Happy Puppy Vintage Computers

Group of Mods on their Scooters at Mudeford 2008.

Group of Mods on their Scooters at Mudeford 2008.

When The Lords of Flatbush was released in 1974, Sylvester Stallone was still an unknown actor polishing his screenplay for Rocky, and Henry Winkler was approaching TV superstardom as "Fonzie" in the first season of Happy Days. In this modest, low-budget feature, they play second and third fiddle (respectively) to Perry King, whose respectable career, ironically, would never reach such stratospheric heights. As for their costar and diminutive fourth "Lord of Flatbush," Paul Mace appeared in only one more movie after this (Stallone's Paradise Alley), and was killed in a 1983 traffic accident at the age of 33. Such is the random nature of fame and fate. The movie itself is noteworthy mostly for the pre-stardom appearances of Stallone and Winkler, and a strong costarring role for that most ubiquitous of '70s actresses, Susan Blakely. Despite its amateurish style, muddy sound quality, and rambling scenes that have casual appeal but minimal narrative momentum, the movie is blessed with laid-back authenticity, recognizing the value of awkward pauses and jumpy rhythms of conversation. The ensemble of self-named Lords--four leather-clad rebels in 1957 Brooklyn, moving reluctantly toward adulthood--is solidly cast, and even the most familiar scenes (like making out at a drive-in showing From Here to Eternity) ring with engaging truth. Codirector Martin Davidson later covered similar territory in Eddie and the Cruisers, and Barry Levinson transcended this shoestring affair with his 1980 classic Diner, but The Lords of Flatbush stands on its own as an earnest and lightly entertaining drama that boosted its costars to bigger and better things. --Jeff Shannon

A cast of then-unknown stars (Sylvester Stallone, Henry Winkler, Susan Blakely and Perry King) head this tale of a street gang in 1957 Brooklyn who must face the one enemy they can't fight: growing up. Action, comedy and a great rock and roll soundtrack. 88 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English, Spanish, Portuguese, Chinese, Korean, Thai; theatrical trailer; biographies.

The Elvis formula was well in place by the time of 1964's Roustabout: a passel of undistinguished songs (anyone remember "Poison Ivy League"?), pretty girls, tight pants, a colorful setting, and a little bit of karate to prove that Elvis really had been studying his martial arts. With that understood, Roustabout is a better-than-average workout for the King--not as peppy as Viva Las Vegas, but a good deal livelier than the sleepwalking It Happened at the World's Fair. Elvis plays a bad-boy singer roaming the highways on his Japanese motorcycle; laid up after an accident, he joins a carnival owned by the feisty Barbara Stanwyck. ("This is not a circus, it's a carnival. There's a big difference.") The cast goes from high to low: both giant-sized future James Bond villain Richard Kiel and tiny Billy Barty are carny regulars, and Raquel Welch has a small role in the opening scene. Teri Garr is one of the carnival dancers behind Elvis. The legendary costume designer Edith Head puts Elvis in a series of snappy windbreakers, but thank goodness he's also in black leather a lot. As if that weren't enough to recommend it, the movie has a sequence involving Elvis riding a cycle inside the "Wall of Death," a huge wooden cylinder with high walls. This bit actually inspired an entire Irish film in 1986, Eat the Peach, in which friends build a similar contraption after they watch Roustabout on tape. --Robert Horton

After he's run off the road and his motorcycle is smashed, Elvis Presley signs on as a worker with a travelling carnival run by Barbara Stanwyck and eventually becomes the show's singing star (performing "Poison Ivy League," "Carnival Time," "One-Track Heart," and more) in this song-filled drama that also stars Joan Freeman, Sue Ann Langdon. Look for Raquel Welch in her film debut. 101 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital mono; theatrical trailer.

Black Rebel Motorcycle Club Black Rebel Motorcycle Club UK CD album

It would be easy to dismiss B.R.M.C. as another bunch of Britpop wannabes. Their amalgam of fuzzed-out vocals and chugging guitars over layers of droning feedback immediately brings to mind the Jesus and Mary Chain and Primal Scream. But the band's wanton attitude easily compensates for its lack of originality. Plucking its name from the Marlon Brando classic The Wild One and digging deep into its weathered copy of Psycho Candy for lyrical inspiration, the leather-clad San Francisco trio picks up where Oasis left off--pillaging the past, regurgitating it shamelessly, and making it sound exciting and dangerous in the process. Imagine the sheer audacity that goes into writing a song like "Whatever Happened to My Rock & Roll (Punk Song)"--all Stooges agitation and Beach Boys melodies--and backing it with a blissful Stone Roses homage called "Awake." They're not the best at what they do, but right now they're all we've got. --Jaan Uhelski

Scotchlite, 2' x 36', Silver Reflective Safety Tape.

Size Large

The world's first fully adjustable locking cable lock, the Python Adjustable Locking Cable secures anything within its grasp. It's the only locking cable that is always the right length for your application. This exclusive, patented product holds the flexible steel cable tight at any position for infinite possibilities. The Python can secure anything within its grasp. Fully adjustable, it is always the right length for an infinite number of applications--ladders, power tools, generators, air compressors, tool boxes, trailer cargo, car-top carriers, bikes, boats, sporting gear, gas grills, lawn furniture, lawn and garden equipment, and more. Also, in heavy-duty applications, the Python supplements tie downs for lock-down security. EASY TO USE Pull to tighten; turn key to lock in placeINFINITE LOCKING POSITIONS Cinch locking mechanism holds cable tight at any position for perfect application fitCUT-RESISTANT CABLE 3/8" (10 mm) 100% braided steel cableKEYED-ALIKE CONVENIENCE Re-keyable cylinder SCRATCH PROTECTION Vinyl cable coating and ABS lock body bumper protect against scratchingPICK RESISTANT Patented wafer cylinderWEATHER-TOUGH CONSTRUCTION Aluminum alloy lock, cylinder shutter, and vinyl coated cableAPPLICATION FLEXIBILITY 4' (1.2 m) to 30' (9.1 m) interchangeable cables What's in the BoxPython adjustable locking cable.

