Happy Puppy Vintage Computers

Decorate sheet cakes, petit fours, muffins, cookies and more using this master tip set. The decorating tips you'll need are housed in this plastic storage case. The master tip set includes these tips: 1, 2, 3, 4, 6, 7, 12, 13, 16, 17, 18, 22, 24, 27, 30, 31, 32, 42, 45, 46, 47, 48, 54, 59, 61, 65, 66, 67, 68, 69, 70, 73, 74, 78, 96, 97, 98, 101, 102, 103, 104, 106, 108, 109, 123, 124, 129, 134, 136, 195, 199 and 2C. It also includes two standard tip couplers and two 1.25-in. flower nails (#9)..

With more than 50 tips included in this professional-quality cake decorating set, your imagination is the limit. Garlands, rosettes, stars, flower petals--if you can dream it up there's a tip designed for the job. The angled coupler assists in certain decorating operations, and a standard coupler plus two flower nails for creating roses are included. The set comes packaged in a white plastic storage tray to keep tips and tools organized in a drawer. --Victoria Jenkins

Choose a set of decorating tools for the beginner or the experienced baker. Complete with all you'll need to transform your simple layer cake or cookies into a work of art.

If you've dreamed of becoming a cake decorator extraordinaire, this decorating set from Wilton has everything you need to get started. Learn how to make icing leaves, roses, stars, ribbons, and basket-weave designs with the 18 different metal decorating tips. Those perfect icing roses everyone is always so eager to pluck off the cake are easily fashioned with the help of the 1-1/4-inch flower nail, and the angled metal spatula is just right for creating smoothly iced surfaces. The set includes 12 disposable plastic icing bags, five jars of icing colors, and two quick-change tip couplers that allow you to use several tips with the same bag of icing. Most importantly, Wilton provides an easy-to-follow instruction booklet that clearly illustrates all the basic techniques, as well as some more elaborate ones--15 different imaginative cake designs are explained in detail. Also included are several cake and icing recipes. --Marianne Painter

In one handy caddy you'll find a generous selection of tips and colors as well as all the other tools specified as needed in the Wilton Cake Decorating Course I. For anyone about to explore the world of royal icing scrolls, flowers, stars, ruffles and bows this would be a hugely successful sendoff.

My childhood birthday parties rose up the ladder of primary-school social events after my mother took a cake-decorating class. Decorating the cakes herself allowed greater individuality and creativity, guaranteeing a unique birthday menu and jealous friends. With this cake-decorating kit, there's no need to take a class to express your hidden artistic side--extensive instructions and great ideas are included in the manual. With 50 essential tools, the kit makes it easy to cover a cake with roses, hearts, and cartoon characters in no time. If you're reluctant to test your skills on a freshly baked cake, there's a practice board for experimentation. There's also food coloring, spatulas, and everything else required for a memorable cake. The entire kit comes in a groovy authentic toolbox, so you're ready to meet the next cake-decorating challenge like an ECT, emergency cake technician. --Laura Cuthbert

This three disc set features two CDs scheduled to contain 34 tracks including four new songs plus a bonus DVD containing videos for all the CD's tracks.

For the first time, all of Bob Seger's top hits have been gathered for a career-spanning 2CD titled Ultimate Hits: Rock And Roll Never Forgets. The 26-track collection includes "Night Moves," "Turn The Page," "Hollywood Nights," "Mainstreet," "Old Time Rock And Roll," "Like A Rock," "Her Strut," "We've Got Tonight," "Against The Wind," "Still The Same," and many other Seger classics, as well as the Detroit rocker's two #1 radio singles from this year, "Downtown Train" and his current #1 Classic Rock hit, "Hey Hey Hey Hey (Going Back To Birmingham)." All songs on the album have been meticulously remastered from the original master tapes, including the original mono version of Seger's first hit "Ramblin' Gamblin' Man" and Seger's timeless rendition of the Holiday classic "Little Drummer Boy." The physical 2 CD package includes a newly designed 24 page booklet featuring lyrics, press clips, photos and memorabilia images spanning his career. This collection has been culled from Seger's 11 platinum and seven multi-platinum RIAA-certified albums. Seger's Greatest Hits holds the distinction in 2010 for the #1 Catalog Album of the Decade and has sold over nine million copies (U.S.A.), posting an unbroken 17-year streak on Billboard's Top 200 Albums and Catalog Albums charts.

