Boom Music

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Boom Music

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Jive Club in Stockport - 1961 Photo Mugs Jive Club in Stockport - 1961 Photo Mugs

A four-piece band playing in a Jive Club in Stockport. Photograph by Shirley Baker.

Lottie Collins/e Pyke Photo Mugs Lottie Collins/e Pyke Photo Mugs

LOTTIE COLLINS Music hall entertainer, best known for her song Ta-Ra-Ra- Boom-De-Ay .

Baby Boom [VHS] Baby Boom [VHS]
List Price: $4.94
Sale Price: $1.95

The writing-directing team of Charles Shyer and Nancy Meyers (Father of the Bride) made this sweet satire about a high-powered yuppie executive (Diane Keaton) who unexpectedly becomes a mom and finds she can't successfully integrate the role into her busy life. Typical of the Shyer-Meyers films prior to Myers taking the director's reins on the wonderful Parent Trap, Baby Boom is a little wooden and more sentimental than genuine. But there are entertaining moments, for sure, and Keaton is a delight. --Tom Keogh

Club Med Party Dances [VHS] Club Med Party Dances [VHS]
List Price: $12.95
Sale Price: $2.55
Shield Around the K: Story of K Records [VHS] Shield Around the K: Story of K Records [VHS]
List Price: $18.98
Sale Price: $11.54
Bosch PB360D Deluxe Power Box Jobsite Radio Bosch PB360D Deluxe Power Box Jobsite Radio
List Price: $492.00
Sale Price: $209.99
DEWALT DC012  Worksite Charger/Radio DEWALT DC012 Worksite Charger/Radio
List Price: $313.52
Sale Price: Too low to display

Save time and get more done on the job site with the DEWALT DC012 Work Site Charger/Radio. This dual-function tool provides quick and efficient Lithium Ion or nicad battery charging, and a radio/MP3-plug-in function. Its rugged design stands up to the rigors of the job site, while its digital controls and advanced functions make operation simple and reliable.Work Site Charger/RadioAt a Glance:Radio/charger for 7.2- to 18-volt nicad and lithium-ion DEWALT battery packs (not UniVolt)Digital tuner with LCD display, built-in clock, and 15 station memory presetsThree-stage charging system for maximum run time and longer battery lifeWeighs 14.25 poundsBacked by limited three-year warranty; 90-day money-back guaranteeConnect your iPod or MP3 player to the Work Site Radio, and listen to your favorite music while you work. View larger.Three convenient plug-ins for multiple tool use anywhere at your work site. View larger.LCD display with clock, digital tuner, and 15 station memory.View larger.Dual-Purpose Tool Charges Battery and Functions as a RadioWhile plugged in, the DEWALT DC012 Work Site Charger/Radio is a one-hour charger for all 7.2- to 18-volt DEWALT battery packs. This radio also runs off of the same 7.2 to 18-volt DEWALT batteries if no outlet is available. It's the ideal choice for active job sites or shop use.Three-Stage Charging System for Maximum Run Time and Battery LifeTo keep you working without interruption, the DC012 has a three-stage charging system that provides maximum run time and extends the overall life of the battery. At the same time, the power outlets offer more versatility for job-site power.AM/FM Tuner with LCD and Maximum Bass and Range for Quality SoundIn addition to its charging capabilities, the DC012 includes an AM/FM Digital Tuner with LCD display, built-in clock, and 15 station memory presets. The high-efficiency, weather-resistant speakers with dual bass ports deliver maximum bass and range, so you'll enjoy high-quality sound, even on loud job sites.Auxiliary Port for Easy ConnectivityFor added convenience, the auxiliary port allows connection to CD players, MP3 players, and portable satellite receivers with an audio cable (not included), and the durable, dual-pivoting, 11-inch flexible antenna ensures great reception.Dimensions and Warranty InformationThe DEWALT DC012 Work Site Charger/Radio weighs a very portable 14.25 pounds and is backed by a limited three-year warranty, 90-day money-back guarantee, and one-year free service contract.What's in the BoxDEWALT Work Site Charger/Radio and manual.The DEWALT Work Site Charger/Radio will charge all 7.2- to 18-volt battery packs.

