), the series shakes off the melancholia of the previous season. The world still gets the best of Frasier and assaults his dignity, be it the driver of a Humvee who hems him in his parking space; his neighbor nemesis, Cam Winston (Brian Stokes Mitchell); or Lilith's con-artist brother (Michael Keaton), who, in "Wheel of Fortune," arouses Frasier's worst suspicions when he shows up at his doorstep in a wheelchair. But Frasier at long last emerges triumphant in "Juvenilia," in which he gets the best of three smarmy teen radio hosts subjecting him to a fierce on-air grilling. Character developments this season include Roz (Peri Gilpin) falling in love with a garbage man (Tony Goldwyn), Niles (David Hyde Pierce) at last proposing to Daphne (Jane Leeves), Martin (John Mahoney) taking a job as a security guard, and Frasier and Roz sharing a one night stand. A series milestone, Frasier's 200th episode, features Adam Arkin as Frasier's most devoted (read "obsessive") fan. "Cheerful Goodbyes" reunites Grammer with Rhea Perlman, George Wendt, John Ratzenberger, and Paul Wilson from Cheers on the occasion of Cliff Claven's retirement. Other memorable guest star appearances include Tony-winner Kristin Chenoweth as "The Junior Agent," the inexperienced, but tenacious former assistant to Frasier's pit bull of an agent, Bebe (the always exquisite Harriet Sansom Harris), and Brian Cox as Daphne's father, whom Niles is determined to reunite with his estranged wife. Frasier's ninth, unlike Beethoven's, hits some off-key notes (happily, the character of Kirby, the slacker with the Sideshow Bob hair, is gone after this season), but when everything is in harmony (as in "Bla-Z-Boy," in which Martin's beloved chair is accidentally (?) destroyed), it's still capable of a classic or two. --Donald Liebenson Season Ten "Irritating, but endearing." That's Frasier Crane in a nutshell, as diagnosed by Julia Wilcox (an Emmy-worthy Felicity Huffman), KCAL's abrasive and condescending new financial analyst. That's a delicate balance, but Kelsey Grammer still manages it with the usual aplomb in Frasier's penultimate season. Grammer is at his best when his character is at his stubborn, high dudgeon worst, as in "Enemy at the Gate" when he causes a parking garage backup while protesting a $2 parking fee, trying to find a suitable new coffee shop after Café Nervosa hires a folk singer (Elvis Costello) in "Farewell, Nervosa," or, after scamming his way into becoming a silver level member at an exclusive health spa, "chasing the eternal carrot" of the gold level ("'Please remain in the relaxation grotto.' Have crueler words ever been spoken?") in "Door Jam." But he wins us over anew as he does the hard-hearted Julia with his insistence on doing the right thing and faith in the good in people. Frasier's tenth season takes a dramatic turn early on with a three-episode arc in which Niles (David Hyde Pierce) undergoes heart surgery, but, much like Niles, the show rebounds quickly with more characteristic episodes such as the Emmy-nominated farce "Daphne Does Dinner," in which another Crane party hurtles toward disaster. In addition to Huffman, other memorable star turns this season include Millicent Martin as Daphne's impossible mother, Jeanne Tripplehorn as a coach whose berating of her students causes Frasier to conjure up hallucinations of his own former gym teacher, portrayed by Bob Hoskins. Bebe Neuwirth returns as Lilith, as does the magnificent Harriet Sansom Harris as Bebe Glazer, who shows up as Dr. Phil's agent (or is it just another Bebe scheme?) in "The Devil and Dr. Phil." There are throughout this season some wonderful play-it-again moments, such as the unwitting Frasier speaking Klingon at his son's bar mitzvah and invoking Sam Malone's classic, "Are you as turned on as I am" to bring a shouting match with Julia to an hilarious anti-climax ("No!" she screams disgustedly). A showdown between Roz (Peri Gilpin) and Julia doesn't make for the most compelling season finale, but because season 11 was previously released on DVD to coincide with the broadcast of the series finale, at least we don't have to wait to see how that turns out. --Donald Liebenson Season Eleven - The Final Season Midway through Frasier's redemptive final season (which earned Emmys for Kelsey Grammer and David Hyde Pierce), Martin Crane (John Mahoney) reassures his son, "Just when you think that you're in a rut and nothing exciting will ever happen again, pow, that's when it does." The same could have been said of Frasier's redemptive final season. Not that the multi-Emmy-honored series had ever really jumped the couch, but by its 11th season, it had lost some of its sparkle. And then, POW! Veteran Frasier writers Christopher Lloyd and Joe Keenan return to the fold. POW! Wendie Malick joins the seamless ensemble as brash lounge singer Ronee Lawrence, who becomes a love interest for Martin. POW! Daphne (Jane Leeves), underutilized since her marriage to Niles, becomes pregnant. POW! Frasier opens his own private practice. POW! Laura Linney guest stars as Charlotte, who becomes the hapless Frasier's own Miss Right. The series also benefited greatly from a stellar roster of character actors, who rose to the occasion of this gold standard series' final year. Penny Johnson (24), Sarah Silverman (School of Rock), and Dan "Homer Simpson" Castellaneta christen Frasier's couch in the episode, "The Return of Maris." Jennifer Tilly is at her ditzy, delectable best as a pick-up in "Miss Right Now." Laurie Metcalf replaces Emma Thompson as Frasier's first wife, children's entertainer Nanny G, in "Caught in the Act." Always welcome are Bebe Neuwirth as Lilith ("Guns 'N Neuroses") and Harriet Sansom Harris as Frasier's unscrupulous agent Bebe (the series finale, "Goodnight, Seattle"). But Frasier was never about stunt casting. It's the writing, stupid, which, actually, was anything but. Episodes such as "Boo," "The Doctor Is Out," "Coots and Ladders," and "Caught in the Act" recapture Frasier's unique blend of wit and farce. The series finale, in which relationships take a significant turn and Frasier finally breaks out of that rut to follow his heart, is as satisfying as fans could wish. --Donald Liebenson

