Happy Puppy Vintage Computers

A great big idea for salads and much more. Slices and shreds right where you want for perfect salads and much much more. Professional speed power and convenience. Includes thick and thin slice cones ripple cut cone shredding cone and funnel guide.

Five-fingered flexi-grip. For left or right hand. Withstands extreme heat up to 480 degrees F. The Ove Glove is perfect for the kitchen, barbeque and handling hot surfaces around the house. The Ove Glove exterior layer is made of DuPont Nomex and Kevlar. Interior layer of soft doubleknit cotton. Machine washable. The thermal properties of The Ove Glove outer layer, which is made of Nomex and Kevlar dramatically extend the time you can handle a hot object in your hands. The tough exterior of this glove forms a thermal isolation barrier, slowing the temperature increase in the interior layer of soft doubleknit cotton. When exposed to an open flame, the outer layer of glove does not catch fire and does not melt. The Ove Glove's outer layer is made of 86% Nomex and 14% Kevlar. Classified UL: Protective kitchen apparel as to heat and flame resistant only. Maximum surface temperature 480 degrees F.

This is the original "red plate" imported from Germany where it is carefully made by Waechtersbach, producer of world famous ceramics noted for their brilliant, deep color. This plate is a perfect complement to Waechtersbach's solid cherry red dinnerware, formerly known as the "Fun Factory" line. Set the table in red and replace one setting with the "you are special" plate to honor a guest or celebrate an ocassion.

