Happy Puppy Vintage Computers

The Elite Brewing System is Keurig's gourmet home brewing made affordable. The Elite Brewing System, the most affordably priced Keurig kitchen brewing system, offers K-Cup® coffee, tea and hot cocoa brewing as the elite choice to any drip coffee maker. The Elite offers two cup sizes for brewing options with the programmable feature of Auto Off. The 48-ounce removable water reservoir holds up to 6 cups before refilling and for the removable drip tray allows for easy cleaning and the use of travel mugs.At initial set up, once the machine is filled with water, it will take approximately 4-minutes for the water will be heated. During the heating period the red light next to 'HEATING' on the LED Control Center will become illuminated. Once the water is heated, the red light will turn off and the Small Mug Button will flash. Press the Small Mug Button to start a cleansing brew. Pour the hot water into the sink. The Brewer may take 15 seconds to reheat water between brews during which time the red light next to 'HEATING' on the LED Control Center may be illuminated. When the water has heated, the red light will turn off. The one-time set-up process is now complete and you are ready to brew!

The Elite Brewing System is Keurig's gourmet home brewing made affordable. The Elite Brewing System, the most affordably priced Keurig kitchen brewing system, offers K-Cup® coffee, tea and hot cocoa brewing as the elite choice to any drip coffee maker. The Elite offers two cup sizes for brewing options with the programmable feature of Auto Off. The 48-ounce removable water reservoir holds up to 6 cups before refilling and for the removable drip tray allows for easy cleaning and the use of travel mugs.At initial set up, once the machine is filled with water, it will take approximately 4-minutes for the water will be heated. During the heating period the red light next to 'HEATING' on the LED Control Center will become illuminated. Once the water is heated, the red light will turn off and the Small Mug Button will flash. Press the Small Mug Button to start a cleansing brew. Pour the hot water into the sink. The Brewer may take 15 seconds to reheat water between brews during which time the red light next to 'HEATING' on the LED Control Center may be illuminated. When the water has heated, the red light will turn off. The one-time set-up process is now complete and you are ready to brew!

What happens when three of the world's finest rock guitarists gather to discuss music? Find out in this engrossing documentary that brings together Led Zeppelin's Jimmy Page, U2's The Edge, and The White Stripes' Jack White for a candid conversation about the impact that the invention of the electric guitar has had on society as well as their lives and careers. 98 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), Spanish, Arabic, Portuguese.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White (of the White Stripes, the Raconteurs, and the Dead Weather) was described by one music publication as "the most significant rock 'n' roll figure of the past ten years." Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now (never a virtuoso soloist, he developed a style based on texture and a mind-boggling array of effects); and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a "guitar" from a plank of wood, a piece of wire, and a Coke bottle (he also plays a recording by the primitive bluesman Son House, featuring just voice and handclaps, that White says is still his biggest inspiration). The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep's "In My Time of Dying" (with all three playing slide guitar) and the Band's "The Weight." It's hard to say if the film's appeal will extend beyond guitar freaks and fans of these particular bands, but at the very least, It Might Get Loud offers some interesting insight into the soul and inspiration behind some of pop's best and most popular music. --Sam Graham

CD

The Daredevil soundtrack provided a nice boost for this previously unknown quartet from Little Rock, Arkansas. Evanescence's songs "My Immortal" and the imposing "Bring Me to Life" are clear standouts in the film, mainly because they work so well with the dramatic, eerie undertones of the storyline. They reappear here on the band's debut, alongside a selection of similarly brooding tracks that evoke pensive artists like Tori Amos and the Cranberries. Vocalist Amy Lee has the kind of voice that can cause weeks of insomnia, but on songs like "Tourniquet" and "Haunted" she belies the music's sinister mood with evenhanded spirituality, thoughtfully letting some light shine through the tempest. --Aidin Vaziri

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

In space no one can hear you kvell as you open this deluxe collector's set. Along with "Alien" (1979 theatrical version and 2003 director's cut), "Aliens" (1986 theatrical version and 1991 special edition), "Alien 3" (1992 theatrical version and 2003 special edition), and "Alien Resurrection" (1997 theatrical version and 2003 special edition), there's also two bonus discs bursting with extra features. Six-disc set.