Milwaukee 2790-20 12-Volt to 28-Volt Jobsite Radio Milwaukee 2790-20 12-Volt to 28-Volt Jobsite Radio
List Price: $208.00
Sale Price: Too low to display

Exclusive AM/FM Tuner with Digital Processor - delivers highest reception accuracy and signal clarity Premium Speakers and 40 Watt Amplifier - up to 6X more power than competitive radios Weather Sealed Auxiliary Compartment - protects MP3 players and other audio devices Customizable Equalizer and 10-Station Preset - personalized sound and enhanced musical and vocal quality AC/DC Versatility - powered by Milwaukee M12™, M18™, V18™, V28® , NiCd 12V to 28V, and AC outletThe Milwaukee Advantage - Powered by all Milwaukee® 12V-28V batteries including M series, V series and NiCad; the Jobsite Radio delivers the highest reception accuracy and signal clarity in its class with an exclusive AM/FM tuner and digital processor. In addition, the Job Site Radio features premium speakers that produce a rich, full sound and a built in weather sealed MP3 compartment to protect MP3 players and other audio devices. Backed by legendary Milwaukee durability, a shock absorbing ABS polymer and steel construction protects internal components from weather and abusive job site conditions.

Chicka Chicka Boom Boom... and More Fun with Letters and Numbers (Scholastic Storybook Treasures) Chicka Chicka Boom Boom... and More Fun with Letters and Numbers (Scholastic Storybook Treasures)
List Price: $14.95
Sale Price: $8.44

Features include: •MPAA Rating: G•Format: DVD•Runtime: 60 minutes

Leslie Sansone Walk Slim: Fast and Firm 4 Really Big Miles Leslie Sansone Walk Slim: Fast and Firm 4 Really Big Miles
List Price: $16.98
Sale Price: $6.52

Join Leslie on her best walk ever with the Leslie Sansone Walk Slim DVD. This challenging, 4-mile walking workout will power your walk to a whole new level. It's jam-packed with great music and body sculpting exercises, plus motivational pop-ups on your screen to help keep you moving at the perfect speed.

Elton John: Elton 60 - Live At Madison Square Garden [Blu-ray] Elton John: Elton 60 - Live At Madison Square Garden [Blu-ray]
List Price: $24.95
Sale Price: $15.99

Is it possible that the "Rocket Man" has turned 60? The sold-out crowd at Madison Square Garden is equally amazed when they see Elton John marking not only this birthday milestone, but 60 performances at the illustrious New York venue. Elton performs "Madman Across the Water," "Better Off Dead," "Honky Cat," "Sorry Seems to Be the Hardest Word," "Tiny Dancer," and many more. Soundtracks: English PCM 5.1, PCM stereo.

Logitech Squeezebox Radio Rechargeable Battery Pack and Remote Logitech Squeezebox Radio Rechargeable Battery Pack and Remote
List Price: $49.99
Sale Price: $49.25

* Actual battery life will vary with use, settings and environmental conditions. Rechargeable batteries have a limited number of charge cycles. Compatibility Compare Which Squeezebox Wi-Fi Music Player Is Right For You?Product FeaturesRechargeable battery pack: Move your Squeezebox Radio around the house without interrupting the musicHours of unplugged power: Play up to six hours* of music on a single battery chargeInfrared remote: Control power, volume and music selections from across the roomActual battery life will vary with use, settings and environmental conditions.Rechargeable batteries have a limited number of charge cycles.Hours of unplugged power: Play up to six hours* of music on a single battery charge (* Actual battery life will vary with use, settings and environmental conditions. Rechargeable batteries have a limited number of charge cycles.)Technical DetailsBrand Name: LogitechModel: 930-000106Item Height: 5.71 inchesItem Length: 2.8 inchesItem Width: 8.27 inches

Plantronics GameCom 367 Closed-Ear Gaming Headset Plantronics GameCom 367 Closed-Ear Gaming Headset
List Price: $59.99
Sale Price: $24.36

The closed-ear GameCom 367 headset delivers an immersive audio experience with 50 mm stereo speakers and specially designed earpods that redistribute pressure for maximum comfort. When you're ready to fire off orders, unveil the hidden, noise-canceling mic boom to strategize clearly with team members. Responses coming in? Adjust audio levels using in-line volume and mic-mute controls. When you're done, rotate, and tuck the mic boom inside the headset--then let your score do the talking. As with any Plantronics headset, rugged, military-like design and extra-strength cables keep your hardware hardcore--game after game after game.