2011 two CD compilation from the Rock singer, songwriter and icon. For the first time, all of Bob Seger's top hits have been gathered for a career-spanning double disc set. The 26-track collection includes "Night Moves," "Turn The Page," "Hollywood Nights," "Mainstreet," "Old Time Rock And Roll," "Like A Rock," "Her Strut," "We've Got Tonight," "Against The Wind," "Still The Same," and many other classics, as well as the Detroit rocker's two #1 radio singles from this year, "Downtown Train" and his current #1 Classic Rock hit, "Hey Hey Hey Hey (Going Back To Birmingham)." All songs on the album have been meticulously remastered from the original master tapes, including the original mono version of Seger's first hit "Ramblin' Gamblin' Man" and Seger's timeless rendition of the holiday classic "Little Drummer Boy."

The ultimate compilation of Madonna songs in a 2-CD Set. DISC 1 1. Hung Up 2. Music 3. Vogue 4. 4 Minutes - feat. Justin Timberlake and Timbaland 5. Holiday 6. Everybody 7. Like A Virgin 8. Into The Groove 9. Like A Prayer 10. Ray Of Light 11. Sorry 12. Express Yourself 13. Open Your Heart 14. Borderline 15. Secret 16. Erotica 17. Justify My Love 18. Revolver - feat. Lil Wayne DISC 2 1. Dress You Up 2. Material Girl 3. La Isla Bonita 4. Papa Don't Preach 5. Lucky Star 6. Burning Up 7. Crazy For You 8. Who's That Girl 9. Frozen 10. Miles Away 11. Take A Bow 12. Live To Tell 13. Beautiful Stranger 14. Hollywood 15. Die Another Day 16. Don't Tell Me 17. Cherish 18. Celebration

Relive the unforgettable moments and experience the spectacular adventure of STAR WARS The Complete Saga in a way only Blu-ray can deliver. This incredible collection unites all six Episodes together for the frst time in stunning high definition with the purest digital sound in the galaxy. With over 40 hours of thrilling special features, including all-new content created exclusively for this release, you can journey deeper into the Star Wars universe and discover more than ever before. Feel the Force of STAR WARS The Complete Saga on Blu-ray!Product Measures: 1.5 x 5.5 x 7.5