Track Notes from Neil Diamond: 1. Forever In Blue Jeans — “Forever in Blue Jeans” was inspired by guitarist Richard Bennett’s wonderful opening guitar lick which he first played for me while we were out on the road. That guitar lick was so seductive that the melody I started singing over his guitar practically wrote itself. When we returned to L.A. we were anxious to get into the studio and put the finished (we thought) song on tape. After running through it with my band a few times, we all realized that we needed to add another musical section to make the record really work. We called a 15 minute break, right in the middle of the recording session, while Richard and I sat down at the piano and hashed out a brand new section with a lyric of its own (“Maybe tonight...” ). This new, unplanned section (instantly orchestrated by arranger Tom Hensley) would become one of my favorite parts of the record. Necessity really did prove to be the mother of invention on this wonderful Bob Gaudio production. 2. Beautiful Noise — I remember Garth Hudson of The Band sitting at his huge self built pipe organ and playing the solo of this record at the Beautiful Noise session. What he played completely floored us as he filled the musical track with an amazing sound that helped keep the record alive and interesting. Thank you Garth. 3. Love On The Rocks — “Love on the Rocks” was performed live for the cameras on the set of The Jazz Singer movie. This is something that’s hardly ever done in movies as they prefer to have the singer lip-sync the vocals of a pre-recorded track. All the songs in The Jazz Singer were done live because I’m terrible at lip-syncing. 4. Cherry, Cherry — Ellie Greenwich, Jeff Barry, Artie Butler and I made a fun little demo of “Cherry, Cherry” to use as a guide for an upcoming recording session of the song. We never could top that unpretentious, good feeling demo at the full session, so they ended up releasing the demo. It went top five in America and marked the true beginning of my career in music. 5. I Am…I Said — “I Am...I Said” took four months of writing day and night to complete. When the song was finally finished, a great Lee Holdridge string and horn chart was written and recorded. An immaculate Tom Catalano production completed this musical journey. It was nominated for a Grammy and still gives me chills when I perform it. 6. Sweet Caroline — “Sweet Caroline” was written in a Memphis hotel room the night before it was recorded. The next day I walked the song over to American Sound Studio and played it through for producer Tommy Cogbill and the studio house band (Reggie Young on guitar, Mike Leech on bass, Bobby Emmons on the Hammond B-3 organ, Bobby Woods on acoustic piano and Gene Chrisman on drums). This little group created the basic track of one of my biggest and most durable hits ever. Co-producer Tom Catalano then brought in arranger Charlie Calello who wrote the unforgettable string and horn charts (bah-bah-bah) which were recorded later in New York City. This record was an unexpected gift from the Gods of music. One that made us all look so good, so good, so good! 7. Cracklin’ Rosie — While chatting with a Canadian fan one day I was told the story of an Indian tribe on a reservation in Canada which had a deficit in the number of women. This meant that those unfortunate single men would buy an inexpensive bottle of wine called Crackling Rosé to keep them company on Saturday nights. This wine would become their date for the evening and they called her Cracklin’ Rosie. That was all the story I needed to hear to write this song. It ended up being my first #1 record as an artist. For a recording artist there is no bigger thrill. 8. Play Me — We discovered during its recording session that “Play Me” didn’t feel quite right in the 4⁄4 time signature that I had written it in. Guitarist Richard Bennett came up with the solution by playing his guitar picking lick in 3⁄4 time. This new time signature made all the difference in the world as the song settled into its own natural feel. I thanked Richard for pointing me in the right direction by giving him my beloved Everly Brothers acoustic guitar on the spot. He returned it to me years later knowing how much I missed it. That guitar now resides at the Grammy museum in Los Angeles. 9. I’m A Believer — I don’t remember too much about writing or recording “I’m a Believer.” At the time it was just another one of the songs I had written for my second album on Bang Records. I do remember though, the Monkees recording it and taking it to #1 on the charts and it becoming the biggest selling single of the year. It’s hard to forget stuff like that. 10. Girl, You’ll Be A Woman Soon — This was my love song to all the screaming teeny-boppers at my early shows. 11. Holly Holy — Tommy Cogbill produced the basic tracks of “Holly Holy” in Memphis with the super-hot American Sound Studio house band. When co-producer Tom Catalano and I hand carried the boxes of recording tape through the Memphis airport to L.A. the next day, we held them like they were newborn babies because we both felt there was a miracle on those tracks. When we got back to L.A., Tom brought in arranger Lee Holdridge who was inspired enough by the tracks to write the most magnificent string and choral parts. When engineer Armin Steiner played it back all together, we knew we had somehow captured lightning in a bottle. This was a once in a lifetime recording experience for me. 12. Solitary Man — “Solitary Man” was a first for me in many ways. My first chart record as an artist, my first recorded performance with great professional musicians, the very best engineers, and two producers at the top of their game, Jeff Barry and Ellie Greenwich. These elements together made my first important musical introduction to the public one that I was thrilled to put my name on. 13. Song Sung Blue — I wish I could remember who played that electric piano riff on the opening of this record. I still love it. Also, it was my second #1 record as an artist. 14. You Don’t Bring Me Flowers — This song was written at the request of television producer Norman Lear. He wanted it used as a theme song for a new “male-female role reversal” TV sitcom called All That Glitters (why else would a guy be singing about not getting flowers?). Marilyn and Alan Bergman and I wrote the lyric first and then I went off to set it to music. It didn’t take long, the lyric was written to be sung. The song itself begged to be a duet and eventually my friend Barbra Streisand heard it and agreed. My third #1 single was shared with my favorite girl singer. What fun! 15. Hello Again — Alan Lindgren and I wrote this song at drummer Dennis St. John’s beach pad in a smoky haze of good fellowship. 16. Red, Red Wine — “Red, Red Wine” was recorded for Bang Records in 1967. Soon afterwards, I left the Bang Records label. After I left, the people at Bang began to release everything I had ever recorded while I was with them, whether it was complete or not. They decided to throw in some violins to the very understated track I did for “Red, Red Wine” and then released it. I didn’t like their version very much but I swallowed it and moved on. Years later the group UB40 released the song in a terrific reggae version. The fact that UB40’s record went to #1 on the charts helped soothe my hurt pride. #1 records have a way of making all the hurt go away. 17. If You Know What I Mean — This is one of my favorite songs from the BeautifulNoise album. Robbie Robertson did a masterful job of producing this entire album. 18. Brother Love’s Traveling Salvation Show — This very unique record (produced by Tommy Cogbill and Chips Moman) was another Memphis creation (circa 1969). Bobby Woods on piano and Mike Leech on bass led me and the band to the promised land with this track. “Brother Love” was a very odd single (you couldn’t dance to it because of all the tempo changes) but it caught on nonetheless. Almost immediately, it became one of my favorite songs to perform live and remains my show closer after more than forty years. Now that’s what I call longevity! 19. Pretty Amazing Grace — “Pretty Amazing Grace” is one of the offspring of my two Rick Rubin produced albums, 12 Songs and Home Before Dark. I familiarized the band in the studio with it by having us practice the instrumental guitar section that can be heard about three quarters of the way through. Once we got that part down, the rest of the tune just fell into place. Of course it takes great musicians to make things just “fall into place.” I was lucky to have them and a great producer on those sessions. 20. Kentucky Woman — I wrote “Kentucky Woman” in an old limo that I had just purchased from a funeral home to carry me through a touring version of Dick Clark’s Where the Action Is T.V. show. It was my very first tour and I didn’t know exactly what to expect so I prepared myself to do a lot of writing in transit. My keyboard player Max Sandler drove that ’57 Cadillac limo as I sat in the roomy back seat cradling my guitar and writing songs throughout that entire thirty-two city, twenty-eight day tour. This song was started as we approached our play date in Paducah, Kentucky. 21. Shilo — “Shilo” set a higher lyrical standard for me than anything I had written before on Bang Records because it had a little story to tell. I wanted this record out as a single and Bang Records did not. They offered to release it if I were willing to re-sign with them for another two years. I refused, believing that I had earned the right to choose my own single after all the success we’d had. I finally left Bang and my producers Jeff Barry and Ellie Greenwich over this song. I don’t regret it and I guess it turned out okay in the end but I’ll always miss the excitement of those Bang Years. 22. America — For me, the song “America” provided the heart and soul of The Jazz Singer film. The satisfaction I felt from popularizing that song made the reviews I got as an actor sting a little less. 23. Hell Yeah — This self-revelation poured out of me as the last of the thirty songs I had written for contention in my 12 Songs album. “Hell Yeah” is an affirmation of a lifetime spent devoted to music and my attempt to find a personally satisfying life for myself beyond the music. I have that life now but it was a much harder job than I thought possible. Still, well worth all the years and all the tears. I wish I could personally thank the hundreds of musicians, arrangers, and engineers who, along with the producers, spent long days and nights in studios around the country to make these recordings vibrate and thrill. As a songwriter I can only humbly bow down and thank them all from the depths of my heart for giving wings to my dreams. —Neil Diamond

