Happy Puppy Vintage Computers

This high quality ceramic mug makes a great gift for anyone! The design is adhered through a heat process that makes it durable and long lasting. The colors won't fade, so the mug can be enjoyed for years to come!

This high quality ceramic mug makes a great gift for anyone! The design is on both sides of the mug! The image is adhered through a heat process that makes it durable and long lasting. The colors won't fade, so the mug can be enjoyed for years to come!

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

It's no coincidence that most top 40 rappers are under 25: rap revels in misspent youth. Which makes Common's adventures in adulthood so interesting. He's an astounding lyricist, always has been. But with Like Water for Chocolate he's made the tricky transition from b-boy to b-man without losing the magic. Chocolate may be a mature album, but it ain't stern: hilarious, poetic, musical, and intensely personal, this is Common at his finest. --Lizz Mendez Berry

How can such a self-righteous rapper be so much fun to hear? Common, like so many carrying the banner for alternative hip-hop, casts himself as the enemy of all things commercial ("That jiggy shit is over / The war is on, I only wanna be a soldier / I'm holdin' on to a culture"), yet he also insists on getting paid. Like Water for Chocolate is full of such contradictions: while often exciting, Common also maddens with his casual homophobia and sneers at those he sees as lesser artists. He doesn't lack a sense of humor, though, as witnessed by the likes of "A Film Called (Pimp)" (featuring MC Lyte) and titles such as "Payback Is a Grandmother." The latter track is something of a conceptual coup, expanding Common's pro-family message into the realm of a cinematic revenge fantasy against some thugs who rob one of his relatives. Such displays of imagination--and the thick, layered funk throughout--ultimately make this a superbly playable disc. --Rickey Wright

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

14 track Howard score. Light scuffs on disc will not affect play.

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

Hollywood superstar Bruce Willis (ARMAGEDDON, THE SIEGE) brings a powerful presence to an edge-of-your-seat thriller from writer-director M. Night Shyamalan (Oscar(R)-nominee for Best Original Screenplay and Best Director) that critics are calling one of the greatest ghost stories ever filmed. When Dr. Malcolm Crowe (Willis), a distinguished child psychologist, meets Cole Sear (Oscar(R)-nominee Haley Joel Osment, Best Supporting Actor), a frightened, confused, eight-year-old, Dr. Crowe is completely unprepared to face the truth of what haunts Cole. With a riveting intensity you'll find thoroughly chilling, the discovery of Cole's incredible sixth sense leads them to mysterious places with unforgettable consequences!

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

This 74 cu ft capacity Resource Saver dryer features 6th Sense technology including the AccelerCare drying system which uses advanced software and sensors to provide optimal drying The energy-saving Eco Normal dryer cycle and an Eco Monitor help you ...

6th Sense 50-Gallon Tall Gas Water Heater (Natural Gas)

Haunted by his failure to help a former patient who shot him before killing himself a year earlier, Philadelphia child psychologist Bruce Willis sees a chance for redemption when he tries to help 8-year-old Haley Joel Osment, who likewise is haunted--literally, in his case. Writer/director M. Night Shyamalan's eerie supernatural thriller, with a twist ending that demands more than one viewing, also stars Toni Collette, Olivia Williams. 107 min. Widescreen (Enhanced); Soundtracks: English Dolby 5.1, French Dolby 5.1; biographies; deleted scenes; featurettes; interviews; scene access.

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

Haunted by his failure to help a former patient who shot him before killing himself a year earlier, Philadelphia child psychologist Bruce Willis sees a chance for redemption when he tries to help 8-year-old Haley Joel Osment, who likewise is haunted--literally, in his case. Writer/director M. Night Shyamalan's eerie supernatural thriller, with a twist ending that demands more than one viewing, also stars Toni Collette, Olivia Williams. 107 min.

"I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart

Inspirational, large-scale drama starring Ingrid Bergman as a British domestic who travels to China shortly before World War II to help a missionary care for the locals and convert them to Christianity. She eventually falls in love with an army officer (Curt Jurgens) and courageously leads a group of children to safety during a Japanese invasion. Robert Donat also stars. 158 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital stereo, Dolby Digital mono, Spanish Dolby Digital mono, French Dolby Digital mono; Subtitles: English, Spanish; audio commentary; newsreel footage; premiere footage.

An epic and extraordinary true story--or, at least, an extraordinary story based on a novel (Alan Burgess's The Small Woman) based on a true story. Gladys Aylward (an improbably mesmerizing Ingrid Bergman) is a British would-be missionary with an obsession about China. As she has no experience, the Missionary Society won't let her go, but she goes anyway, alone, to a remote northern province. She is hated, then loved; finally she becomes both a significant political figure and the heroine of a miraculous escape in which she shepherds 100 children to safety across the mountains just ahead of a Japanese invasion. Curt Jurgens is suitably stony as Lin Nan, the half-Dutch, half-Chinese military officer who falls in love with her, and a visibly ailing Robert Donat (who died before this, his final film, was released) is the wily local mandarin who sees and makes use of her extraordinary abilities. Directed by Mark Robson, The Inn of the Sixth Happiness is a sweeping, stirring tearjerker, a big tale told in a big landscape with acres of orchestrated strings by Malcolm Arnold. A beautiful and beautifully made film that's a classic of the "everyone said I couldn't but I did it anyway" genre. --Richard Farr

Confessions Exotic 6th Dimension Bronzing Lotion with Cellutox Anti-Wrinkle & Firming Formula It's time to confess your dark tanning secret. Others are drawn to your mysteriously healthy, younger-looking skin achieved with the magical Cellutox Anti-Wrinkle & Firming Formula and 24-hour moisture power. Your deep, enchanting tan will be the only thing darker than your secrets! 6th Dimension Bronzers: Six CellDark potent bronzers for dark, long-lasting color PLUS immediate color that lasts up to 8 days Cellutox Anti-Wrinkle & Firming Formula: "Botox alternative" visibly firms, tones and moisturizes, helping to prevent the appearance of fine lines and wrinkles Moisture Power: 24-hour continuous hydration for healthy skin ConfessionsTM is an Exotic 6th Dimension Bronzing Lotion with CellutoxTM Anti-Wrinkle and Firming Formula. Your color of love is black! People are drawn immediately to your strength and confindence, but many also sense the unknown in you. Great rewards await anyone brave enough to explore the depths of your spellbinding personality. You radiate elegance and grace and your intense magnetism demands the darkest of all tans. Formula is great for men because the fragrance is neutral and not feminine. Fragrance: Patchouli 13.5 oz

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