Happy Puppy Vintage Computers

Serve Mickey Mouse waffles to the kids and the kids at heart with the classic Mickey waffle maker. Bakes an approximately 7" waffle in the shape of Mickey. The nonstick coating makes baking and clean up fun and easy. Even the indicator light adds a touch of fun in the shape of Mickey. The brushed stainless steel finish and laser etched logo bring a bit of elegance to the kitchen.

Christmas Tree Dinnerware by Spode. 12 Piece Dinnerware set is a service for 4. Includes 4 Dinner Plates 4 Salad Plates 4 Mugs. An Excellent Value and one that is surely able to keep the season festive!

Brighten up the party when you set your drink on these Disney "Mickey Mouse" coasters. Sold exclusively at Disney Parks.

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: DISNEYTitle: VOL. 3-DISNEY'S GREATESTStreet Release Date: 08/20/2002

"20 simply super singable silly songs"--container.No Track Information AvailableMedia Type: CDArtist: SILLY SONGSTitle: 20 SIMPLY SUPER SINGABLE SILLYStreet Release Date: 01/17/1997

Studio: Buena Vista Home Video Release Date: 11/30/2010 Rating: Pg

Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films that are good and fine, many more that are flawed but undeniably interesting, and a handful of duds that are worth viewing if only because his personality is so flagrantly absent. Yet he is and always shall be known as the man who directed the Godfather films, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are our very own Shakespearean cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in, but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid

People used to say this was Frank Sinatra's world, and the rest of us just lived in it. After watching the multiple special features in the box set The Godfather - Coppola Restoration, one might conclude it's actually time for a cultural and historical revision: This is the Corleone family's world. The rest of us better tread lightly. Actually, the point of the half-dozen or so features crammed onto a disc accompanying the beautifully restored The Godfather, The Godfather II and The Godfather III, is that The Godfather movies have penetrated popular culture in such a deep and meaningful way that they are second-nature to everything. David Chase, creator of and writer on The Sopranos, for example, describes in the featurette "Godfather World" that his hit HBO series was intended to be the story of the first generation of mobsters actually influenced by Francis Ford Coppola's hit trilogy. Joe Mantegna calls the three films "the Italian Star Wars." (Mantegna co-stars in The Godfather III.) Alec Baldwin says no matter what one is doing, one is compelled to stop and watch the films if they're on television. Richard Belzer calls the films "a religion." And so on. A number of people similarly testify in "Godfather World" to the importance and ubiquitousness of The Godfather and its sequels in American life. There's no point in arguing, so its best to move on to the other featurettes, including "The Masterpiece That Almost Wasn't," reviewing in detail much of what has been said about Paramount's mistreatment of Coppola, about casting fights (Steve McQueen as Michael?), about the studio's assumption they were getting a quick-and-dirty B-movie, and about producer Robert Evans' determination to keep his choice of director and unlikely actors under his wing. Fresh information within the special features, however, begins with "… When the Shooting Stopped," a fine study of post-production on The Godfather, with several surprising and fascinating facts. Among emerging details is an explanation of why Michael Corleone's scream toward the end of The Godfather III is silenced out. (Hint: it was meant to be the inverse of a sound effect in the first movie.) "Emulsional Rescue: Revealing The Godfather" talks about the painstaking work of restoring the first two films, beginning with a phone call from Coppola to Steven Spielberg (after the latter's DreamWorks studio became part of the Viacom family) asking if he'd request money from Paramount for restoration work. "The Godfather On the Red Carpet is a negligible series of fawning statements about the movie from hot young actors, while "Four Short Films" are brief and enjoyable takes on different aspects of The Godfather's impact on modern living. --Tom Keogh Stills from The Godfather - The Coppola Restoration Giftset (Click for larger image)

The Godfather received Academy Awards for Best Picture, Best Actor and Best Adapted Screenplay, and has been selected for preservation in the United States National Film Registry. In addition, it had been ranked third-behind Citizen Kane (1941) and Casablanca (1942)-on the AFI's 100 Years...100 Movies list by the American Film Institute, and second when the list was published again in 2007.

"Balance of Terror" is a terrific drama that was essentially an outer-space version of a 1950s submarine movie. Writer Paul Schneider introduced both the Romulans and the concept of a "neutral zone" to Trek lore, wrapped up in this story about the first encounter between a Federation and Romulan ship in 75 years. The resulting face-off between two vessels and their strong, noble captains--Kirk (William Shatner) and his Romulan counterpart (Mark Lenard, who later played Spock's Vulcan father, Sarek)--is directed and edited with suspense worthy of the classic sub movie The Enemy Below. It's an example of how the original Trek series took lots of risks and constantly invented itself, in contrast to the more codified look and feel of The Next Generation and subsequent series. --Tom Keogh

The Nite Guard solar-powered night predator light is a maintenance-free unit that keeps nocturnal predators away from your birds, livestock and property. Dimensions L x W x H (in.): 3 x 1 x 2, Removal Of: Nocturnal predators, Single, Pair, or Set: Single, Power Source: Solar, Indoor/Outdoor Use: Outdoor, Material Type: Sealed temperature resistant plastic, Includes: Auto on/off

