Happy Puppy Vintage Computers

2010 was the year we decided it was about time to wade into the (not at all saturated) cookie cutter market - and what better way to wow you with our cutting edge design nous than by bringing out cutters in the shape of characters from a 30 year old video game. After so many years watching the big yellow circle eat the slightly smaller yellow circles, we've come over all hungry! We can only assume the people at Namco's plan was to subliminally instruct SUCK UK to wait a quarter of a century, then leap into action and combine the Pac-Man characters with the tastiest food we could find. So we did! Pack of 4 (one Pac Man and three ghosts) officially licensed plastic cookie cutters, shaped like the characters you've known for so long.

No Ghost Logo Mug

This can be considered out of print, and hard to find now.

16 tracks BMG club version.

There is a difference between being an inspired musician and an informed musician. Sting is the latter. As always, he surrounds himself with ultratalented artists: this time around Stevie Wonder, Branford Marsalis, James Taylor, guitarist Dominic Miller, and the prince of rai Cheb Mami, fill the roster. Brand New Day exhibits about as many musical styles as there are tracks, all encased in dense, meticulous production. The album begins promisingly. "A Thousand Years" pulses atop a lush, two-note foundation. "A Desert Rose" folds trilling Algerian pop into trip-hop. Melodic, late-night jazz ballads dominate the middle portion of the collection. But Sting's preoccupation with odd-numbered time signatures prevents the songs from grooving, while the choruses are yawns. "Fill Her Up" (no, not "Fill 'Er Up"), a country tune, represents Sting at his most self-indulgent. Listening to one of the wealthiest musicians in pop singing "Got no money to invest / Got no prospect / Or education / I was lucky to get the job at this gas station" requires a heroic suspension of disbelief. The song morphs into this gospel number where Sting and a supporting chorus chant "You gotta fill 'er up with Jesus! / You gotta fill her up with life!" Who knew unleaded could be so rousing? --Beth Massa

Our Seller's Notes...In Very Good Shape..All items are double bubble wrapped for safe trips...

If you think a gaggle of big-screen goons like Cruella, Jafar, and Captain Hook can muscle Mickey off Disney's House of Mouse stage, guess again. Here, the leader of the pack proves he's made of more than Swiss cheese in a Halloween battle to bounce the bad guys--banded together for the first time--from the belly-laugh-generating hot spot where he pulls host duties. Best of all, the classic-character misadventures keep rolling amid the maelstrom: Donald gets the short end of the broom when a busybody witch blows in, Goofy bungles a once-in-an-afterlife time shot at being a ghost, etc. By the time the mouse houselights go up, the evil cadre's out on its cartoon ear with only a song--the showstopping "It's Our House Now!"--to its credit. The hospitality's not so hot, but the frantic, feature-length dice of shorts and devious doings will find Disney devotees dancing in the aisles. --Tammy La Gorce

THE HAUNTED HOUSE HANG UP tells the terrifying tale of the Mystery Machine breaking down on a haunted road and the teenage detectives meeting up with a headless ghoul. To crack the creepy case, Scooby will have to keep his head when things get spooky. In A NIGHT OF FRIGHT IS NO DELIGHT, Lucky Scooby inherits big bucks from a dead millionaire, but there's a catch. To collect the money, he and the gang must spend the night in a mansion haunted by a greedy ghost.

In the exciting fourth entry in the successful action series, an attack on the Kremlin leaves IMF agent Ethan Hunt (Tom Cruise) and his team falsely accused of international terrorism. Forced to go underground, they must race against time to clear their names while trying to stop a plot to orchestrate a nuclear war between the United States and Russia. Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, and, in a cameo, Ving Rhames co-star in director Brad Bird's first live-action film. 132 min. Widescreen; Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; featurette; deleted scenes.