Universal PC/Stereo Gaming Headset - Yapster TM-YB100A – Black Universal PC/Stereo Gaming Headset - Yapster TM-YB100A – Black
List Price: $19.99
Sale Price: $14.96

You don't need to spend a fortune for a high quality, multiple-use stereo headset. The TekNmotion TM-YB100A Yapster Universal Gaming Headset

Logitech Wireless Gaming Headset G930 with 7.1 Surround Sound Logitech Wireless Gaming Headset G930 with 7.1 Surround Sound
List Price: $159.99
Sale Price: $101.99

This headset delivers a fast wireless connection so you can level up without being tied down. Add 7.1 surround sound, three programmable G-keys and a comfortable, adjustable fit and you've got everything you need to win.


Boom Music

Live music is a big growth area for the music sector, right? Well, yes, if you are a mega-minted arena act or the organisers of a major music festival. But dig below the surface of the figures and you find an increasing gulf between the grassroots and the world's biggest acts. MediaNation examines the claims that all is well with the nation's live music scene.

The sector is booming - that's according to two research reports released in the last few months. According to the International Federation of the Phonographic Industry, revenues increased by 4% worldwide, although they note that, 'the rate of growth has slowed significantly in the last three years'. In the UK PRS for Music's research revealed that this trend was continuing, with 1.45 billion spent by UK consumers on live events in 2009 compared with 1.39 billion in 2008. But what do we mean by 'live music', and is everyone a winner?

The PRS research points out that there is an ever widening gulf between grassroots events and the big arena acts. Big international star acts are needed to attract fans to key music events and festivals. As PRS Chief Economist, Will Page points out, live events have an advantage over recorded music: scarcity. This is well borne out by the recent sale of tickets to Take That's Progress Tour, which made headlines last month when major ticket websites crashed under the pressure of demand from consumers.

This is great for the big acts, with even bigger promotion behind them. The top world tours by sales in the first half of 2010 were, according to Pollstar: 1. AC/DC $177.5m 2. Bon Jovi $75.7m 3. Metallica $60.8m 4. James Taylor/Carole King $53.9m 5. Black Eyed Peas $48.4m 6. Lady Gaga $42.1m 7. Michael Buble $42.0m 8. Taylor Swift $40.4m 9. Walking With Dinosaurs $39.7m 10. Eric Clapton $38.7m.

It's big business. However, Pollstar's findings show a continuation of the slowing of growth revealed in the IFPI's report, particularly in the North American markets. Revenues are down $196.8 million on the same time last year, and tour legs by several big name acts have been cancelled for economic reasons.

Meanwhile, at the other end of the live music hierarchy, the closure of pubs (nearly 50 a week according to The Publican magazine), and changes to the Licensing Act, have meant that local, new and upcoming acts are finding it increasingly difficult to find audiences. The Department for Media, Culture, and Sport (DCMS) have refuted this claim which has in turn provoked intense criticism from musicians and supporters of live music in the UK.

John King, a musician and member of the Welwyn Live Music Forum, said: "The damage...caused by the Licensing Act was carefully covered up by the last Government. DCMS have admitted that there are now only 52,400 premises with live music authorization. Even this number is hopelessly optimistic as it includes schools, colleges, retirement homes, hospitals, shops, public spaces and closed premises, and is also distorted by a definition of a live music event which included pretty much anything from a pack of carol singing Brownies to a clown playing a comedy trumpet. "

In response to pressure from campaigners, it seemed the new Coalition Government was preparing to look at the Licensing Act again in order to exempt small venues. Lord Clement-Jones' live music bill, would provide for a 200-audience gig exemption.

However, according to a news release on the Live Music UK Forum, darker forces may be at work to prevent the bill ever being passed. The Forum reports, "A reliable Parliamentary source claims that Home Office licensing mandarins believe that Lord Clement-Jones' bill, 'drives a coach and horses' through the Licensing Act." A second reading is due early next year.

The sector's success story is not as clear cut as it seems. Big globally dominant promoters like Live Nation can make huge profits. Yet nationally and locally live music is struggling with a triple whammy: licensing regulations, a dwindling number of venues, and hard-up punters.

While Pollstar, PRS, and the IFPI reports all seem to find that the sector's revenues are slowing, they are still growing for those involved in the big ticket events. However it is likely to be that profits will continue to be made by a relatively small number of concert promoters. PRS' Will Page predicts increased consolidation across the sector. And with the Live Music Bill still going through the democratic mill, help for the grassroots, community-based live scene may be too long in coming to halt its decline.

