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Keep foods at the perfect serving temperature with the Cuisinart Warming Tray%2E Big enough to hold several dishes at once%2C it features elegant styling that enhances the appearance of any table or buffet%2E The glass surface and brushed metal housing are easy to clean and three different heat settings maintain the optimum serving temperature for a wide variety of dishes%2E

KitchenAid KP26M1X 6 Quart Professional 600 Series Mixer

Chef Buddyâ"¢ Ice Cream and Sorbet Maker - 1 Quart - Make your favorite flavor of ice cream or sorbet from your own home with this ice cream maker. Compact size wonâ?TMt clutter up your counter and the results are delicious! It's fully automatic â?" simply make one of the seven recipes in the manual, pour it in the pre-frozen machine and let your ice cream maker take over. In 20-40 minutes (depending on the consistency you desire) you will be enjoying scrumptious ice cream or sorbet.The perfect indoor activity on those rainy days for you and the family to enjoy!Features Include:Makes ice cream or sorbetCompact size wonâ?TMt clutter the counterEasy touch on/off switchMakes ice cream in 20-40 minutesLocking clip to hold motor on freezing bowl securelyMakes 1 quart of ice cream at a timeManual and recipes included Measures 6.5 x 6.5 x 8.5 inches

After building up the duo's popularity through popular recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. --Jeff Shannon

Bringing their "SNL" characters to the big screen, John Belushi and Dan Aykroyd are Jake and Elwood Blues, two ex-con, music-loving brothers out to reunite their old band so they can raise money to save the Chicago orphanage where they grew up. Filled with wild car chases and songs from such guest stars as James Brown, Cab Calloway, Ray Charles, and Aretha Franklin, John Landis' high-octane comedy also stars John Candy, Carrie Fisher. R-rated version; 133 min./Extended version; 148 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, Spanish Dolby Digital stereo, French Dolby Digital stereo; Subtitles: English (SDH), Spanish, French; featurettes.

Never underestimate the power of perseverance, social media, good hair, and a winning smile. Small town boy Justin Bieber is a young musician (16 years old at the time of this film's release) who started out goofing around on the drums at home as a young child and posting videos on You Tube as a preteen. With the help of producer Scooter Braun, he has rocketed to the status of pop phenomenon, performing for a sold-out house at the coveted Madison Square Garden in less than two years. Part documentary, part concert video, Justin Bieber: Never Say Never combines archival home videos with live concert footage; interviews with everyone from Justin's young single mother and his grandparents to his vocal coach "Mama Jan" Smith, pop icon and actor Usher, and producer Braun; and way too much footage of squealing, overwrought preteen female fans (the latter will likely cause one's eyes to spontaneously roll back in one's head and trigger a gag reflex unless one happens to be a 10- to 12-year-old girl). Showcased are Bieber's early visits to every radio station imaginable; his life backstage, on the road, and during a rare visit with his friends back home; the determination of those around him to keep his life as normal as possible; and lots of up-close footage of his concerts. Throughout the 10 days preceding his Garden debut, guest artists like Miley Cyrus, Usher, Jaden Smith, and Boyz II Men join Bieber onstage for collaborative performances of songs including "Overboard," "Somebody to Love," "Never Say Never," and "U Smile." Bieber also deals with the stress and pain of a throat infection that causes him to cancel his first show ever and threatens to prevent him from honoring his performance date at the Garden. Finally, the day of the Madison Square Garden performance arrives and viewers are treated to a great sampling of Bieber's powerful performance. The film does a good job of chronicling Bieber's rise to stardom, but let's face it, his career has spanned less than two years as of this film, so there's not really all that much to say in a movie that lasts almost two hours. But even if you're not a rabid Justin Bieber fan, you have to admit the kid has talent and you've got to respect his incredible journey. (Ages 9 - 13) --Tami Horiuchi

From YouTube sensation to global superstar, Justin Bieber has won the hearts of fans wherever he goes. Shot during his 2010 tour, this documentary/concert film features Bieber performing his biggest hits and encountering such celebrities as Miley Cyrus, Jaden Smith, Usher Raymond, and Boyz II Men while retaining his core values and never letting fame go to his head. Not in 3-D. 105 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, DVS, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English, French, Spanish; bonus footage.