Episode I, The Phantom Menace "I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breather Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson Episode II, Attack of the Clones If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III. --Jeff Shannon Episode III, Revenge of the Sith Ending the most popular film epic in history, Star Wars: Episode III, Revenge of the Sith is an exciting, uneven, but ultimately satisfying journey. Picking up the action from Episode II, Attack of the Clones as well as the animated Clone Wars series, Jedi Master Obi-Wan Kenobi (Ewan McGregor) and his apprentice, Anakin Skywalker (Hayden Christensen), pursue General Grievous into space after the droid kidnapped Supreme Chancellor Palpatine (Ian McDiarmid). It's just the latest maneuver in the ongoing Clone Wars between the Republic and the Separatist forces led by former Jedi turned Sith Lord Count Dooku (Christopher Lee). On another front, Master Yoda (voiced by Frank Oz) leads the Republic's clone troops against a droid attack on the Wookiee homeworld of Kashyyyk. All this is in the first half of Episode III, which feels a lot like Episodes I and II. That means spectacular scenery, dazzling dogfights in space, a new fearsome villain (the CGI-created Grievous can't match up to either Darth Maul or the original Darth Vader, though), lightsaber duels, groan-worthy romantic dialogue, goofy humor (but at least it's left to the droids instead of Jar-Jar Binks), and hordes of faceless clone troopers fighting hordes of faceless battle droids. But then it all changes. After setting up characters and situations for the first two and a half movies, Episode III finally comes to life. The Sith Lord in hiding unleashes his long-simmering plot to take over the Republic, and an integral part of that plan is to turn Anakin away from the Jedi and toward the Dark Side of the Force. Unless you've been living under a rock the last 10 years, you know that Anakin will transform into the dreaded Darth Vader and face an ultimate showdown with his mentor, but that doesn't matter. In fact, a great part of the fun is knowing where things will wind up but finding out how they'll get there. The end of this prequel trilogy also should inspire fans to want to see the original movies again, but this time not out of frustration at the new ones. Rather, because Episode III is a beginning as well as an end, it will trigger fond memories as it ties up threads to the originals in tidy little ways. But best of all, it seems like for the first time we actually care about what happens and who it happens to. Episode III is easily the best of the new trilogy--OK, so that's not saying much, but it might even jockey for third place among the six Star Wars films. It's also the first one to be rated PG-13 for the intense battles and darker plot. It was probably impossible to live up to the decades' worth of pent-up hype George Lucas faced for the Star Wars prequel trilogy (and he tried to lower it with the first two movies), but Episode III makes us once again glad to be "a long time ago, in a galaxy far, far away." --David Horiuchi Star Wars: The Original Trilogy (Episodes IV - VI) The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids. In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "revelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks. Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David Horiuchi DVD & Blu-ray Versions of Star Wars Star Wars Trilogy (Widescreen Edition with Bonus Disc) Star Wars Trilogy (Widescreen Edition Without Bonus Disc) Star Wars Trilogy Star Wars Prequel Trilogy Star Wars: The Prequel Trilogy (Episodes I - III) [Blu-ray] Star Wars: The Original Trilogy (Episodes IV - VI) [Blu-ray] Star Wars: The Complete Saga (Episodes I-VI) [Blu-ray] Release Date September 21, 2004 December 6, 2005 November 4, 2008 November 4, 2008 September 16, 2011 September 16, 2011 September 16, 2011 Format/Disc # DVD (4 Discs) DVD (3 Discs) DVD (6 Discs) DVD (6 Discs) Blu-ray (3 Discs) Blu-ray (3 Discs) Blu-ray (9 Discs) + 16 page booklet Blu-ray 3D No No No No No No No Blu-ray No No No No Yes Yes Yes DVD Yes Yes Yes Yes No No No Digital Copy No No No No No No No Original Theatrical Version No No Yes Yes No No No Bonus Features Star Wars, Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher Star Wars, Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher Bonus Disc: All-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three films "Empire of Dreams: The Story of the Star Wars Trilogy" Featurettes: The Legendary Creatures of Star Wars, The Birth of the Lightsaber, The Legacy of Star Wars Teasers, Trailers, TV spots, Still GalleriesPlayable Xbox demo of the new Lucasarts game Star Wars BattlefrontThe making of the Episode III videogameExclusive preview of Star Wars: Episode III Star Wars Episode IV: Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher Star Wars Episode V: Commentary by George Lucas, Irvin Kershner, Ben Burtt, Dennis Muren, and Carrie Fisher None Star Wars, Episode I: Commentary by George Lucas and companyStar Wars, Episode II: From Puppets to PixelsState of the Art: Previsualization of Episode II8 deleted scenes with introsMusic VideoVisual Specs Breakdown12 Web Documentaries4 Trailers12 TV SpotsEaster EggStill Galleries DVD-ROM links Star Wars, Episode I: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, John Knoll, Dennis Muren and Scott Squires, Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode II: Audio Commentary with George Lucas, Rick McCallum, Ben Burtt, Rob Coleman, Pablo Helman, John Knoll and Ben Snow, Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode III: Audio Commentary with George Lucas, Rick McCallum, Rob Coleman, John Knoll and Roger Guyett Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode IV: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode V: Audio Commentary with George Lucas, Irvin Kershner, Carrie Fisher, Ben Burtt and Dennis Muren Audio Commentary from Archival Interviews with Cast and Crew Star Wars, Episode VI: Audio Commentary with George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren, > Audio Commentary from Archival Interviews with Cast and Crew Same as Star Wars: The Prequel Trilogy (Episodes I-III) [Blu-ray] and Star Wars: The Original Trilogy (Episodes IV-VI) [Blu-ray] plus: New! Star Wars Archives, Episodes IV-VI: Includes deleted, extended and alternate scenes; prop, maquette and costume turnarounds; matte paintings and concept art; supplementary interviews with cast and crew; and more Star Wars Documentaries: NEW! Star Warriors (2007, Color, Apx. 84 Minutes) NEW! A Conversation with the Masters: The Empire Strikes Back 30 Years Later (2010, Color, Apx. 25 Minutes) NEW! Star Wars Spoofs (2011, Color, Apx. 91 Minutes) The Making of Star Wars (1977, Color, Apx. 49 Minutes) The Empire Strikes Back: SPFX (1980, Color, Apx. 48 Minutes) Classic Creatures: Return of the Jedi (1983, Color, Apx. 48 Minutes) Anatomy of a Dewback (1997, Color, Apx. 26 Minutes) Star Wars Tech (2007, Color, Apx. 46 Minutes)