In the first of four interrelated articles on the history of live music in the UK, academic Simon Frith of the University of Edinburgh, articulates clearly why live music is so important for the nation. He says, "...what matters is to understand that local, small-scale do-it-yourself promotion remains as necessary to the live music ecology as Live Nation et al." The question remains, what will the live music ecology of the nation look like in a generation if current trends continue?

http://www.medianation.co.uk/

Samantha Lay

Barbecue Music

 Americans disagree, often fanatically, on the definition of a barbecue. In Texas, where I come from, for example, it means smoking meat — most prominently brisket, sausage and ribs — “low and slow,” with indirect heat from hardwood coals; variants on this, often using different meats, are standard operating procedure in Kansas City, Memphis, the Carolinas, and other parts of the South. But to many people, barbecuing still means grilling hot dogs, hamburgers and steaks quickly over intense direct heat from charcoal briquettes. There is one thing about barbecues, however, that we can all agree on: To have a good one, you must have good music. (A swimming pool doesn’t hurt, either.) Barbecue music should be summery, rollicking and upbeat, with a deep groove. It should also be familiar to most of the guests — the better to bind them in a copacetic communal bond — though the host is advised to throw in a few left-fielders just to prove that he definitely knows his stuff. There are many songs about barbecue; to hear some, simply go to the top of this page and select “track” in the search box and the words “barbecue,” “bar-b-q” or “BBQ” in the slot next to it. You’ll get a slew of song titles. But this list ignores music about barbecue; this is barbecue music.

 

Willy and the Poor Boys

Artist: Creedence Clearwater Revival

Release Date: 2000

No band from the classic rock era created better barbecue music than John Fogerty and crew. Recasting their hard rockabilly as a kind of jug-band stomp, this represents their most good-timey effort — even “Fortunate Son,” one of the most biting topical songs ever, can sound kinda fun. That jug-band feeling permeates “Down on the Corner,” “Cotton Fields,” “Poor Boy Shuffle,” “The Midnight Special” — the ghost of Lead Belly also hovers over these proceedings — and even the Cold-War-paranoia allegory “It Came Out of the Sky” uses gleeful satire to make its point with a laugh.

Night Train

Artist: King Curtis

Release Date: 1995

Dilettantes used to debate whether Curtis was “really” jazz or “just” r&b, as if the two weren’t already joined at the hip. In truth, Curtis is groove, and that’s all you need to know. He yakety-yakked wooly tenor sax solos on hits by everyone from the Coasters to John Lennon to Aretha, but his own records work by cutting a fat, funky night-time-is-the-right-time groove and holding it until the last partier drops. This works just as well outdoors, especially when you’re strutting tunes like “Honky Tonk,” “Hot Saxes” and “(Let’s Do) The Hully Gully Twist” with a band that combines r&b blowers like fellow tenorman Sam “The Man” Taylor and jazzmen like organist Brother Jack McDuff.

 

Giant Sand - Backyard Barbecue Broadcast

Artist: Giant Sand

Release Date: 1996

A drum roll, please, for our sole high-concept selection. This was recorded partly at a backyard-barbecue benefit for WFMU in New Jersey, and audience members definitely like what they’re hearing. So you might say this music has already test-marketed high for our list. And well it should. Giant Sand, the forerunner to Calexico, hails from the desert college town of Tucson, and knows how to make hot-weather music for people in pursuit of the good life. Indeed, the 22:40 “BBQ Suite” moseys haphazardly but purposefully all over the place, like a slacker wandering around town in search of the next opportunity for free beer and food.

 

America's Most Colorful Hillbilly Band - Vol. 1

Artist: The Maddox Brothers and Rose

Rose Maddox and her brothers, who ruled the West Coast country scene in the ‘40s and ‘50s, were also America’s most clattering hillbilly boogie band; with Rose singing in a near-bray, their country music approached sheer foolishness in its purest form. But it’s the kind of exuberant, irreverent foolishness any crowd can get into — and best of all, underneath the hilarity was some fiery, abandoned and daring picking. The instrumental “Water Baby Boogie” is as hot as any music in any genre of this era (1946-51), and their repertoire was wildly eclectic, taking in religious and traditional music as well as pop, novelties, blues and then-current country hits.