The Original Pesticide Free Pest Control PEST OFFENSE® IS AN ENVIRONMENTAL ALTERNATIVE FOR SAFE PEST CONTROL. Pest Offense® reduces the use of hazardous chemicals (insecticides and pesticides) in your everyday life. Pest Offense® is safe to use around adults, children, most pets and even food products. This revolutionary new product is an innovative breakthrough in the control of many pests. A recent U.S. Patent has been issued for the new technology used. Pest Offense® safely uses the electrical wiring within the walls of buildings to help rid them of many pests WHAT TYPE OF PESTS DOES IT WORK ON? Consumers repeatedly tell us that they have had great success using the Pest Offense® product to help control rats, mice and roaches. Others tell us of ants, spiders, squirrels, crickets, silverfish, water bugs and earwigs. Consumers are telling us that the Pest Offense® product is an effective pest control product. Pest Offense® is safe for most pets. However, please Do Not Use Pest Offense® if your choice of pet is a hamster, gerbil, guinea pig, mink, chinchilla or other similar pet. HOW DOES IT WORK? Just plug Pest Offense® into any 110v outlet and it starts working through the electrical wiring in your home, office or other building. Pest Offense® is designed to irritate the nervous system of the pests, which then leave the area. Remember, Pest Offense® Does Not Kill anything, and it's environmentally safe for people and most pets

Easy Set trap requires no baits or poisons. The oversized plastic pedal, which looks like a wedge of swiss cheese, is impregnated with a scent mice can't resist. Trigger is adjustable for firm or sensitive settings. 4 traps per pack.

Worry not, Disney fans--this special edition DVD of the beloved Cinderella won't turn into a pumpkin at the stroke of midnight. One of the most enduring animated films of all time, the Disney-fied adaptation of the gory Brothers Grimm fairytale bec

Worry not, Disney fans--this special edition DVD of the beloved Cinderella won't turn into a pumpkin at the strike of midnight. One of the most enduring animated films of all time, the Disney-fied adaptation of the gory Brothers Grimm fairy tale became a classic in its own right, thanks to some memorable tunes (including "A Dream Is a Wish Your Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief. The famous slipper (click for larger image) We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pure animation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. --David Kronke DVD Features For another of its classic films, Disney delivers another dazzling DVD with a gorgeous, razor-sharp picture and 5.1 sound. (Note: the 1949 film is properly presented in full-screen format, 1.33 aspect ratio, because widescreen films weren't made until the '50s.) The best part of the supplemental features is the archival material, the absolute highlight of which is two unused songs, "Cinderella's Work Song" (in which Cinderella imagines multiplying herself à la the Sorcerer's Apprentice) and "Dancing on a Cloud." Bippity-boppity-boo! (click for larger image) Because these numbers were never animated, they're accompanied by stylish illustrations from the Disney artists, and they're simply marvelous to look at. The artist of much of that material, Mary Blair, gets her due in a 15-minute featurette, while the better known "Nine Old Men" are the subject of a round-table discussion among some of today's top animators. In addition, a 38-minute documentary covers their contributions to specific characters of Cinderella as well as the film in general and the vocal cast. Also on the historical side is "The Cinderella That Almost Was," tracking the development of the project through decades of original Disney concepts, characters, and songs, including the 1922 silent "Laugh-o-Gram," which is also included in its entirety. The pumpkin transformed (click for larger image) Additional musical material includes three radio programs and a short promo of the movie by Perry Como, in which he summarizes the plot amid some songs by the Fontaine Sisters, star Ilene Woods, and the host himself. Seven other unused songs (17 minutes total) are available in audio-only. The material for kids is on the sparse side, consisting of two music videos, Disney Channel personality Sally (from "Mike's Super Short Show") learning how to become a princess with the help of the Extreme Makeover: Home Edition crew and others, a minor dancing-princess feature, and a DVD-ROM design studio. Oddest extra: ESPN's "top Cinderella stories," including the 1980 U.S. Olympic hockey team and Joe Namath's New York Jets, although stories on Mia Hamm and tennis's Williams sisters should appeal to the film's primary target audience of young girls. --David Horiuchi Cinderella Throughout the Years Rodgers & Hammerstein's Cinderella (1957 Television Production) Rodgers & Hammerstein's Cinderella (1965) The Slipper and the Rose (1976) Faerie Tale Theatre - Cinderella (1982) Rodgers & Hammerstein's Cinderella (1997) Ever After - A Cinderella Story(1998)

From director Don Bluth and creator David Kirschner, this critically acclaimed full-length animated triumph chronicles the wide-eyed adventures of a courageous little mouse named Fievel. Journeying by ship from Russia to turn-of-the-century America, Fievel is lost at sea during a ferocious storm. Washing ashore in New York Harbor, Fievel braves the perils and wonders of a strange new world in a thrilling quest to find his family. Featuring the voices of Dom DeLuise, Madeline Kahn and Christopher Plummer, it's a rousing, heartwarming animated adventure for the entire family! Starring: Dom DeLuise, Christopher Plummer, Madeline Kahn Directed by: Don Bluth Item is available in single disc, contains both the movie and bonus materials.

Don Bluth's An American Tail is based on the story of a young Russian mouse who is separated from his family in America and who later heads with his reunited kin out to the American West. It's pleasant, though not spectacular, and has its greatest problems in story development. Steven Spielberg produced with an eye toward creating animation hits outside of Disney, and he and Bluth certainly took a big step in that direction here. Kids like it a lot, and adults will warm to the sound of various familiar voices, such as Dom DeLuise as Tiger and Madeline Kahn as Gussie Mausheimer. It's also the source of the pop single "Somewhere Out There." --Tom Keogh