Review of AlienA landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff ShannonReview of AliensAliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall FineReview of Alien 3The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall FineReview of Alien ResurrectionPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

It's hard to see just where the Alien Anthology Blu-ray boxset could have been improved. Nominally a collection of the four main films in the franchise, what's actually been bundled together here is one of the finest DVD or Blu-ray boxsets to date, boasting a series of features that genuinely go into a lot of depth about the movies themselves. And what movies they are. Alien and Aliens are both exceptional pieces of cinema, and rightly regarded as classics in their own right. Alien 3, meanwhile, has to be classed as an interesting and muddled failure, yet it's still got a lot to like about it. Alien: Resurrection? It's perhaps the least ambitious of the four films, but in the early stages at least, it's still with merit. Each of the films is presently strongly, surprising given the variable DVD versions of each we've seen to date. But it's the mammoth package of extras that set a template for pretty much every other Blu-ray boxset on the market. Spread across six discs, you not only get two cuts of each film, but you get extra features that are as impressive as they comprehensive. Presented brilliantly, it's an unmissable box set, and you get at least two all-time classics as part of it. --Jon Foster

Four-disc set includes the extended versions of "The Girl with the Dragon Tattoo" (2009), "The Girl Who Played with Fire," and "The Girl Who Kicked the Hornet's Nest." 11 hrs. total. Widescreen (Enhanced); Soundtracks: Swedish DTS HD 5.1 Master Audio, English DTS HD 5.1 Master Audio; Subtitles: English; "making of" documentary; featurettes; interviews; theatrical trailers; more. In Swedish with English subtitles/Dubbed in English.

This product offers peace of mind for anyone who has ever worried about car maintenance and repairs. The easy-to-use device, which fits inside a purse or glove compartment, empowers drivers to monitor their vehicles health. The CarMD tool can be used to quick-check an unlimited number of vehicles. Within seconds, its color-coded (green, yellow, red) vehicle health monitor LED's tell you if your vehicle has any hidden problems, which is beneficial when inspecting a used car, preparing for a road trip or to find out if you will pass your emissions test. Plug the tool into your Mac or PC using the included USB cable and software plus your own internet connection, to generate a detailed report with most likely fix and estimated repair costs. By knowing which parts are needed and the labor costs, you can decide whether to tackle repairs yourself or better speak your mechanics language.

Blade length: 3 1/8" Closed length: 4 1/4" Steel: Sandvik 13C26 Stainless Chromium Steel; StonewashedHandle: 6061-T6 Aluminum with G10 Overlays

One of Kershaw's most popular knives, the Skyline pocketknife is ideal for around-town use. The super-slim Skyline features a 3-1/8-inch blade made of Sandvik 14C28N stainless steel, chosen for its hardness, excellent corrosion resistance, and ability to be sharpened to a perfect Kershaw shaving-sharp edge. The blade's good looks stem from its attractive stonewashed bead-blast finish. The knife also includes a textured G-10 handle in basic black that provides a secure grip, along with a sturdy locking liner that keeps the blade safely in place until you release it. And the knife's Flipper opens easily with the index finger of either hand. The Skyline comes with a removable pocket clip that can be reversed for tip-up or tip-down carry. Specifications Steel: Sandvik 14C28N bead-blasted finish Handle: Textured black G-10 Blade length: 3-1/8 inches Closed length: 4-1/4 inches Overall length: 7-3/8 inches Weight: 2.3 ounces

The Spartans were a tough breed, trained from childhood in the art of war and inured to most privations, both mental and physical. Designed by Andrew Demko, the Cold Steel Spartan pays tribute to the Spartans' vivid history while accommodating the demands of a tamer, more sophisticated world. The knife starts with a 4-1/2-inch blade that evokes the classic Kopis of the ancients, with its characteristic re-curved edge, big belly, and sharp, acute point. The blade is hollow ground from Japanese AUS 8A stainless steel and has some similarities with a Kukri, including an edge that's always positioned at an angle to the cut to produce a deep sheering effect. However, because the point is narrower and more acute than most Kukri blades, the knife stabs almost as well as it cuts. The Spartan also echoes the ancient Kopis in its handle, which is designed to help the hand resist the pull of centrifugal force. As a result, the handle retards forward momentum when stabbing and backward movement when hammering or smashing with its pommel. The injection-molded Grivory handle is also heavily contoured for comfort, and features irregular fluting and a heavily textured surface finish. This creates an exceptionally effective grip. To ensure quick-draw opening, the Spartan features a dual thumb plate. You can use the plate to open the knife like a conventional one-handed opener, or snag it on the edge of a pocket during the draw stroke and open it automatically (the Spartan includes dual pocket clips to ensure ambidextrous carrying). Finally, the Spartan incorporates Cold Steel's Tri-Ad locking mechanism, which has proven under torture testing to be almost impervious to stress, strain, and shock. The mechanism is almost impossible to overcome, keeping you safe from accidental opening. Specifications Blade thickness: 4mm Blade length: 4-1/2 inches Steel: Japanese AUS 8A stainless Handle material: Grivory with steel liners Handle length: 6 inches Pocket/belt clip: Ambidextrous stainless Battle Gear Overall length: 10-1/2 inches Weight: 7.5 ounces