Genre: Sci-Fi/FantasyRating: RRelease Date: 14-OCT-2008Media Type: Blu-Ray

The MatrixBy following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend. Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). --Jeremy Storey The Matrix ReloadedConsidering the lofty expectations that preceded it, The Matrix Reloaded triumphs where most sequels fail. It would be impossible to match the fresh audacity that made The Matrix a global phenomenon in 1999, but in continuing the exploits of rebellious Neo (Keanu Reeves), Morpheus (Laurence Fishburne), and Trinity (Carrie-Anne Moss) as they struggle to save the human sanctuary of Zion from invading machines, the codirecting Wachowski brothers have their priorities well in order. They offer the obligatory bigger and better highlights (including the impressive "Burly Brawl" and freeway chase sequences) while remaining focused on cleverly plotting the middle of a brain-teasing trilogy that ends with The Matrix Revolutions. The metaphysical underpinnings can be dismissed or scrutinized, and choosing the latter course (this is, after all, an epic about choice and free will) leads to astonishing repercussions that made Reloaded an explosive hit with critics and hardcore fans alike. As the centerpiece of a multimedia franchise, this dynamic sequel ends with a cliffhanger that virtually guarantees a mind-blowing conclusion. --Jeff Shannon The Matrix RevolutionsDespite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as an adrenalized action epic, marking yet another milestone in the exponential evolution of computer-generated special effects. That may not be enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology into a quasi-religious pop-cultural phenomenon, but there's no denying that the trilogy goes out with a cosmic bang instead of the whimper that many expected. Picking up precisely where The Matrix Reloaded left off, this 130-minute finale finds Neo (Keanu Reeves) at a virtual junction, defending the besieged human enclave of Zion by confronting the attacking machines on their home turf, while humans combat swarms of tentacled mechanical sentinels as Zion's fate lies in the balance. It all amounts to a blaze of CGI glory, devoid of all but the shallowest emotions, and so full of metaphysical hokum that the trilogy's detractors can gloat with I-told-you-so sarcasm. And yet, Revolutions still succeeds as a slick, exciting hybrid of cinema and video game, operating by its own internal logic with enough forward momentum to make the whole trilogy seem like a thrilling, magnificent dream. -- Jeff Shannon

Studio: Tcfhe Release Date: 10/26/2010 Rating: R

Review of AlienA landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff ShannonReview of AliensAliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineReview of Alien 3The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall FineReview of Alien ResurrectionPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