This big-screen extension of the Glee franchise, which sometimes plays like a long-form promo, melds the New Jersey portion of the 2011 tour with fan profiles. On stage and off, cast members stay in character, even while prepping backstage. Dressed in jeans and Izod shirts, they begin the show by singing Journey's "Don't Stop Believin'" before launching into a string of pop hits, including Lady Gaga's "Born This Way" (some numbers were filmed at the Izod Center). As on the series, the stronger singers, like Lea Michele ("Don't Rain on My Parade") and Chris Colfer ("I Want to Hold Your Hand") shine the brightest. Though Cory Monteith and Mark Salling, to name two, aren't as strong, their charisma helps to compensate--and that applies to special guest Gwyneth Paltrow, too. If the choreography consists primarily of jumping and fist-pumping, Heather Morris brings her dancing expertise to bear on a rendition of Britney's Spears's "I'm a Slave 4 U" dressed in a bikini outfit that probably wouldn't pass muster in prime time. In a fantasy sequence, Artie (Kevin McHale) also leaps from his chair to do the "Safety Dance." Since Glee centers on misfits, the documentary sequences celebrate three Gleeks who are different in some way: a gay drama student, a diminutive cheerio, and a Brittany enthusiast with Asperger's syndrome. The extra features offer two deleted routines, three extended performances, and outtakes with Jane Lynch's Sue Sylvester, though her nemesis, Mr. Schuester (Broadway veteran Matthew Morrison), is notable by his absence. --Kathleen C. Fennessy

Attention, gleeks: The "Glee" concert movie is here! This song-and-dance extravaganza features the cast of the television phenomenon in a documentary record of their live summer tour. Featuring unforgettable and stylish new performances of "Don't Stop Believin'," "Jessie's Girl," "I'm a Slave 4 U," "Firework," and more hits, the film also features candid interviews with the actors and their most ardent fans. Dianna Argon, Lea Michele, Darren Criss, Heather Morris, Chris Colfer, and Jane Lynch star. Not in 3D. 84 min. Widescreen; Soundtracks: English Dolby Digital 5.1, DVS Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; bonus footage.

Ten-disc set includes "The Matrix," "The Matrix Reloaded," "The Matrix Revolutions," the documentary "The Matrix Revisited," and "The Animatrix," plus five discs worth of all-new bonus materials. Standard and Widescreen (Enhanced); Soundtracks: English Dolby TrueHD 5.1, Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1, Dolby Digital stereo, Italian Dolby Digital 5.1, Portuguese Dolby Digital 5.1, Dolby Digital stereo; Subtitles: English (SDH), French, Spanish, Dutch, Italian, Portuguese; audio commentary; "making of" documentaries; photo gallery; storyboards; music video; TV spots; theatrical trailers; more.

The MatrixBy following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend. Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). --Jeremy Storey The Matrix ReloadedConsidering the lofty expectations that preceded it, The Matrix Reloaded triumphs where most sequels fail. It would be impossible to match the fresh audacity that made The Matrix a global phenomenon in 1999, but in continuing the exploits of rebellious Neo (Keanu Reeves), Morpheus (Laurence Fishburne), and Trinity (Carrie-Anne Moss) as they struggle to save the human sanctuary of Zion from invading machines, the codirecting Wachowski brothers have their priorities well in order. They offer the obligatory bigger and better highlights (including the impressive "Burly Brawl" and freeway chase sequences) while remaining focused on cleverly plotting the middle of a brain-teasing trilogy that ends with The Matrix Revolutions. The metaphysical underpinnings can be dismissed or scrutinized, and choosing the latter course (this is, after all, an epic about choice and free will) leads to astonishing repercussions that made Reloaded an explosive hit with critics and hardcore fans alike. As the centerpiece of a multimedia franchise, this dynamic sequel ends with a cliffhanger that virtually guarantees a mind-blowing conclusion. --Jeff Shannon The Matrix RevolutionsDespite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as an adrenalized action epic, marking yet another milestone in the exponential evolution of computer-generated special effects. That may not be enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology into a quasi-religious pop-cultural phenomenon, but there's no denying that the trilogy goes out with a cosmic bang instead of the whimper that many expected. Picking up precisely where The Matrix Reloaded left off, this 130-minute finale finds Neo (Keanu Reeves) at a virtual junction, defending the besieged human enclave of Zion by confronting the attacking machines on their home turf, while humans combat swarms of tentacled mechanical sentinels as Zion's fate lies in the balance. It all amounts to a blaze of CGI glory, devoid of all but the shallowest emotions, and so full of metaphysical hokum that the trilogy's detractors can gloat with I-told-you-so sarcasm. And yet, Revolutions still succeeds as a slick, exciting hybrid of cinema and video game, operating by its own internal logic with enough forward momentum to make the whole trilogy seem like a thrilling, magnificent dream. -- Jeff Shannon

Seven-disc set includes "Star Trek: The Motion Picture," "Star Trek II: The Wrath of Khan," "Star Trek III: The Search for Spock," "Star Trek IV: The Voyage Home," "Star Trek V: The Final Frontier," "Star Trek VI: The Undiscovered Country," and a disc full of extras.

