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Maker Cassette
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Brother P-Touch 1830 Labeler
List Price: $79.99
Sale Price: $16.50
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The PT-1830 is a sleek, desktop labeler that creates professional labels for virtually any office application. This new model uses the TZ series of laminated tapes up to 3/4 inch wide, but also has the ability to print on a super narrow (approximately 1/8 inch) non-laminated tape that is perfect for labeling CD spines. The PT-1830 prints 4 type sizes and 9 type styles from its QWERTY keyboard. This labeler also has built-in label templates for easy labeling of CD's, VHS and audio tapes, plus others. The PT-1830 also features five Favorite keys that allow you to store commonly used phrases into memory and print them with the touch of a button. This model prints up to 2 lines, has text framing, underlining and a 15-character LCD display. 15-character LCD display Key Board - QWERTY Cutter - Manual Batteries - 6 AA (optional) Adaptor - AD-30 (optional) Tape Technology - Thermal Transfer Tape Material - Laminated Tape Family - TZ Tape Length - 26.2 feet Print Resolution - 180 dpi Print Speed - 10 mm / sec Font Styles - Helsinki Types of Styles - Normal / Bold / Outline /Shadow / Italic / Italic Bold / Italic Outline / Italic Shadow /Vertical Built-in Symbols - 71 Favorites Function Key - 5 x Print, Save, Open Maximum Print Height - 9.0 mm Point Sizes - 11, 11 extended, 22 condensed, 22, 22 extended, 26 2 Maximum Print Lines 300 Characters Memory Text Framing Up to 9 Multi-copy Print Horizontal Alignment - L only Mirror Printing Text Insert Vertical Printing Auto Incrementation - Alpha / numeric Color - Silver & Black Dimensions - 6.81 x 8.74 x 2.44 inches Weight - 1.3 pounds
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Brother TZ-631 1/2" Labeling Tape (26.2', Black on Yellow)
List Price: $17.99
Sale Price: $8.99
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This cartridge is for the Brother P-touch label maker. Use with the PT-200 and the PT-1200. The half-inch wide tape has black text on top of yellow. The laminated tape has adhesive backing. The length of tape is twenty-six feet. What's in the Box Label tape. Find out which tapes are compatible with your label maker.Find your tape in an assortment of fun colors.
Laminated TZ Tape features standard adhesive designed for flat surfaces like office paper, file folders and binders. Tape resists water, grease and grime. Can also be used in hot and cold environments as well as outdoors (water-resistant). For use with all TZ P-Touch machines.
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Dymo LabelWriter DUO 300dpi 55 labels per minute Label Printer; 180dpi D1 tape Label Printer (69220)
List Price: $361.99
Sale Price: $79.99
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DYM1752267 Features: -Post-Consumer Recycled Content Percent [Nom]: 0 pct.-Height [Nom]: 7.20 in.-Operating System Compatibility: Mac OS 10.2.8 and Later, Windows 2000, XP, Vista.-Depth [Nom]: 7.80 in.-Width [Nom]: 5 1/2 in.-Connectivity: USB.-Maximum Tape/Label Width [Nom]: 2 7/16 in.-Maximum Resolution (Dpi): 600 x 300 DPI.-Pre-Consumer Recycled Content Percent [Nom]: 0 pct.-Power Source(s): AC Power Adapter.-Total Recycled Content Percent [Nom]: 0 pct.-Global Product Type: Label Printers-PC/Mac-Connected Thermal.-Quantity [Nom]: 1 each.-Printing Speed: 71 Labels/Minute.
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New - Califone Dual Cass Recorder w/CD/AM/FM 2W
List Price: $187.95
Sale Price: $139.95
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The Music Maker Plus supports phonemic awareness, phonics, comprehension, vocabulary, ELL, ELD and other language learning programs. Built for reliability in schools, it delivers classroom flexibility with dual cassette recorder / players, 20 track programmable CD player and AM-FM stereo.
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![Fisher-Price Backyardigans Sing-Along Music Maker]() |
Fisher-Price Backyardigans Sing-Along Music Maker
List Price: $21.79
Sale Price: $88.88
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Get ready to be a singing sensation! This groovin' radio features five different types of music you can sing along to. Grab the microphone and sing along to ska, disco, salsa, zydeco and rock music. Each of the five characters talks and sings with you as the light on the radio changes color. Features ten songs in all. Requires 3 "AA" batteries, not included. Measures 7" x 4" x 9.5".