All 11 seasons of the popular 1993-2004 series are featured in this 44-disc set. **258 episodes on 44 discs. 97 3/4 hrs.**

To quote Claude Reins in "Deception," Bette Davis is "all eyes and talent," and both burn bright in six vintage films she made for Warner Bros. between 1939-46. Lesser known than her certified classics, these are not exactly best Bettes, but they are marvelously entertaining and a representative showcase for one of Hollywood's most enduring leading ladies. These eminently repeatable films put Davis (and viewers) through the ringer. Few actresses portrayed characters who suffered the slings and arrows of outrageous misfortune so grandly, so regally, so tragically, or so deservedly. As an ad for one of Davis' movies once famously proclaimed, when she was good, she was very good. When she was bad, she was terrific. Just check out John Huston's In This Our Life (1942), this set's unearthed treasure. Bette, flouncing like mad, jilts her fiancée, steals good sister Olivia de Havilland's husband, and promptly drives him to drink and suicide. And she's just getting warmed up! (You don't need Jeannine Basinger's informed commentary to debunk the tantalizing movie legend about a supposed cameo by members of the Matlese Falcon cast. Those gents at the bar look nothing like Bogie and company. But that is Walter, John's father, tending bar). Davis was also very good at being noble. In the prestige project, Watch on the Rhine (1943), based on Lillian Hellman's play and adapted for the screen by Dashiell Hammett, she is the steadfast wife to Paul Lukas, in his Oscar-winning role, as a "legendary figure of the underground movement," who carries on his fight against fascism in Washington, D.C. In The Old Maid (1939), based on the novel by Edith Wharton, Bette allows her cousin (Miriam Hopkins) to give her illegitimate child a respectable name, and, posing as the girl's unsuspecting aunt, must stand by while she grows up spoiled and "horrid." And in All This and Heaven Too (1940), she is a transplanted French schoolteacher who regales her initially scornful students with the true story behind her scandalous past. Deception is another ripping melodrama in which she stars as a pianist whose reunion with her lost love (Paul Henreid), a cellist is threatened by Rains as her arrogant and sadistic Svengali (who's responsible for those minks in her closet). Last but not least is The Great Lie (1941), pitting Bette against Mary Astor, who won an Academy Award as the bitchy concert pianist whose son Bette is raising (long story, but it involves missing aviator George Brent, whom they both love). These films offer such they-don't-make-'em-like-this-anymore pleasures as lush, melodramatic scores by such masters as Max Steiner, hothouse emotions, quotable dialogue, and, of course, indelible character actors at their peaks. These films are seen to their best advantage when viewed as part of each disc's bonus features that recreate an old fashioned "Night at the Movies," complete with theatrical previews, newsreels, short subjects, and Warner Bros. cartoons featuring Porky Pig or Daffy Duck. --Donald Liebenson

When boyfriend George Brent is killed during the Civil War, Bette Davis places their illegitimate daughter in the orphanage she runs, then must say nothing when jealous cousin Miriam Hopkins adopts the girl, in the classic melodrama "The Old Maid" (1939). Davis is "All This, And Heaven Too" (1940) as a governess in 1800s France whose relationship with nobleman boss Charles Boyer leads to scandal and death. Barbara O'Neil co-stars. The love triangle between socialite Davis, pilot Brent and pianist Mary Astor takes a tragic turn in the Academy Award-winning "The Great Lie" (1941); while Bette plots to steal sibling Olivia de Havilland's fiance not once, but twice, in the soaper "In This Our Life" (1942), with Brent and Charles Coburn. Best Actor Oscar-winner Paul Lukas is an anti-Nazi resistance leader on the run with wife Bette Davis from German agents in "Watch on the Rhine" (1943), scripted by Dashiell Hammett from Lillian Hellman's play. And "Deception" (1946) is the name of the game when music teacher Davis, the lover of composer Claude Rains, begins an affair with violinist Paul Henreid. 11 hrs. total. Standard; Soundtrack: English Dolby Digital mono. Six-disc set.

