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It is frustrating and confusing for consumers to find the right leather furniture restoration process for a Do-It-Yourself (DIY) project. Unfortunately the market place is loaded with products that simply fail, giving the entire industry a black-eye. The truth is a "one-size-fits-all" solution may occasionally work but can not possibly be universally effective.
At a professional level, no two leather furniture restoration projects are identical. The products and processes applied vary based on how the leather was originally tanned, the type of leather and finally the specific issues associated with the piece.
The average consumer has no clue about these basics. Is it vegetable tanned or chromium tanned? Is the piece finished (pigment coated) or unfinished (aniline dyed only) leather? Is it bi-cast, Nubuck, split-hide or top-grain? Now add variables like mottled coloring affect, body oil accumulation, cat claw damage, fading, type of color coating, epidermal damage, pH damage, age of the leather, level of moisture loss, degree and type of staining, etc. The permutations are enormous. To be successful, the project must be approached based on the answers to these questions.
For example, the priming agents used should be chemically engineered specifically for the target piece. The primer applied to an aniline dyed leather must be different than that applied to a pigment coated leather. If not, the wrong primer could seriously stiffen a soft supple leather, essentially converting it into plastic. That's not good.
Another example is the color match. Correctly matching an existing color is an art form that is only mastered through experience. This is especially true when the original color has a mottled or color variation affect. Expecting a consumer to mix colors and arrive at the correct hue (color), value (lightness to darkness) and chroma (clarity) is asking far too much.
This is why a successful DIY leather restoration project requires a customized solution. The people assembling a leather restoration kit for a consumer should have direct hands-on knowledge of the process and a deep understanding of the restoration system's chemistry.
A sample of the existing leather and pictures of the project should be required so the technician can "know" the leather and "see" the issues. They can then do the hard part for the consumer - prepare a customized solution. The consumer's job is then simply a matter of application. To that end, sharing "know-how" via DVD or internet based video and well written instructions enhances the probability of success. This is the essence of a successful DIY program for leather restoration.
The key questions a consumer should ask before buying a DIY leather restoration kit are:
- Is your system guaranteed? (What if I ruin my furniture?)
- Who makes the products you sell? (If not you, then how well can you really understand the chemistry?)
- Are you actively restoring leather furniture professionally? (If you're not a pro doing this work, how can you help me through the process without direct hands-on experience?)
- Do you match my color for me? (Even if it's a mottled color?)
- What preparations do I have to do before applying color? (If the answer is none, expect it to fail as correctly prepping the leather is essential.)
- What if I have skin oils in my leather? (It's not solved by cleaning. It can only be solved through full oil extraction.)
- What kind of instructions are there? (Is there a DVD that comes with the system?)
- How does the system restore suppleness? (it's not just visual appearance but how the leather feels that matters.)
- Does the kit contain everything I need? (Do I have to spend money on items like application tools, etc.)
- What's the expected longevity? (Will it restore my leather to like-new condition?)
How can you be sure my leather is a candidate? (If the leather is worn out, a professional would know by looking at photos and then advice against a restoration process.)
Look for a company that will offer the highest probability of success --- a company offering a customized solution. They may not be the cheapest. But, making a decision on price alone is a big mistake. Find a company that does this work professionally with years of experience and a company that actually makes the products, not one that is just an Internet marketing company.
A good resource to learn more about leather is http://www.advleather.com. The web-site is deep and full of knowledge that will better arm you in the decision making process for your furniture.
Kevin Gillan is General Manager of Advanced Leather Solutions, Inc. There are two divisions - Service and Products. We are in the business of repairing and restoring leather furniture, automobile leather and leather garments. With 23 years in this business and more than 2,000 transactions a year I and my team of technicians have a deep experience in solving leather related problems for our customers. We are the manufacturer of the materials we use in the repair and restoration process. We support the professional leather repair and restoration industry with our products and knowledge. We have a full line of leather care products and a fully developed Do-It-Yourself (DIY) leather restoration system for our consumer clients throughout North America. Learn more about the DIY program at http://www.DIYLeatherSolutions.com
Techniques And Tools Of Movie Production
Movie Production:
With the advent of the latest technologies which gets updated each day and each moment, the knowledge of these will enable a movie maker to make best out of the techniques and tools of the movie production. Listed here are few basic techniques to start with, and understanding these will enable the individual to advance in the field of interest by browsing through the internet to grasp the tools they had been looking for. It is never a must that only the technical persons of the crew must be aware of the particular tool or the technique pertaining to their fields. In case of the directors and the producers, the awareness about the latest advents will be very significant as they can be more self-dependent and take the right decisions for presenting their movies without relying solely on the ideas of the concerned technicians. Knowing to operate these tools and making the perfect use of it in the movies is the trick which makes the movie affect the audiences psychologically or emotionally. Thus it is essential to put across the words of the script into the hearts and minds of the audiences.
The Cinematography Tools and Techniques:
Cinematography deals with the way the shots are taken, camera movement, and other choices of the shots which highly influence the masses. For instance, if it is thriller or action, the pace of the camera must match that of the quick storyline. At the same time, if the directors want to express deep feelings or emotions then again the cameras and cinematography have a say in passing the message to the audiences. Cinematography includes the ‘sets’ used and the camera view, movement, angle and shot. There are many types of shots namely the bird's eye shot, freeze frame shot, tracking shot, whip pan, close up, Dutch angle, low-angle shot, shot reverse shot, and so on. Lighting effect decides the way the place is shown in the movie. Again the suitable ones must be chosen to blend with the scenes and situations in the movies. There is the background lighting, soft light, key lightings, lens flare, mood lighting, flood lighting, and so on. The lighting is a key factor which expresses the mood of the movie and impacts the aesthetics quotients too.
Editing and Special Effects:
Editing is the process of trimming the length of the scenes or on a whole, the movie. In addition to it, the sequences in which the scenes appear in the movie are also decided by the editing teams. To perform this tricky part of the movie production, hundreds of tools are put into use. To name a few of the techniques involved in editing: establishing shot, SMPTE time code, screen direction, flashback, talking head, cross cutting, dissolve, split screen, match cut, different types of wipes and lots more. The special effects are becoming a part of all the recent movies and these can be made convincingly to please the audience by using the 3-D computer graphics, bluescreen/chroma key, optical effects, and stereoscopy.
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What is the meaning of this poem?
It is called, "Stravinsky in L.A." by Elizabeth Alexander;
Stravinsky in L.A.
In white pleated trousers, peering through green
sunshades, looking for the way the sun is red
noise, how locusts hiss to replicate the sun.
What is the visual equivalent
of syncopation? Rows of seared palms wrinkle
in the heat waves through green glass. Sprinklers
tick, tick, tick. The Watts Towers aim to split
the sky into chroma, spires tiled with rubble
nothing less than aspiration. I’ve left
minarets for sun and syncopation,
sixty-seven shades of green which I have
counted, beginning: palm leaves, front and back,
luncheon pickle, bottle glass, etcetera.
One day I will comprehend the different
grades of red. On that day I will comprehend
these people, rhythms, jazz, Simon Rodia,
Watts, Los Angeles, aspiration.
The poet reflects on the effect LA had on the European composer Stravinsky. Written from Stravinsky's point of view we read he is overwhelmed by the raw colours, heat and noise of LA. The elements seem to dance in a multitude of ways and present a feast for the senses. The composer reflects on the other colour of the spectrum...red. This colour evokes excitement and promise. It embodies the vibrancy of this city and all her live in her. Stravinsky is separate from all this but thinks if he can comprehend all the many shades of excitement, he will then understand this alien city which he observes in pleated white trousers and green shades. He stands separate from the excitement, unable to fully comprehend the life of this city. He hopes to one day embrace and understand all the exotic exciting things he has experienced.
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