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1875 WATTS TRAVEL VOLTAGE CONVERTER/ADAPTER KIT FOR WORLDWIDE USE(VM 1875K). INCLUDES FOREIGN ADAPTERS
List Price: $32.99
Sale Price: $24.99
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Step Down Converter/ Adapter kit.
World-wide Foreign Travel Converter Kit
Converts 220V foreign electricity to 110 V to enable use of american 110V products in 220/240V countries
50/1875Watts
Provides for your foreign electrical traveling needs in most foreign countries.
This kit is for domestic appliances whose rating is 50 watts - 1875 watts.
50 watts is designed for phone chargers, battery chargers, iPods,shavers, razors, answering machine devices, tape recorders, calculators, cassettes, radios, etc.
1875 watts is designed for some heating-type appliances such as hair dryers upto 1875watts, heating pads,electric blankets, food/bottle warmers, etc.
This converter cannot be used for any appliances with motors such as blenders, vaccum cleaners,power tools or high heat appliances such as hair straighters, coffee makers or toasters etc.
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VCT - Universal Foreign Travel Voltage Converter & Plug Adapter Kit Works in Almost All Foreign Countries
Sale Price: $18.99
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World-wide Foreign Travel Converter Kit
Converts 220V to 110V
Use American products overseas.
50/1600 Watts
Provides for your foreign electrical traveling needs in most foreign countries.
This kit is for Domestic appliances whose rating is 50 watts - 1600 watts.
50 watts is designed for iPod chargers, phone chargers, battery chargers, shavers, razors,electric tooth brushes, answering machine devices, tape recorders, calculators, cassette radios, etc.
1600 watts is designed for some heating-type appliances such as Hair Dryers upto 1600 watts, curlers, small heating pads, electric blankets,food/bottle warmers, etc.
Do not use this converter for kitchen appliances like blenders, coffee makers, microwaves, vaccum cleaners, hair straightners and power tools etc. Use Step Down Transformers for those appliances.
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The History of the Digital Music Revolution
Most of us, when we were kids, listened to the radio to hear the latest, greatest songs in the music world. We listened eagerly for something new, something original, something our buddies hadnt heard before, and when a song made its way into our collective conscience, we would wait for hours for our favorite DJ to play the song for us, sometimes even for days, just so we could hit the record button and get the thing on tape.
At the time, the record companies knew we were taping our favorite music, but they didnt really care, because the quality of the recording was low and the DJ would more often than not talk over the first and last five seconds of the thing, making it worthless as something to swap or sell. Mix tapes were a personal thing, but they couldnt really compare to the real thing an LP, or, in later years, a compact disc.
But just as happens with every great hole in supply, eventually technological advances catch up with demand. And so it was that the publics desire for quality (free) music created the double cassette recorder, which made it possible for us to copy our mix tapes for our friends. The record companies tried to ban these devices, claiming they would lead to the end of the music industry. But they didnt&
Then video cassette recorders came along, allowing us to record our favorite music videos from MTV and play them endlessly. The music companies didnt like this either, and tried to get VCRs banned, claiming they would ruin the music industry. But they didnt&
Then along came Compact Discs, which allowed a cleaner recording to audio cassette, and late down the line, CD burners, which allowed people to copy CDs directly. Later still came DVD, and satellite radio. Everywhere you looked, someone was using new technology to make access to music easier, and everywhere that happened, the music industry tried (timidly) to put a stop to it. And then came Napster.
The online music world has led a fraught and tumultuous existence over the past decade. As early as 1996, pioneer internet users were passing around copies of their favorite music using chat servers and email, with equipment and formats that sometimes took as long as a full day just to download one song. But it was Shawn Fannings Napster program that, in 1999, brought the ability to download music freely to every net user.
Napster provided the means for anyone to log in anonymously, search for their favored songs across millions of users hard drives, and download those songs quickly and simply. The fact that any internet newbie could master Napster in minutes added greatly to its early success, but it was mass collectors, largely operating from university and college computers, who turned the system into one of the biggest buzz-makers in computing history.
What Napster did was create a huge central directory of every song owned by users on their system. If you wanted to get a copy of I Want Candy by Bow Wow Wow, you would just type the band and song name into Napster, hit search, and you would be presented with a long list of matches. You then just selected the one you wanted to download, and it would suck down on to your drive.