4 1/2 in. AUS 8A stainless steel blade with Grivory handle that includes pommel Tri-ad ambidextrious pocket clip and thumb plate. Overall length is 10 1/2 in. ATTRIBUTES Blade Detail: Plain Blade Length (inches): 4.50 Blade Material: AUS8A Carry System: Pocket Clip Handle Material: Grivory Lock Style: Lock Back Overall Length (inches): 10.50

Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed. It's a more rural England that we see here, circa 1790 (as opposed to Austen's early 19th century), in which Elizabeth Bennet (Keira Knightley) is one of several sisters primed for marriage, with an anxious mother (Brenda Blethyn) only too desperate to see her daughters paired off with the finest, richest husbands available. Elizabeth is strong-willed and opinionated, but her head (not to mention her pride and prejudice) lead her heart astray when she meets the wealthy Mr. Darcy (Matthew Macfadyen), whose own sense of decency and discretion (not to mention his pride and prejudice) prevent him from expressing his mutual affection. They're clearly meant for each other, and as Knightley's performance lights up the screen (still young enough to be girlishly impertinent, yet wise beyond her 20 years), Austen's timeless romance yields yet another timeless adaptation, easily on par with the beloved BBC miniseries that has been embraced by millions since originally broadcast in 1995. Individual tastes will vary as to which version should be considered "definitive," but with a stellar supporting cast including Judi Dench and Donald Sutherland, this impeccable production achieves its own kind of perfection. --Jeff Shannon

One of the greatest love stories of all time, Pride & Prejudice, comes to the screen in a glorious new adaptation starring Keira Knightley. When Elizabeth Bennett (Knightley) meets the handsome Mr. Darcy (Matthew MacFadyen), she believes he is the last man on earth she could ever marry. But as their lives become intertwined in an unexpected adventure, she finds herself captivated by the very person she swore to loathe for all eternity. Based on the beloved masterpiece by Jane Austen, it is the classic tale of love and misunderstanding that sparkles with romance, wit and emotional force. Critics are calling it "Exhilarating. A joy from start to finish" (Carina Chocano, Los Angeles Times).

Features include: •MPAA Rating: PG•Format: DVD•Runtime: 123 minutes

The "greatest racehorse of all time" mantle fits easily around the neck of Secretariat, the 1973 Triple Crown winner. So why not a movie version of this champion's life? Secretariat begins in the late '60s, with some good behind-the-scenes material on how thoroughbreds come to be (there's flavorful atmosphere inside the horsey world, including an account of Secretariat's ownership being decided by a coin flip as part of an old-school agreement). A highly lacquered Diane Lane plays Penny Chenery, the inheritor of her father's stables, who segues from being an all-American mom to running a major horse-racing franchise; reliable character-actor support comes in the form of John Malkovich, as a gaudily outfitted trainer, and Margo Martindale, as Chenery's assistant. Screenwriter Mike Rich and director Randall Wallace must do some heavy lifting to make Lane's privileged millionaire into some sort of underdog--luckily, the hidebound traditions of the male-dominated racing scene provide some sources of outrage. The need to stack the deck even more leads the movie into its more contrived scenes, unfortunately, as though we needed dastardly villains in order to root for Penny and her horse. Meanwhile, attempts to reach for a little Seabiscuit-style social relevance don't come off, and a curious religious undertone might make you wonder whether we're meant to assume that God chose Secretariat over some less-deserving equine. The actual excitement of the races can't be denied, however, and Secretariat's awe-inspiring win at the Belmont Stakes remains a jaw-dropping, still-unequaled display of domination in that event. And maybe in sports. --Robert Horton

Powerful ionic technology hair dyer. Quiet, powerful AC motor. 1875 watts, 3 speed/2 speed switch. Ceramic and ionic technology for healthier hair. 2 concentrator attachments and removable filter included. Manufacturer's warranty included.