The product of collaboration between Gerber and survival expert Bear Grylls, the Ultimate Kit is a 15-piece survival kit built for hostile environments. It fits in your pack and has everything you need--including Gerber's miniature multi-tool, a fire starter, a survival blanket, and a wire cutter--to survive even in the toughest spots.Survival Series Ultimate KitAt a Glance:15-piece survival kit built for hostile environmentsIncludes Gerber miniature multi-tool for a range of applications Survival blanket, fire starter, snare wire, fishing and sewing kits, and more Land to air rescue and SOS instructions Comes with Bear Grylls' Priorities of Survival pocket guideThe Ultimate Survival Kit has essential items for surviving outdoors. View larger.Kit includes instructions for land, air, and SOS rescue techniques. View larger.Bear Grylls and Gerber Team UpThe Ultimate Kit is part of the Gerber Bear Grylls Survival Series of gear. This collaboration brings together Gerber's 70+ years of knife and gear expertise with Bear Grylls' extensive outdoor survival and adventure experience to create a one-of-a-kind line of knives, tools, and gear.From spending time in the British SAS, to scaling Mount Everest, Bear knows what it takes to be a survivor in extreme situations and multiple environments. Now he brings that knowledge to the creation of a range of items that help you make the most of your outdoor adventures.Heavy-Duty Survival Kit for the Toughest SpotsIdeal for hard-core outdoor adventurers, the Ultimate Kit has everything you need to stay safe and alive until you can be rescued or rescue yourself.The 15-piece kit includes the Gerber miniature multi-tool, which offers stainless steel, weather-resistant components including needle nose pliers, wire cutters, fine edge and serrated knives, a Phillips screwdriver, small and medium flat drivers, a lanyard ring, a bottle opener, and tweezers. This tool's rugged construction and external components make it a reliable multi-tasker, even in the harshest environments.Bear Grylls' Pocket Survival GuideRugged, Ready-to-Go Tools and AccessoriesIn addition to the multi-tool, the Ultimate Kit comes with a lightweight ripstop nylon bag with a waterproof zipper for weather-resistant storage and an array of tools and accessories, including a miniature light, a hand saw, a signaling mirror, a survival blanket, a fire starter, waterproof matches, cotton ball fire tinder, a snare wire, an emergency cord, waxed thread, a fishing kit, and a sewing kit.Includes Survival Guide and SOS InstructionsFor added peace of mind and a higher level of preparedness, this kit comes with land to air rescue and SOS instructions. It also includes Bear Grylls' informative Priorities of Survival pocket guide, loaded with survival basics.What's in the BoxNylon pouch, multi-tool, miniature light, hand saw, signaling mirror, survival blanket, fire starter, waterproof matches, cotton ball fire tinder, snare wire, emergency cord, waxed thread, fishing kit, sewing kit, pocket survival guide, and rescue instructions.From the highest peaks of the Himalayas, to the rainforests of South America, if world renowned outdoorsman Bear Grylls is on an adventure you can be sure he's equipped with the most durable outdoor gear Gerber has to offer.

Featuring a removable drill guide for use with benchtop and portable bases, the Kreg Jig Master System is the ultimate pocket-hole jig, and a great choice for any woodworking enthusiast. For precision and accuracy, it offers 1/8-inch incremental settings for materials 1/2-inch to 1-1/2-inch thick and patented three drill guide fixed spacing on the drill guide. A dust collection shroud means no more woodchips, and the clamping recess allows you to use many different styles of clamps to secure your jig to the workbench. For peace of mind, the hardened steel drill guides are backed by a lifetime warranty.Jig Master SystemAt a Glance:Removable drill guide for use with benchtop and portable bases1/8-inch incremental settings for materials from 1/2-inch to 1-1/2-inch thickRear-mounted clamp design--rigidity and strength to keep workpiece in placeComes with portable base, SkillBuilder DVD, carrying case, and moreHardened steel guides with lifetime warrantySturdy benchtop jig utilizing the benchtop base for high-speed production Pocket-Holes. Contractor-grade jig for work on the road with the portable base. Three Tools in OneThanks to its innovative Removable Drill Guide, the Kreg Jig Master System can be many tools at once. First, a sturdy benchtop jig utilizing the benchtop base for high-speed production pocket-holes, second as a contractor-grade jig for work on the road through use of the portable base, and finally as a high quality repair jig with the addition of spacer blocks to the bottom of the drill guide.Serious Woodworking Tool with High-Quality FeaturesBetween its solid clamp, large clamping recess, dust-collection attachment, material support stop, removable three-hole drill guide, and seemingly endless adjustability, this jig has it all. If you're serious about owning the highest quality tools, look no further than the Kreg Jig Master System.Sturdy Toggle-ClampThe Kreg Jig Master System features the same reliable rear-mounted clamp design featured on the very first Kreg jig. It's a proven design offering incredible rigidity and uncompromising workpiece hold-strength. Adjustments are as easy as releasing the lock-nut, and rotating to the correct setting.In addition, the large clamping recess makes it easy to secure the jig to the workbench using Kreg's multi-purpose face clamps or any common bar clamp or c-clamp.Removable 3-hole drill guide. Three-Hole Drill Guide with Steel CoreThe patented three-hole drill guide lets you make perfectly placed pocket-holes in a wide variety of material widths and thicknesses. Every Kreg drill guide features a hardened steel core that carries a full lifetime guarantee. The core shrouds the bit and supports the workpiece through 100% of the drill-stroke, resulting in minimal bit deflection, reduced tear-out, and a clean pluggable pocket-hole.Durable Construction and Optimized Drilling AngleThe blue body of the every Kreg jig is made from a heavy-duty glass-reinforced nylon, a unique composite material that offers the resiliency and flexibility you need without sacrificing strength and durability. To increase driving efficiency and minimize the overall size of the pocket-hole to less than 1-1/2 inches, this system also features an optimized drilling angle.Wood-Chip Relief Hole Extends Bit LifeThe Kreg Jig Master System includes one wood-chip relief hole for every drill guide hole, designed to keep the drill bit clear of excess wood chips, minimize drill torque, increase the longevity of your drill bits, and allow you to complete a perfect pocket-hole in one plunge instead of three.What's in the BoxKreg Jig Master System, face clamp, portable base, drill guide spacer, material support stop, dust collection attachment, 3/8-inch stepped drill bit, six-inch square driver, three-inch square driver, starter screw set, starter plug set, quick-start guide, SkillBuilder DVD, and carrying case.