40 watt 120 volt Medium Screw (E26) Base 1910 Squirrel Cage Style Nostalgic Incandescent Bulbrite Light Bulb

Brand Antique Light Bulb Co. - Wattage 60 - Voltage 130 - Bulb Color Clear - Bulb Shape S21 - Base Type Medium E26 - Length 5.3125 in. - Filament Type Tungsten - Life Hours 3000 - Lumens Initial 400 -

Retro Radio Coffee Gift Basket is measuring 9x9x4. Contains 15oz mug, BONUS free set of 4 coasters, biscotti and 5 blends of gourmet coffee. French Vanilla, Kenya AA, Decaf Colombian Supremo, Chocolate and Italian Roast Espresso elegantly presented in our signature black planet coffee gift box. A very nice and thoughtful gift for any occasion.

RADIOHEAD THE KING OF LIMBS

On the deliriously satisfying In Rainbows, Radiohead returns to a more straight-ahead (though subdued) rock sound. Much hubbub has been made about this record's innovative release. Radiohead allowed fans to pay what they wished to download fairly low-resolution tracks from the band's own website. Like so many innovations, it already seems funny both that it was such big news and that someone else of similar stature hadn't done it sooner. Some pundits were appalled that it took awhile to download the tracks if you tried to do it at the same time as thousands of other people, while others decried that the group was trying to kill the music industry (or save it). Little of the press seemed to focus on the record itself, which actually made sense because it was so entertaining and inviting, the most low-key album Radiohead has made to date. There's even a very straight-forward, simple, silly little love song, "House of Cards." It might be a bit lethargic, but the simple instrumentation of electric guitars, bass, and drums is lovely as heck. A handful of these tunes enchanted fans for years before finally being committed to computer "tape." This is particularly fitting as In Rainbows is the group's most "band"-sounding album since OK Computer. This is not a record that hits you over the head with how far this group is pushing the envelope; it's simply a phenomenal, well-crafted, and exciting album. As soon as it's done, you're playing it again. --Mike McGonigal

On the deliriously satisfying In Rainbows, Radiohead returns to a more straight-ahead (though subdued) rock sound. Much hubbub has been made about this record's innovative release. Radiohead allowed fans to pay what they wished to download fairly low-resolution tracks from the band's own website. Like so many innovations, it already seems funny both that it was such big news and that someone else of similar stature hadn't done it sooner. Some pundits were appalled that it took awhile to download the tracks if you tried to do it at the same time as thousands of other people, while others decried that the group was trying to kill the music industry (or save it). Little of the press seemed to focus on the record itself, which actually made sense because it was so entertaining and inviting, the most low-key album Radiohead has made to date. There's even a very straight-forward, simple, silly little love song, "House of Cards." It might be a bit lethargic, but the simple instrumentation of electric guitars, bass, and drums is lovely as heck. A handful of these tunes enchanted fans for years before finally being committed to computer "tape." This is particularly fitting as In Rainbows is the group's most "band"-sounding album since OK Computer. This is not a record that hits you over the head with how far this group is pushing the envelope; it's simply a phenomenal, well-crafted, and exciting album. As soon as it's done, you're playing it again. --Mike McGonigal

Bring home all the romance of Paris with this collection of 20 magnifique instrumentals, including "I Love Paris," "At a Little Street Cafe," "Under Paris Skies" and "Boulevard D'Amour."No Track Information AvailableMedia Type: CDArtist: C'EST L'AMOUR!Title: ROMANTIC FRENCH CLASSICSStreet Release Date: 07/02/1996

The ZTS Mini Multi-Battery Tester (Mini-MBT) provides a comprehensive means of testing more than 15 battery types. The Mini-MBT's microprocessor-based design makes battery testing simple - using a patented, high accuracy pulse load test. After a fully automatic test cycle, percentage of remaining battery capacity is indicated on the LED bar display. Battery types are clearly labeled next to appropriate contacts. There are no settings, and test results are easy to understand. Its small size makes it ideal for the gadget bag, toolbox, or home utility drawer. Negative test lead/probe conveniently stores in seam at side. Tests 1.5v alkaline (AA, AAA, C, D, N), 1.2v NiMH/NiCd, 3v photo lithium, and 9v alkaline. Uses 4 AAA batteries (not included). Advantage of Pulse Load Technology. Battery performance is very important in today's electronic devices. The Mini-MBT computes the battery's actual remaining power capacity using a 2-second pulse load test. This pulse load simulates the real power demand that batteries experience in a high drain electronic device. So battery performance is measured, not just voltage. The load is automatically disconnected, so testing will not harm or drain the battery. Made in U.S.A. Patents 6,823,274 and D515444.

Your child will love learning to pedal with the Radio Flyer Girls Classic Pink Dual Deck Trike! This traditional style tricycle features a 12in front wheel and a double rear step for easy on and off access. The Dual Deck Trike includes an adjustable seat to grow with your child and a controlled turning radius for added stability. Classic styling features include a bright pink body, chrome handlebars, fender, and ringing bell. Get your child rolling the smart way with the Radio Flyer Classic Pink Dual Deck Trike!