2011 career-spanning collection from the veteran singer/songwriter. From his early steps as a songwriter in the '60s to his world-dominating success in the '70s and beyond, Neil Diamond has created some of this generation's best-loved songs. Included here are all of his major hits including 'I Am I Said', 'Solitary Man', 'Forever In Blue Jeans', 'Play Me', 'Cracklin' Rosie', 'America', 'Pretty Amazing Grace' and many more. 23 tracks.

Few vocalists can muster the power and sass of Etta James when she's rocking the mike on classic R&B tunes like "Tell Mama" or "Something's Got a Hold on Me." But James also had a way with a ballad, and her sensitive readings of songs such as "At Last" and "All I Could Do Was Cry" made her a fan favorite in the early '60s. Had she not been sidelined for a while by an addiction to heroin, today we might think of James, not Aretha, as the Queen of Soul. Because this set offers only 11 cuts, it's generally inferior to Her Best: The Chess 50th Anniversary Collection, which boasts 20 tunes. Still, it's a satisfying intro to the delightful "Miss Peaches" nonetheless. --Daniel Durchholz

The 20th Century Masters series is the best-selling single-artist line in music history and is being re-released by Universal Music Enterprises (UMe) in its ground-breaking, environmentally-friendly packaging format. A first for the music industry, the standard package (both sleeve and tray) will be completely paper-recyclable, continuing the company's long-standing commitment to being "green."To further reduce the amount of paper in the Eco-Pack, the CD booklet will no longer be offered. Official liner notes are easily accessible on the Internet at http://www.ilovethatsong.com/green.UMe is the first North American music company to replace the traditional jewel case with recycled paperboard sleeves and the plastic tray with trays made from PaperFoam®, a new packaging technology from Shorewood Packaging, a business of International Paper, that is paper-recyclable and biodegradable. Shorewood Packaging is the first North American packaging supplier to produce disc trays from PaperFoam®.

Whether she sings string-laden pop ballads, lively soul, or gritty electric blues, James's high-powered, enormously expressive voice displays a knack for passionate blues inflections. Emotionally charged ballads including "At Last" and "All I Could Do is Cry" find James blasting through the orchestra with unearthly wails and moans. "If I Can't Have You," a duet with Harvey Fuqua, drops the orchestra in favor of horn-driven R&B and "Something's Got a Hold On Me" is a gospel-flavored romp reminiscent of Ray Charles. A live version of Jimmy Reed's "Baby, What You Want Me to Do" shows her raunchiest Chicago-blues style, and "In the Basement," with Sugar Pie DeSanto, is a funky workout. Also here are three classics from her soul-drenched 1967 Muscle Shoals sessions. --Marc Greilsamer