Gerber Bear Gryllos Ultimate Multi - Tool. With 12 stainless steel, weather - resistant components! Rugged construction, spring loaded pliers, external locking tools and an extra grippy handle earn this tool its moniker: the Ultimate Multi-tool. Needlecase pliers... spring loaded jaw for simplified single-hand use; Fine edge knife; Serrated knife; Saw; Phillips screwdriver; Small flat screwdriver; Medium flat screwdriver; Lanyard ring; Bottle opener; Can opener; Scissors; Wire cutters; Ergonomic textured rubber grip; Patented Safe.T.Plus System... locks components position; Nylon sheath... lightweight, military-grade, mildew resistant; Includes Land to air rescue instructions; Priorities of Survival - Bear's pocket guide of survival essentials; 6 5/16" open; 4" closed 9 ozs. Order yours today! WARNING: You must be 18 or older to purchase Cutlery. Cutlery cannot be shipped to Marin, Napa, Ventura and Yolo counties, CA; D.C.; MA; Miami-Dade & Sarasota counties, FL or Puerto Rico. Please check your State, County and City laws for restrictions before ordering Cutlery. Gerber Bear Grylls Ultimate Multi-Tool

The product of collaboration between Gerber and survival expert Bear Grylls, the Ultimate Multi-Tool provides 12 stainless steel, weather-resistant components. Its rugged construction, spring-loaded pliers, external locking tools, and extra grippy handle make this tool the ultimate multi-tasker no outdoor enthusiast should be without. The Ultimate Multi-Tool comes with a nylon sheath.The Ultimate Multi-ToolAt a Glance:12 stainless steel, weather-resistant, external componentsSpring-loaded jaw for simplified one-handed use Safe.T.Plus system locks components in usage position Included military-grade nylon sheath is mildew resistant and lightweight Comes with Bear Grylls' Priorities of Survival pocket guide and rescue instructionsThe Ultimate Multi-Tool features Gerber's Safe.T.Plus system, which locks components into their usage position.View larger. When not in use this multi-tool folds down to 4 inches. View larger.Bear Grylls and Gerber Team UpThe Ultimate Multi-Tool is part of the Gerber Bear Grylls Survival Series of gear. This collaboration brings together Gerber's 70+ years of knife and gear expertise with Bear Grylls' extensive outdoor survival and adventure experience to create a one-of-a-kind line of knives, tools, and gear.From spending time in the British SAS, to scaling Mount Everest, Bear knows what it takes to be a survivor in extreme situations and multiple environments. Now he brings that knowledge to the creation of a range of items that help you make the most of your outdoor adventures.12 Components in a Single Compact ToolThe Ultimate Multi-Toollives up to its name by offering 12 components, including needle nose pliers, both fine-edge and serrated knives, a saw, a Phillips screwdriver, small and medium flat drivers, a lanyard ring, a bottle opener, a can opener, scissors, and wire cutters.Lightweight, Comfortable DesignLightweight and compact, with an open length of 6-3/10 inches, a closed length of 4 inches and an 8-4/5-ounce body, the Ultimate Multi-Tool won't weigh you down. External components make for easy access, while a spring-loaded jaw provides simplified one-handed use. And thanks to the ergonomic, textured rubber grip, you'll enjoy maximum comfort without slipping.Bear Grylls' Pocket Survival GuideSafety and Storage FeaturesAs safe as it is practical, the Ultimate Multi-Tool features Gerber's Safe.T.Plus system, which locks components into their usage position. A lightweight, military-grade sheath resists mildew as it protects the tool and makes it easier, and safer to store.Includes Bear Grylls' Pocket Survival GuideThis tool comes with land to air rescue instructions and Bear Grylls' informative Priorities of Survival pocket guide, loaded with survival basics designed to help keep you alive until you can be rescued or rescue yourself.What's in the BoxMulti-tool, nylon sheath, and pocket survival guide.From the highest peaks of the Himalayas, to the rainforests of South America, if world renowned outdoorsman Bear Grylls is on an adventure you can be sure he's equipped with the most durable outdoor gear Gerber has to offer.