The second half of the first decade of the 21st century has been kind of tough for Tom Cruise. That's tough in a way over and above the hardship of living the legacy of one of history's top movie stars--a job more demanding than any mere mortal could imagine. But after two fruitful collaborations with Steven Spielberg (Minority Report and War of the Worlds), his stature took a beating from the one-two hits of those wacky PR gaffes and that string of relative box-office disappointments (Lions for Lambs, Valkyrie, Knight and Day), which seemed to start with the third installment of his Mission: Impossible franchise in 2006. It's hard to say with a straight face that taking in only $398 million worldwide is a disappointment, but it was a low for the series, which some later saw as a prelude to his potentially dimming stardom. But on the cusp of turning 50, it looks like Tom Cruise has put the licking behind him and entered a new phase of self-conception with an upcoming array of roles, starting with a more maturely controlled version of superspy Ethan Hunt in the sleek and supercharged Mission: Impossible - Ghost Protocol. The things Cruise has done right in M: I part four include toning down his youthful, arrogant preening and letting his castmates share more of the spotlight (Jeremy Renner, Paula Patton, and Simon Pegg all have some terrifically shiny moments). He also lets the unique creative vision of director Brad Bird shine through in a first live-action outing for the acclaimed helmer of Iron Giant, The Incredibles, and Ratatouille. Still looking much younger than his years (that hair! those pecs! those abs!), Cruise is playing more age-appropriately, letting a little wisdom and grace seep into his charisma so the wattage of his mere presence smolders a little deeper. It's a nice nod to a graying generation that says you can get older and still be cool. All that is not to say he doesn't play up his action-star chops to the max. In a mostly inconsequential narrative arc that has something to do with purloined nuclear launch codes, an important metal briefcase, satellite uplinks, and global annihilation that leaps from Moscow to Dubai to Mumbai, Cruise is as dangerously nimble as he has ever been. He dangles one-handed from the tallest building in the world, bounds off ledges, springs out of speeding vehicles, tumbles and careens up and down the levels of an automated parking garage, and generally sprints and jumps his way across the movie with only a scratch or bruise to show for it. Also on the outlandish upside is a happily stereotypical villain straight out of Connery-era Bond and as many bleeding-edge gadgets as the art department techno-geeks could dream up. A running gag is that many of these electronic fantasy tools fail at just the wrong moment, which is part of a larger wink acknowledging how utterly preposterous yet ingeniously conceived this behemoth of a movie really is. The gadgetry is not limited just to the miraculous props. Ghost Protocol employs CGI fakery of the highest order from the sub-industry of effects contractors that ratchet up the standard of computing power and software design, one-upping each successive action-adventure extravaganza. The loving detail that goes into blowing up the Kremlin or rendering a photo-realistic sandstorm erupting across the enhanced skyline of an Oz-like desert city is nothing short of miraculous. What's more astonishing is that Tom Cruise closes the deal with a selling power that's as new and improved as the laminates on his multi-million-dollar teeth. --Ted Fry

Ghost Rider Spirit of Vengeance - Nicolas Cage returns as Johnny Blaze - still struggling with his curse as the devil's bounty hunter - is hiding out in a remote part of Eastern Europe when he is recruited by a secret sect of the church to save a young boy (Fergus Riordan) from the devil (Ciaran Hinds). At first, Johnny is reluctant to embrace the power of the Ghost Rider, but it is the only way to protect the boy - and possibly rid himself of his curse forever.

It's silly, it's superficial, it's so desperately earnest about its tale of time-spanning love that you almost wish for a cheap flatulence gag just to break the solemn mood. But there's something so unabashedly gushy and entertaining about Somewhere in Time that you can't begrudge its enduring popularity. The film has become a staple of romantic-movie lovers since its release in 1980, and endless showings on cable TV have turned it into a dubious classic of sorts--a three-hanky weeper that anyone can enjoy as a guilty pleasure or a beloved favorite, with no apologies necessary. In his first film after the star-making success of Superman, Christopher Reeve stars as a contemporary playwright who visits a posh hotel and sees the portrait of an actress (Jane Seymour) who had performed there in 1912. He becomes obsessed with this beautiful woman and learns all he can about her, and then discovers a method of hypnotically transporting himself backward in time to meet her. "Is it ... you?" she says upon seeing the lovestruck playwright, and it's clearly a mutual attraction. But even the slightest reminder of the playwright's modern time can jar him from his seemingly real existence in the past, so his wonderful love affair is constantly just a step from being stolen away. Based on Richard Matheson's novel Bid Time Return, this flaky film may strain one's tolerance for plot holes and corny romance, but it's hard to deny its lasting appeal--and let's face it, guys, it'll make wives and girlfriends swoon if they're in a tearjerker mood. --Jeff Shannon

Christopher Reeve stars in this lush romantic fantasy about a present-day artist, obsessed with a beautiful Victorian woman's portrait, who inexplicably finds himself transported back in time. Gorgeous scenery and Jane Seymour as the enigmatic lover make this Richard Matheson story sparkle. 104 min. Widescreen; Soundtracks: English Dolby Digital mono, French Dolby Digital mono; Subtitles: Spanish; audio commentary; "making of" documentary; photo gallery; biographies; theatrical trailer.

Be a hero at any party with this superhero balloon. It has many super heroes on balloon.

Ultimate LED kit for XBOX 360 case MODS. Featuring over 4 colors, creating over 15+ possible displays. Now with REMOTE CONTROL to change the LED COLORS & EFFECTS. IMPORTANT: Please be aware that this is a CASE MOD product. You have to open your XBOX 360 (voids the warranty). Requires some technical knowledge.

Creative Converting is a leading manufacturer and distributor of disposable tableware including high-fashion paper napkins plates cups and tablecovers in a variety of solid colors and designs appropriate for virtually any event