Her Best - The Chess 50th Anniversary Collection by Etta JamesThis product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

4 video set Basic, instructional, 8 min workout , advanced 4 vhs in all

Billed as the "future of fitness" and hawked by numerous celebrities, Billy Blanks's Tae-Bo actually deserves much of the hype it's receiving. A mixture of boxing punches and martial arts kicks, Tae-Bo is fun and easy. One of the best elements of this two-tape set is that the first tape (which is 40 minutes long), Tae-Bo: Instructional, lays out the movements you need to successfully complete a workout. Once you've mastered the steps, you won't have to fast-forward through half the tape to get to the workout, nor will your workout be slowed down by the repeated lessons. After you feel comfortable with the movements (and they're really quite easy to follow; nothing too complicated to trip you up), you're ready to move on to Tae-Bo: Basics, a 27-minute workout (5 minutes of warm-up, 18 minutes of Tae-Bo, and 4 minutes of cool-down) that will have your heart pounding and your body sweating. The only downside to this tape is the less-than-exciting music. Blanks, a seven-time World Martial Arts champion, is a superb instructor, providing encouragement and careful instruction (if you don't know by the end of the tape to hold in your stomach, that's no one's fault but your own). Not only is Tae-Bo great exercise for all levels, but the punches and kicks are wonderful for working out stress and aggression. This is the aerobics exercise video for people who are bored by aerobics. --Jenny Brown

Billed as the "future of fitness" and hawked by numerous celebrities, Billy Blanks's Tae-Bo actually deserves much of the hype it's receiving. A mixture of boxing punches and martial arts kicks, Tae-Bo is fun and easy. One of the best elements of this four-tape set is that the first tape (which is 40 minutes long), Tae-Bo: Instructional, lays out the movements you need to successfully complete a workout. Once you've mastered the steps, you won't have to fast-forward through half the tape to get to the workout, nor will your workout be slowed down by the repeated lessons. After you feel comfortable with the movements (and they're really quite easy to follow; nothing too complicated to trip you up), you're ready to move on to Tae-Bo: Basics, a 27-minute workout (5 minutes of warm-up, 18 minutes of Tae-Bo, and 4 minutes of cool-down) that will have your heart pounding and your body sweating. Next comes Advanced, a 57-minute workout that will have your heart racing, pulse pounding, and sweat glands working overtime. There's razzmatazz on the moves, with slightly more complicated combinations that should be fairly easy to master if you've completed the first two tapes. This video seriously raises the bar on the difficulty factor. In addition to the short warm-up, the cool-down, and the 30 minutes of Tae-Bo, Advanced Tae-Bo also includes 18 minutes of muscle-crunching floor work. You know you're in trouble when even the guys in the tape have trouble keeping up. Make sure you have truly mastered the first two tapes before attempting this one. The 8-Minute Workout is a highly compacted workout (actually 14 minutes long when you include warm-up and cool-down) for those days when you're too short on time for Basic or Advanced. While the 8-minute idea is compelling, it's not an adequate substitute for the longer workouts. Blanks, a seven-time World Martial Arts champion, is a superb instructor, providing encouragement and careful instruction (if you don't know by the end of the tape to hold in your stomach, that's no one's fault but your own). The only downside to these tapes is the less-than-exciting music. Not only is Tae-Bo great exercise for all levels, but the punches and kicks are wonderful for working out stress and aggression. This is the aerobics exercise video for people who are bored by aerobics. --Jenny Brown

30 pc. Allen Wrench Set SAE/ Metric. Allen wrench set w/ SAE & Metric size allen wrenches. Allen wrench sizes include: SAE -.028",.035",.050", 1/16", 5/64", 3/32", 7/64", 1/8", 9/64", 5/32", 3/16", 7/32", 1/4", 5/16", and 3/8". Metric - 0.7mm, 0.9mm, 1.3mm, 1.5mm, 2.0mm, 2.5mm, 3.0mm, 4.0mm, 4.5mm, 5.0mm, 5.5mm, 6.0mm, 7.0mm, 8.0mm, 10.0mm. Great addition to any toolbox includes hard to find sizes. Come in a neat Blow mold case for storage.

Rubbermaid is the first to market sinkware products with lifelong antimicrobial protection which inhibits the growth of bacteria that can cause stains and odors. The Rubbermaid Antimicrobial Small Dish Drainer features a detachable silverware holder and scratch resistant feet.