Of course, when people find a loophole that allows them to get something for nothing, they do often tend to go overboard, and thats exactly what the community of Napster users did en masse. Instead of just finding the music they needed, users were soon downloading everything they could find, hoarding songs and albums that they had little interest in, just so they could say they had them. It was not uncommon for college students to use multiple computers at their school to download thousands of songs on to CD in a few hours, most of which would never actually be listened to. This, obviously, annoyed the hell out of the record companies in ways that double cassette recorders never could.
While Napster made it clear to users that its service was designed to help users find legal music downloads, it also made little effort to stop people from trafficking in pirated material through its system, which led the body that represents the record companies politically, the Recording Industry Association of America (RIAA) to take legal action against the company, effectively charging it with mass piracy and the loss of tens of millions of dollars in sales.
Interestingly, rather than kill music downloading completely, the court action had the opposite effect, spreading word of Napster across the globe like wildfire, which saw millions of new users sign up even as the creators of the program were fighting to keep the system from closure. So many people had become addicted to music file-sharing that the prospect of life without Napster seemed a punishment few could take, and so those with the skills began coding Napster alternative programs.
Gnutella was an early variant, created by Nullsoft (the company behind the hugely successful WinAmp music software), and though they quickly took the program off the market, hackers and crackers were soon ripping Gnutella to pieces and reconstructing it to suit their needs. Morpheus was soon on the scene, and as Napster began to cooperate with the record companies by filtering out popular song titles from the system, the new program rapidly grew.
But Napsters shift towards cooperation was not enough for the giant music conglomerates, who threw up hurdle after hurdle designed to take Napster out of business. Even heavy metal group Metallica joined the fray, launching their own lawsuit and earning the rage of many of their fans in the process. Lawyers for the file-sharing software company made the all-too valid point that, if Napster was in any way responsible for the actions of copyright violators, so too were the phone companies that provided the phone lines upon which the music was being shared. They claimed that the ISPs were just as liable as they were, because they didnt actually house any illegal files on their servers, rather they simply facilitated the searching of said files on other peoples computers.
We may never know if the judge hearing that particular legal case understood the difference, or merely figured that while Napster wasnt breaking the law per se, they were acting against the spirit of the law, but either way, the judge told the company in July 2001 that if it couldnt stop illegal files from being passed through its service, it would have to shut its doors. And thats what it did, after a judge stopped record company Bertelsman, who had invested heavily in Napster in an effort to legitimize the company, from taking it over.
Since Napster shut its doors, the company has since reemerged as a legitimate music download source, albeit with far less success than it enjoyed in the early days, and literally dozens of illegal file sharing programs have taken its place to fill the free music download void. These, such as WinMX, BitLord, Kazaa, Morpheus, BearShare, Aimster, Napigator, AudioGalaxy, and Limewire, run the gamut from useful to useless, but they all share a common element they take the stance that, if theyre not hosting pirated music, they have nothing to do with those using their systems that do. Translated: Use at your own risk.
About the Author
www.legal-music-downloads-center.comRichard Adams is a strong supporter of legal mp3s and provides plenty more articles just like this one at his site Legal Music Downloads Center - www.legal-music-downloads-center.com
Has anyone ever noticed this about movies on dvd or cassette?
Why is it that when you go to see a movie in the theater and then on dvd or cassette, there is sometimes a scene or two that you saw in the theater that isn't on the dvd.
For example, I've been watching Star Wars : Episode 3, and when I finished the movie I remembered that there was a scene just after the Empire was created, where Amidala was talking to several senators and they formed the beginnings of the rebellion that would later destroy the empire. But this scene is nowhere to be found on the dvd, however one of the characters from that scene is on the end credits (Mon Mothma) even though she's not on the dvd either. Why is it that the film makers decide to edit like this after the movie was on the big screen.
Happens all the time .. its the reason we get the directors cut version or the theatrical version ..
I hate it when they do this because the additional versions for which we shell out money for the second, third or fourth time only contains anywhere from seconds to a couple of minutes of extra scenes or scenes originally from the theatre release but not on the first dvd release.
Excellent way for companies to make money from us.
Let’s Make.Believe Sony Ads Make Sense!
Sony’s newest catchphrase, “make.believe”, is a fitting reminder that Sony ads make no sense. Laptops take flight, PlayStations become monsters, and pitchmen state plainly that Sony TVs make you better at playing sports. Most of all – look! Play-doh bunnies! (more…)
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