Star Trek I : The Original Motion PictureBack when the first Star Trek feature was released in December 1979, the Trek franchise was still relatively modest, consisting of the original TV series, an animated cartoon series from 1973-74, and a burgeoning fan network around the world. Series creator Gene Roddenberry had conceived a second TV series, but after the success of Star Wars the project was upgraded into this lavish feature film, which reunited the original series cast aboard a beautifully redesigned starship U.S.S. Enterprise. Under the direction of Robert Wise (best known for West Side Story), the film proved to be a mixed blessing for Trek fans, who heatedly debated its merits; but it was, of course, a phenomenal hit. Capt. Kirk (William Shatner) leads his crew into the vast structures surrounding V'Ger, an all-powerful being that is cutting a destructive course through Starfleet space. With his new First Officer (Stephen Collins), the bald and beautiful Lieutenant Ilia (played by the late Persis Khambatta) and his returning veteran crew, Kirk must decipher the secret of V'Ger's true purpose and restore the safety of the galaxy. The story is rather overblown and derivative of plots from the original series, and avid Trekkies greeted the film's bland costumes with derisive laughter. But as a feast for the eyes, this is an adventure worthy of big-screen trekkin'. Douglas Trumbull's visual effects are astonishing, and Jerry Goldmith's score is regarded as one of the prolific composer's very best (with its main theme later used for Star Trek: The Next Generation). And, fortunately for Star Trek fans, the expanded 143-minute version (originally shown for the film's network TV premiere) is generally considered an improvement over the original theatrical release. --Jeff ShannonStar Trek II :The Wrath of KhanAlthough Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff ShannonStar Trek III : The Search for Spock You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise...as if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff ShannonStar Trek IV : The Voyage Home Jumping on to the end-of-the-century bandwagon a little early, Paramount Pictures released 10 of their top films in one 10-pack, the Millennium Collection, in 1998. All the films are presented in their widescreen editions; one, Breakfast at Tiffany's, is offered in this format for the first time. The set includes 5 Best Picture Oscar winners and films that took home an additional 33 Academy Awards. All the tapes are available to buy individually. The pack, with a handsome mosaic of faces from the movies, also features collector gift cards (a movie version of baseball cards) and a commemorative booklet detailing the productions of all 10 films. The collection is oddly weighted toward the last 25 years, offering only one film from the 1950s and one from the 1960s. Your taste in current cinema will define the value of the set. Besides Tiffany's, one of Audrey Hepburn's finest films, the collection contains: The Ten Commandments with Charlton Heston, Grease with John Travolta, Francis Ford Coppola's Apocalypse Now and The Godfather, the funny, whale-saving Star Trek IV--The Voyage Home, Tom Cruise's hit Top Gun, the smash hit Ghost with Demi Moore, Mel Gibson's Celt fest Braveheart, and Forrest Gump with Tom Hanks. --Doug ThomasStar Trek V :The Final FrontierMovie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff ShannonStar Trek VI : The Undiscovered CountryStar Trek V left us nowhere to go but up, and with the return of Star Trek II director Nicholas Meyer, Star Trek VI restored the movie series to its classic blend of space opera, intelligent plotting, and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk, whose subsequent investigation uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds, Star Trek VI takes on a sharp-edged tone, with Kirk and Spock confronting their opposing views of diplomacy, and testing their bonds of loyalty when a Vulcan officer is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Star Trek crew, this film took the veteran cast out in respectably high style. With the torch being passed to the crew of Star Trek: The Next Generation, only Kirk, Scotty, and Chekov would return, however briefly, in Star Trek: Generations. --Jeff Shannon

Nine-disc set includes "X-Men," "X2: X-Men United" and "X-Men: The Last Stand."