Introducing Turbo SnakeTM - the quick & easy way to clear slow-moving or clogged drains! Simply glide Turbo SnakeTM down the drain, twirl, then pull out - Turbo Snake'sTM specially designed head grabs & locks onto hair clogs to remove and free the drain instantly! It's that easy! What's best, its flexible design easily maneuvers down the drain to seek out clogs without having to remove the drain stopper. For bathroom sinks, showers & tubs.

Viewers who feel they may have been C.S.I.'d, S.V.U.'d, or NCIS'd to death, should really keep an open mind concerning Criminal Minds, because this compelling procedural crime series brings fascinating new facets to this crowded genre. The always galvanizing Mandy Patinkin (Chicago Hope) makes a welcome return to the small screen as Jason Gideon, head of the FBI's Behavioral Analysis Unit, and sage mentor to his elite team of profilers, including compassionate Aaron Hotchner (Thomas Gibson, of Dharma & Greg), Lola Gladini as sex-crimes expert Elle Greenway (since departed from the series), live-wire hunk Derek Morgan (Shemar Moore), and genius-geek Spencer Reid (Matthew Gray Gubler), who actually looks creepier than many of the perpetrators that the team races against time to apprehend. Before they can do that, they must establish psychological profiles of the criminals and think as they do. Given they have handles such as the "Seattle Strangler" and the "Keystone Killer," this can be psychologically taxing (in one episode, Spencer confides to Derek that the job is giving him nightmares). While cliffhangers frame this inaugural season, each episode (except the season finale) wraps up its cases in the allotted hour. In addition to serial killers, the series unleashes a gallery of twisted and depraved specimens. "Trust me," Derek comments early on, "we cover the whole spectrum of psychos." This includes arsonists, rapists, child abductors, and even a cannibalistic killer. Anchoring the proceedings is Patinkin, who exudes authoritative gravitas, and who is always good for scenery feasting. He really comes to life when killers have Gideon at gunpoint and he taunts them into losing their already unsteady grip. Most episodes feature the voiceover of a team member reciting a pertinent quote from such varied sources as W.H. Auden ("Evil is always human") to actor Peter Ustinov, a literary conceit that could stand to be retired. Stylistic flourishes in the editing and camerawork are likewise more of a distraction when the cases themselves are so gripping, given that the victims are primarily women and children. "There's nothing I would rather do than put the bastards away," Greenway states at one point. And there's nothing we'd rather do than watch them do it, which has made Criminal Minds, initially Lost opposite that ratings juggernaut, one of television's solid hits. --Donald Liebenson

Studio: Paramount Home Video Release Date: 04/10/2007 Run time: 960 minutes Rating: Nr

Set in San Francisco, family-friendly sitcom Full House centers around the adventures of a widowed father, his three children, and his two best friends. Danny (Bob Saget of America's Funniest Home Videos) is a straight-laced sportscaster, Joey (David Coulier) is a fun-loving stand-up comedian, and brother-in-law Jesse (John Stamos) is an Elvis-obsessed rocker. Danny's children include 11-year-old D.J. (Candace Cameron), five-year-old Stephanie (Jodie Sweetin), and baby Michelle (big-eyed future superstars Mary-Kate and Ashley Olsen). Created by Jeff Franklin (Laverne and Shirley), the show ran on ABC for eight seasons. In the pilot, "Our Very First Show," Joey and Jesse, who are both looking for a place to live, move into Danny's townhouse after the death of his wife (who was killed by a drunk driver). The deal is that they'll have to help look after the kids. It's a task for which both men are ill equipped. The fun comes from the trouble the girls get into each week and the many messes Joey and Jesse create in their attempts to set things right--particularly when it comes to cooking, cleaning, and diaper-changing--but also from the cheesy 1980s styles on display, like Jesse's big hair, spandex pants, and string ties. The Complete First Season includes all 22 episodes plus the original un-aired pilot with John Posey as Danny. (In Franklin's commentary on "Our Very First Show," he notes that Paul Reiser was also considered for the role.) Noteworthy guest stars include Phyllis Diller ("But Seriously Folks"), Stacy Q ("D.J. Tanner's Day Off'), and Candace's brother Kirk "Growing Pains" Cameron ("Just One of the Guys"). While Full House was never a magnet for major awards, the program developed a large following during its long run (while the house got fuller yet), followed by an even longer after-life in syndication. --Kathleen C. Fennessy

FULL HOUSE:COMPLETE FIRST SEASON - DVD Movie