Studio: Warner Home Video Release Date: 11/11/2011

Harry Potter and the Sorcerer's StoneHere's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug ThomasHarry Potter and the Chamber of SecretsFirst sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon Harry Potter and the Prisoner of Azkaban Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon Harry Potter and the Goblet of Fire The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold. But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim Harry Potter and the Order of the Phoenix Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding. Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find that this was just another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his school be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand. This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson Harry Potter and the Half-Blood Prince The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few books—it's dark, dangerous, and scary. Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date. More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson Harry Potter and the Deathly Hallows, Part I Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. KimHarry Potter and the Deathly Hallows, Part IIThe Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim

Studio: Warner Home Video Release Date: 11/11/2011

Harry Potter and the Sorcerer's StoneHere's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug ThomasHarry Potter and the Chamber of SecretsFirst sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. --Jeff Shannon Harry Potter and the Prisoner of Azkaban Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon Harry Potter and the Goblet of Fire The latest entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold. But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim Harry Potter and the Order of the Phoenix Alas! The fifth Harry Potter film has arrived. The time is long past that this can be considered a simple "children's" series--though children and adults alike will enjoy it immensely. Starting off from the dark and tragic ending of the fourth film, Harry Potter and the Order of the Phoenix begins in a somber and angst-filled tone that carries through the entire 138 minutes (the shortest of any HP movie despite being adapted from the longest book). Hopes of winning the Quidditch Cup have been replaced by woes like government corruption, distorted media spin, and the casualties of war. As the themes have matured, so have the primary characters' acting abilities. Ron (Rupert Grint), Hermione (Emma Watson), and especially Harry (Daniel Radcliffe) are more convincing than ever--in roles that are more demanding. Harry is deeply traumatized from having witnessed Cedric Diggory's murder, but he will soon find that this was just another chapter in the continuing loss he will endure. Lord Voldemort (Ralph Fiennes) has returned and, in an attempt to conceal this catastrophe from the wizarding public, the Ministry of Magic has teamed up with the wizard newspaper The Daily Prophet to smear young Potter and wise Dumbledore (Michael Gambon)--seemingly the only two people in the public eye who believe the Dark Lord has returned. With no one else to stand against the wicked Death Eaters, the Hogwarts headmaster is forced to revive his secret anti-Voldemort society, the Order of the Phoenix. This welcomes back characters like Mad-Eye Moody (Brendan Gleeson), kind Remus Lupin (David Thewlis), fatherly Sirius Black (Gary Oldman), and insidious Severus Snape (Alan Rickman), and introduces a short list of intriguing new faces. In the meantime, a semi-psychotic bureaucrat from the Ministry (brilliantly portrayed by Imelda Staunton) has seized power at Hogwarts, and Harry is forced to form a secret society of his own--lest the other young wizards at his school be left ill-equipped to defend themselves in the looming war between good and evil. In addition, Harry is filled with an inexplicable rage that only his Godfather Sirius seems to be able to understand. This film, though not as frightening as its predecessor, earns its PG-13 rating mostly because of the ever-darkening tone. As always, the loyal fans of J.K. Rowling's books will suffer huge cuts from the original plot and character developments, but make no mistake: this is a good movie. --Jordan Thompson Harry Potter and the Half-Blood Prince The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few books—it's dark, dangerous, and scary. Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy from Harry about the dark path that lies ahead, and instead provides private lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date. More dramatic and significant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson Harry Potter and the Deathly Hallows, Part I Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. KimHarry Potter and the Deathly Hallows, Part IIThe Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim