Happy Puppy Vintage Computers

03354AAD Color: Wild Adventure Features: -Flat fold high chair. -Available in Hannah, Fruity Jungle and Wild Adventure colors. -Three position adjustable tray with built in cup/snack holder. -Three point harness. -Easy-wipe seat pad. -Built-in cup holder. -Built-in footrest. -Compact quick fold. -Flat lightweight design for storage and travel. -90 days manufacturer's warranty. -Assembly required. Brochure

Mix and match your own adventure with set that includes 5 magnetic figures, 8 weapons, and two interactive backgrounds. Figures are approx. 7".

Full-color, super-high resolution aerial photo poster of Disneyland and Disney's California Adventure! This poster is filled with amazing details: you can see every building and attraction, even individual Autopia cars and Teacups - right down to individual people! You also get to see the show buildings and some backstage behind-the-scenes places where guests never get to go! This poster is 24 inches wide by 36 inches high and is suitable for framing. It is professionally printed in the U.S.A. on heavy cover stock (not thin poster paper!) and has a special UV Gloss coating that resists fading so the colors will stay bright and sharp. Each poster also comes with a separate legend sheet for locating your favorite attractions plus some backstage surprises! Every order comes with a 100% Satisfaction Money-Back Guarantee - if you are not completely satisfied, we will give you a full and immediate refund.

The best soundtracks are like movies for the ears, and O Brother, Where Art Thou? joins the likes of Saturday Night Fever and The Harder They Come as cinematic pinnacles of song. The music from the Coen brothers' Depression-era film taps into the source from which the purest strains of country, blues, bluegrass, folk, and gospel music flow. Producer T Bone Burnett enlists the voices of Alison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and kindred spirits for performances of traditional material, in arrangements that are either a cappella or feature bare-bones accompaniment. Highlights range from the aching purity of Krauss's "Down to the River to Pray" to the plainspoken faith of the Whites' "Keep on the Sunny Side" to Stanley's chillingly plaintive "O Death." The album's spiritual centerpiece finds Krauss, Welch, and Harris harmonizing on "Didn't Leave Nobody but the Baby," a gospel lullaby that sounds like a chorus of Appalachian angels. --Don McLeese

The enhanced portion contains a screensaver, links to Websites, and the ability to play the music through the computer.Genre: Soundtracks & ScoresMedia Format: Compact DiskRating: Release Date: 5-DEC-2000

Admit it: If you had to pick an artist to give voice to the wackadoo thinkings of a monkey beloved by most of the American populace over age 3, you could do a lot worse than Jack Johnson. Black Eyed Peas? Too hyper. Death Cab for Cutie? Too ironic. They Might Be Giants? Too eggheaded. Johnson, though the object of much rightful jealousy--here, after all, is a guy who only stumbled into music and vaulted himself up the charts after a successful career as a pro surfer--turns out to have the goods to do H.A. Rey, Curious George's creator, proud. Fans familiar with Johnson's earlier discs will recognize a certain laconic sprawl and easy fascination in his songs that suits the theme of perpetual puzzlement perfectly (here, let's not forget, is a guy who racked up fans with songs called "Bubble Toes" and "Banana Pancakes"). That the music takes a childish turn barely registers--songs like opener "Upside Down" are classic Johnson, all wonderment and groove, and the collaborations with friends Ben Harper, G. Love, and Matt Costa warm up, wink, and scamper off before packing on the weight of excess meaning. "We're Going to Be Friends," track seven, seals the deal--when you can make the White Stripes sound compatible with the Man with the Yellow Hat, you know you've got a multi-generational winner. --Tammy La Gorce

Sing-a-longs and lullabies for the film Curious George! Curious George, Upside Down, Broken, People Watching, Wrong Turn, Talk of the Town, Jungle Gym, We're Going to be Friends

The third film in the Air Buddies series, itself a spin-off of the Air Bud series, Space Buddies features five golden retriever puppies who have a knack for getting into mischief. While the Buddies separated at the end of Air Buddies and currently live with different families, their kid owners all go to the same school and live in the same town. When the kids take a field trip to see the launch of a real space shuttle, excitement runs high and Buddha quickly gets his brothers and sister together to sneak onto the school bus and join in the fun. The dogs get the adventure of a lifetime when they tour the shuttle at the wrong time and inadvertently get launched into space on a trip to the moon. All is not as it should be in mission control, and saboteur Mr. Finkle (Kevin Weisman) may just get the whole mission scrapped--Buddies and all. Mission control's Slats (Lochlyn Monroe), remote pilot Astro (Ali Hillis), spaceship designer Pi (Bill Fagerbakke), and his pet ferret Gravity try their best to save the shuttle and the Buddies, but the success of their mission hinges on help from crazy Russian cosmonaut Yuri (Diedrich Bader) and his cosmodog Spudnick. Voice talent includes Jason Earles as Spudnick, a Russian bull terrier with a decidedly strange accent, and Josh Flitter, Liliana Mummy, Nico Ghisi, Skyler Gisondo, and Henry Hodges as the Buddies. Bonus features include a 13-minute making of featurette that includes some history about space travel and is narrated by the Buddies, bloopers, and Alyson Stoner's "Dancing in the Moonlight" music video. An adventure story with a nice message about family and teamwork, children ages 3 to 10 will enjoy Space Buddies with its cute talking puppies and not-too-scary space travel, but those seeking believability will not be impressed. --Tami Horiuchi Stills from Space Buddies (Click for larger image)

Studio: Buena Vista Home Video Release Date: 02/03/2009

Supplement your backcountry gear with Adventure Medical's Heatsheets Emergency Blanket?you'll thank us if you get stuck out there. While emergency (A.K.A. ?space?) blankets in general aren't a panacea against freezing cold, they can be tied up for improvised shelter, signal rescue teams to your location with the blaze orange side, and when used correctly, save the life of a hypothermia victim. Also, they're insanely affordable. So while the Heatsheets Blanket will never sub in for a -40 degree sleeping bag, there's also no excuse not to carry one of these tiny Adventure Medical wonders in your pack.Product FeaturesMaterial: PolyethyleneDimensions: 56 x 84in (142 x 213cm) unfoldedWeight: 2.5oz (71g)Recommended Use: Backcountry survivalManufacturer Warranty:Country of Origin: Bangladesh

The Adventure Medical Heatsheets Two Person Blanket reflects 90% of your body's heat to help keep you and your hiking partner warm through an unexpected emergency bivy. Carry this 2.8-ounce blanket in your pack whenever there exists the slightest chance that you won't make it back to the trailhead by sundown. Adventure Medical made the Heatsheets Two Person Blanket in bright orange, so it will be easy for a search party to spot you from a distance.

Mythology and the modern world collide in this epic quest for justice by Percy Jackson (Logan Lerman), your basic below-average, misfit student whose family life is a mess and who's misunderstood by everyone except his best friend, Grover (Brandon T. Jackson). A voice warns that everything is about to change as Percy enters the New Roman and Greek Art Gallery on a school field trip, and, indeed, it does. Percy's substitute teacher morphs into a mythical beast and tries to attack him, and it's revealed that Percy is the son of Poseidon, and a true demigod. Percy also discovers that Grover is really a satyr--half-human, half-goat--and his sworn protector, and that one of his teachers is a centaur--half-horse, half-man--who's more committed to Percy's education than he could ever have imagined. On top of it all, Percy is the prime suspect in the recent theft of Zeus's lightning bolt and is being hunted by the gods. Following these shocking revelations, Percy is taken to a special training camp to learn to control and use his exceptional powers, and in the process, his mother is imprisoned by Hades. Against all advice, Percy, his protector Grover, and Annabeth (Alexandra Daddario), daughter of Athena, leave camp to rescue Percy's mother from the underworld. Their quest is extremely dangerous and puts them squarely in the path of Medusa (Uma Thurman), with her venomous hair and gaze that turns people to stone. The three also battle a five-headed, fire-breathing beast and visit a Las Vegas casino patrons never leave, and finally they find themselves deep in the underworld, at the mercy of the unpredictable Persephone, wife of Hades. Somehow, Percy must both convince the gods he did not steal Zeus's lightning and prevent a war of the gods that could potentially destroy the entire world. Based on the books by Rick Riordan, Percy Jackson and the Olympians: The Lightning Thief is an exciting action film rich with ancient mythology, yet set squarely in the 21st century. Enriched by strong special effects and some potently disturbing images, it is a powerful story about family, trust, determination, and love. (Ages 11 and older) --Tami Horiuchi

A TEENAGER DISCOVERS HE'S THE DESCENDANT OF A GREEK GOD AND SETS OUT ON AN ADVENTURE TO SETTLE AN ON-GOING BATTLE BETWEEN THE GODS.

When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon

When a monolith is found on the moon, astronauts equipped with a superintelligent computer attempt to find its origins.

What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that head-spinning to a minimum. On the DVD Commentaries by various cast members and producers reveal little other than the occasional easter egg (the Dharma logo on the shark fin, Walt's mumbling translating to "Don't push the button; the button is bad" backwards). But disc seven opens with an eerie Hanso Foundation instructional video, leading you to eight hours of bonus features, including cast members' own theories, deleted scenes, and featurettes on specific episodes. It's all well and good for Lost fanatics, but if you want the cream of the crop, check out: "Lost Connections," an interactive feature that reveals how all the islanders are actually linked (for instance, one of the officers who captured Sayid during the Gulf War is Kate's father); a Channel UK promo for the show directed by David LaChappelle in which cast members suck in their cheeks and, dressed in evening wear, tango in slow motion as if in a Calvin Klein ad (it has to be a joke, right?); and "The World According to Sawyer," which strings together each of the un-PC nicknames and pop culture references spewed by Holloway's character. Favorites include "Chewie" for Jin and "Ponce de Leon" for Ana Lucia. It's by far the cherry on top of a sweet dessert. --Ellen A. Kim

Follows the lives of survivors after their plane crashes on an island thousands of miles off its original course.