Experience the Freedom of Keyless Convenience No more hiding keys under the doormat. No more losing, forgetting, or making extra keys time and time again. Step up to a more secure and flexible solution with a Schlage Residential Keypad Deadbolt. Install a new keypad deadbolt yourself--with nothing more than a screwdriver. You're free to add, change, or delete user codes in just seconds--and to come and go as you please. Keypad deadbolts are ideal for exterior, side, or garage entry doors. Schlage has built a legacy of providing the highest level of security to homes and businesses. Install a Schlage and you install nearly a century of total dedication to security, quality, and innovation. How will a keypad deadbolt work for you? Busy Family Don't worry about your child losing or forgetting their key. With a Schlage Keypad Deadbolt, each member of the family can have their own 4-digit code that will be easy to remember. If relatives are visiting, program a temporary code for their stay. Outdoor EnthusiastGoing for a job or a ride? With a keypad deadbolt, you don't have to carry a bulky key chain or worry about losing your keys along the way. Simply press the Schlage button and turn the deadbolt to lock the door, and use your personal code to unlock when you return. Pet LoverKeypad deadbolts allow you to give your neighbor or pet sitter a code of their own while you are away. When you return, simply delete the code from the lock. All programming can be done from the keypad; there is no need to remove the lock from the door. Rental or Vacation Home OwnerReduce costs by replacing locks and exchanging keys. Install a keypad deadbolt on your rental property and save yourself the hassle. When your renter moves out, simply change the code. Schlage Residential Keypad Deadbolt Features and Benefits Provides the convenience of keyless access; customizable to fit your security needs Innovative turn lock feature allows you to lock and leave without a key 19 user code capacity with 10,000 user code combinations to choose from Ideal for front doors, garage entry doors, and side and back doors Easily replace most existing deadbolts with a screwdriver in about 30 minutes No programming required; preset with two user codes so it's ready to use right out of the box ANSI/BHMA grade 2 certified Fits standard door preparations Battery operated with over 3 year battery life *This product is not compatible with Schlage LiNK Z-Wave enabled products.

Visual pack. Camelot. For keyed exterior doors. Locked from exterior by rotating keyway or from interior by turning or thumb piece. Deadbolt opened from outside by entering valid user code when rotating keyway turn or by interior thumb turn. Key can be used to unlock as backup. Dual option latch includes: 1/4'' round corner and 1'' circular drive in latch. Adjustable for 2 3/8'' or 2 3/4'' backsets. Strike: 1/4'' round corner full lip strike. Grade 2 construction for superior durability and quality performance. Lifetime mechanical warranty. 1 tool installation, 9V battery operation, 3 year battery life with low battery indicator. Large, easy to read numbers, lighted keypad. Store up to (19) 4 digit user codes. Silicon rubber buttons are epoxy coated to prevent wear (won't show code pattern).

Product Description From the Manufacturer: The Foscam FI8910W features high quality video & audio, pan/tilt, remote internet viewing, motion detection, night-vision, embedded IR-Cut filter and built in network video recording system. In addition, it is smartphone compatible (Iphone, Android & BB) as well as viewable over the internet using standard web-browsers. The camera functions well as an Iphone baby monitor or as part of a home or office security system with remote internet monitoring ability. Building on the success of the Foscam FI8918W, the FI8910W is the latest camera from Foscam Digital Technologies LLC. The FI8910W distinguishes itself with an embedded IR-Cut filter providing enhanced picture and color quality. The IR-Cut filter automatically adjusts the lighting exposure via mechanical filter to provide true and accurately colored images that are not washed out. In addition, the FI8910W has an upgraded and higher quality external housing as well as an included 2 year extended warranty. Features: - IR cut-off filter for True Colors. *Exclusive to this indoor model. - The IR lights can be turned off manually from the software - Audio quality is improved, there will be no noise when speaking into the camera. - WPA2, WPA & WEP - Internal mic as well as jack for external mic - Allows for remote viewing & recording over LAN or internet - Simple to setup with a friendly graphical interface - 640 x 480 Pixels (300k Pixels) - Two-way audio - Pan/Tilt control (Pan:300eg& Tilt:120deg) - Night vision (up to 8 meters) via auto IR-LED illumination - Infrared Motion Detection (with email notification and image upload via FTP) - Supports standard browsers, Iphone, Ipad, Android and BB - Wifi IEEE 802.11b/g. Wired connection also included - DDNS - Multi-level user management

InSinkErator, Flange, FLG-ORB Add unique style to your kitchen with our popular designer colors including polished stainless steel, brushed stainless steel, white, biscuit, mocha bronze, oil-rubbed bronze, matte black, and French gold. For use on all InSinkErator® manufactured disposers. Note: Use of abrasive cleaning solutions may harm this product's finish.

Arnold Schwarzenegger is back in a big way in this pulse-pounding sequel. This time he's a reprogrammed T-800 who not only defends Sarah Connor's (Linda Hamilton) young son John (Edward Furlong) from a highly advanced Terminator (Robert Patrick) with the ability to change its shape, but must also fight to prevent a cataclysmic event that will destroy human civilization. Oscar-winning special effects and non-stop action highlight this smash hit from director James Cameron. R-rated version; 135 min./Extended version; 152 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1 EX, French Dolby Digital stereo; Subtitles: English (SDH), French, Spanish; audio commentary by Cameron others; behind-the-scenes footage; storyboards; trivia; games; more.