 

Moments from This Theater

Artist: Dan Penn and Spooner Oldham

Release Date: 1999

You know most of these songs in versions by everyone from the Box Tops (“Cry Like a Baby”) to James Carr (“Dark End of the Street”) and Aretha (“Do Right Woman, Do Right Man”). Now hear them done by their writers, Penn on guitar and Oldham on piano. The former proves to be a great backwoods singer, and they harmonize like brothers, which they sorta are. They personify that distinctly Southern musical paradox by being simultaneously intense and laid-back, or maybe just intensely laid-back; at any rate, this is both deeply passionate and seemingly carefree, a perfect soundtrack to lazy, languorous days.

 

Haul Up Your Foot You Fool

Artist: Mr. Peter's Boom And Chime

Release Date: 1997

Backed by a four-piece Belizean band whose members play guitar, boom and chime — a bass drum struck on one side with a mallet (the boom) and on the other with something called a "drum sack" (the chime) — tumba (aka conga), the jawbone of an ass and an auto brake drum, Wilfrid Peters carries on the traditional polyrhythmic music of 19th-century mahogany camps in what used to be called British Honduras. He sings his often-bawdy brukdowns (including a customized version of Merle Haggard’s “Today I Started Loving You Again”) in chipper, Creole-inflected pidgin English, and plays driving/droning accordion. It’s so infectious you’ll involuntarily haul up your own foot and start dancing.

 

Remember Me

Artist: Otis Redding

Release Date: 1992

Sure, they dubbed it soul, but they might as well have called it “heart music.” Did any performer ever display a bigger heart than Otis Redding? He can lift a party — any party, anytime, anywhere — the instant he opens his mouth to sing, whether it’s to sigh “I’ve Got Dreams to Remember,” to admonish “Try a Little Tenderness” or to cry out for “Respect.” And you haven’t fully experienced summer until you’ve heard the sound of “The Dock of the Bay” riding a balmy breeze to mingle with the smell and smoke of barbecue. Remember that.

 

The Very Best of Jimmy Reed

Artist: Jimmy Reed

Release Date: 2003

Reed’s laconic '50s update of Delta blues seemed so simple that he’s likely the most widely-covered bluesman ever — but his timing, sound and mood proved so subtle and deceptive that nobody’s ever gotten it quite right (except possibly Charlie Rich). With his sweet, nasal singing set off by walking bass, sighing countrified harp and insistent boogie guitar, songs like “Big Boss Man,” “Bright Lights, Big City” and “Baby What You Want Me To Do” may go down easy, but they never really go away; they’re like a part of the air they inhabit. Jimmy’s timeless music is not just agreeable, it’s downright irresistible.

 

30th Anniversary Tour: Live

Artist: George Thorogood

Release Date: 2004

Everybody’s favorite white blues blusterer, Thorogood is so enthusiastic that his technical limitations as both a singer and guitarist become an important element of his charm. And it’s not like he doesn’t know that, either, which only makes it more so. In front of this British audience, the Delaware Flash careens through raunchy, high-volume faves like “Who Do You Love” and “Bad to the Bone” with — after all these years — his usual boozy, bloozy panache, giving inspiration to air guitarists everywhere. Guileless and unabashed, he’s the consummate fan-as-musician, and who (besides sober-sided purists) can’t relate that?

 

New Orleans' Funkiest Delicacies

Artist: Various Artists - Funky Delicacies

Release Date: 2005

In the steamy Crescent City, where the second-line beat and its variants are second nature, there’s more to funk than just the Neville Brothers. New Orleans fans might recognize some names, like Eddie Bo (the surging “Hey Mama, Here Comes the Preacher”) and Willie Tee (whose “Teasing You Again” faintly recalls '70s Marvin Gaye), but most of these performers will be unfamiliar to nearly everyone. No matter: with influences ranging from the Nevilles to Tower of Power, Sly Stone, George Clinton and Donald Byrd, they tighten up the NOLA carnival tradition as they get in the groove and let the good times roll.

 

About the Author

Here author John Morthland writes about Barbecue music which he says is rollicking and upbeat, with a deep groove. Visit emusic.com and enjoy the real taste of some good music combinations and real good titles with free music downloads, Audio Books, mp3 downloads, Online Music, etc…

do you drive around with your boom boom music blasting people everywhere?

do you like it?how bout everyone do the same to you.

i dont usually sometimes but i personally hate it when people do it. its just for attention and makes them look pretty lame!

Apple Marks 10 Billionth Song Download
iTunes Milestone: 10 Billionth Download US Weekly senior music director Ian Drew spoke to Harry Smith about iTunes' 10 billionth download milestone and the $10,000 prize that went to a 71-year-old Ga....

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