Get ready to tear up the highway with the Bandit (Burt Reynolds), a fun-loving, fast-talking trucker who takes on his craziest haul yet - delivering 400 cases of beer from Texarkana to Atlanta in just 28 hours. With Sheriff Buford T. Justice (Jackie Gleason) hot on his trail and eager to teach him some respect for the law, the Bandit joins forces with good ol' boy, Cledus (Jerry Reed) and runaway bride Carrie (Sally Field). Gear up for huge laughs, pedal-to-the-metal action, and some of the wildest car crashes ever filmed! Starring: Burt Reynolds, Jackie Gleason, Sally Field, Jerry Reed, Mike Henry, Paul Williams, Pat McCormick Directed by: Hal Needham

It's easy to assume this is just another dumb redneck comedy from Burt Reynolds's years of underachievement. But it's not bad as a dumb redneck comedy at all. Directed by career stuntman Hal Needham, Smokey and the Bandit is just a goofy chase starring a bunch of Reynolds's Hollywood cronies. New to the job as film boss, Needham brings a silly but energized sensibility to the production and an action man's need to see things moving. But he also has a distinctive feeling for relationships, and he's good with a joke. Put all that together, and Smokey is, at the very least (and unlike its sequels), a simple and original pleasure. --Tom Keogh

This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well), but it retains its original power, sense of daring, and epochal impact. --Tom Keogh

Drugged-out motorcyclists Peter Fonda and Dennis Hopper "head out on the highway" on a search for America in the landmark drama that spoke to a generation. Joining them on their "trip" is spaced-out lawyer Jack Nicholson. Co-scripted and directed by the stars, the film also features Karen Black, Phil Spector, and music by Jimi Hendrix, The Byrds, and others. 95 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Dolby Digital stereo; Subtitles: English, Chinese, Korean, Portuguese, Spanish, Thai; "making of" documentary; audio commentary by Hopper; biographies.

Sheathing itself in bad taste, this film flaunts its tackiness, its machismo, and its very stupidity, which of course makes for a lot of dopey fun. Harley Davidson (Mickey Rourke) returns to his roots, the LA of 1996 (the film was set in the near future, as it was made in 1991). Burbank has become an airport, a new drug called Crystal Dream is all the rage, and Harley's favorite bar is being torn down. To save it, he and the Marlboro Man (Don Johnson, at his most engaging) concoct an armed robbery that goes awry. Instead of cash, they end up with a shipment of Crystal Dream. Hunted by a drug dealer's goons, the two bark, fight, drink, and squint at each other as they try to get themselves out of their mess. This is Butch Cassidy and the Sundance Kid for the monster-truck crowd, with plenty of breasts, choppers, broken pool cues, and empty bottles. It's impossible to blame this film for being so emphatically trashy; its creators would consider that a compliment, anyway. --Keith Simanton

Set in the year 1996, this rip-snorting action yarn stars Mickey Rourke and Don Johnson as cycle-riding rebels who plot a daring armored car robbery in order to save their beloved bar. When the dynamic duo's plans go awry, they find themselves going head-to-head with a group of nasty hit men. Chelsea Field, Vanessa Williams and Tom Sizemore co-star. 98 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital Surround, French Dolby Digital Surround, Spanish Dolby Digital mono; Subtitles: French, Spanish; theatrical trailer; scene access.

Leather CPR has the Queen of Clean Seal of Approval! She quotes "It is without a doubt the best leather cleaner I have ever found."Leather CPR conditions and cleans all type of leather, except suede. Leather CPR can be used on leather furniture, car seats, purses and bags, shoes, regardless of color! Watch our video! Features: ? Perfect for softening leather. ? Non greasy natural lanolin. ? Leaves no residue on leather. ? Removes smudges, dirt, stains on contact. ? Reduces the appearance of scuffs and scratches.8 ounce tube

Chest Harness for your quick-release HERO camera. Makes it easy to capture immersive video and photo footage from, well...your chest. Perfect for skiing, mountain biking, motocross, paddle sports, or any activity where you want to get a "lower than the helmet" view of the action. See more of your arms, knees poles, and skis while skiing...or your arms and handlebars while biking or riding your motorcycle. Recommended as a more immersive way to film than on the helmet.  

The HD Wrist Housing allows you to wear your HD Hero camera on your wrist like a watch. Camera pivots upright to shoot videos or photos, but stays securely attached to your wrist even in this position. Fits over ski gloves and jackets, too. Perfect for surfing or snorkeling, hiking or climbing, the HD Wrist Housing makes it easy to have a camera on hand for video and photo opportunities that occur at times when traditional cameras are too inconvenient to use or carry. No pockets? No problem if you are wearing the HD Wrist Housing. The water housing is waterproof to 180'/60 meters. The housing can also be strapped to gear such as kayak paddles and the leading edge of kitesurfing kites. This allows the kitesurfer to film their entire session looking down from above, as though they had a private helicopter camera crew following them while they surf. The HD Wrist Housing has an adjustable neoprene strap that fits a range of sizes from a child's wrist to fitting over the ski jacket sleeve of an adult. Note: Not compatible with older, standard definition Hero Cameras.