Arnold Schwarzenegger returns as The Terminator in this explosive action-adventure spectacle. Now he's one of the good guys, sent back in time to protect John Connor, the boy destined to lead the freedom fighters of the future. Linda Hamilton reprises her role as Sarah Connor, John's mother, a quintessential survivor who has been institutionalized for her warning of the nuclear holocaust she knows is inevitable. Together, the threesome must find a way to stop the ultimate enemy - the T-1000, the most lethal Terminator ever created. Co- written, produced and directed by James Cameron (The Terminator, Aliens, Titanic), this visual tour de force is also a touching human story of survival.

All 13 episodes from season five--including "Chuck Versus the Zoom," "Chuck Versus the Curse," "Chuck Versus the Santa Suit," "Chuck Versus Sarah," and the series finale "Chuck Versus the Goodbye"--are featured in a three-disc set. 9 1/3 hrs. total. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; audio commentary on selected episodes; gag reel; featurettes; deleted scenes; extended final episode; more. **13 episodes on 3 discs. 9 1/3 hrs.**

Chuck's entertaining amalgam of action-adventure, comedy, and romance makes its last stand--much to the dismay of its faithful adherents--with this set of 13 episodes (on three discs, including bonus material) from its fifth and final season. As veteran viewers will know, this season's Chuck Bartowski (Zachary Levi) is a far cry from the nerdy fellow from the show's earlier run. Beautiful fellow spy Sarah Walker (Yvonne Strahovski) is now his wife, and while Chuck remains fairly uncertain about his abilities, his own skills have sharpened considerably. But he no longer has the supercomputer known as the Intersect in his brain; for the first several episodes it's in Morgan Grimes (Joshua Gomez), with Chuck acting as "handler" as Morgan uses and abuses its astonishing powers, until the Intersect eventually turns up inside a sinister villain later in the season. Chuck and his crew of "free agent spies," which also includes tough guy John Casey (Adam Baldwin), weren't exactly a crack team to begin with ("We're still working out the kinks," as he puts it). Now they have to find a way to stop the monstrous "Omen" computer virus (the season's best storyline), foil many baddies (guest stars include Rebecca Romijn, Cheryl Ladd, and Craig Kilborn; Linda Hamilton and Bo Derek also put in appearances), and otherwise save the world without the Intersect, and a good many of their missions come down to exercises in mere survival. None of this is what you'd call cutting edge; it's escapism, pure and simple. But Chuck's refreshingly light touch also allows for some poignant moments (especially in the finale) and an appealing family vibe. Chuck isn't the first television show whose devotees reacted to its cancellation by campaigning furiously to bring it back. As is usually the case, they were unsuccessful, but a lineup of fan-friendly bonus features may help ease the pain. Not only do the cast and crew pay tribute to "the world's greatest fans"; they even predict how the show might have evolved had it been renewed. There are also featurettes about making the final episode (plus audio commentaries for the last two) and Chuck's beginnings and development through the years, along with a blooper reel, commercials for the Buy More store that serves as a front for the spies' operation, and more. --Sam Graham

Science-fiction features often involve time travel or strange worlds. In Christopher Nolan's heist thriller Inception, the concepts converge through the realm of dreams. With his trusty associate, Arthur (Joseph Gordon-Levitt, a fine foil), Dom Cobb (Leonardo DiCaprio, in a role that recalls Shutter Island) steals ideas for clients from the minds of competitors. Fallen on hard times, he's become estranged from his family and hopes one last extraction will set things right. Along comes Saito (Ken Watanabe, Batman Begins), who hires Cobb to plant an idea in the mind of energy magnate Fischer (Cillian Murphy, another Batman vet). Less experienced with the art of inception, Cobb ropes in an architecture student (Ellen Page), a chemist (Dileep Rao), and a forger (Tom Hardy) for assistance. During their preparations, Page's Ariadne stumbles upon a secret that may jeopardize the entire operation: Cobb is losing the ability to control his subconscious (Marion Cotillard plays a figure from his past). Until this point, the scenario can be confusing, since the action begins inside a dream before returning to reality. Then, after the team gets to Fischer, three dream states play out at once, resulting in four narratives, including events in the real world. It all makes sense within the rules Nolan establishes, but the impatient may find themselves much like Guy Pearce in Memento: completely confused. If Inception doesn't hit the same heights as The Dark Knight, Nolan's finest film to date, it's a gravity-defying spectacular to rival Dark City and The Matrix. --Kathleen C. Fennessy

Blu-Ray Movies, Warner Bros., INCEPTION (BLU-RAY/DVD/DCOD/3 DISC/COMBO/WS, WAR BR119758