Happy Puppy Vintage Computers

Be the engineer of a towering, monstrous model roller coaster with the K'NEX Lava Launch Coaster building set. Containing over 1200 colorful plastic pieces that click into place, this set includes a motorized blaster that shoots a miniature car up the volcano-shaped structure and through 20 feet of spirals, twists, and loops. Color-coded instructions make assembly easy for kids nine years and older. This exciting ride is sure to get their hearts racing! Lava Launch Coaster Ages: 9+ Requires: 3 "C" batteries (not included) Screwdriver to replace batteries What We Think Fun factor: Durability: Ease of assembly: Educational factor: Novelty factor: The Good: Motorized blaster shoots a miniature coaster car along 20 feet of track. The Bad: Improperly connected track pieces may snag coaster car. In a Nutshell: Kids will be excited to watch coaster car speed along the tracks they constructed. At 4 feet in height, the Lava Launch Coaster makes for a blistering ride. View larger. Build Your Own Volcano-Shaped Model Coaster Fans of amusement park rides will be thrilled by the size of this Lava Launch Coaster. The structure's 20 feet of track rise to a height of four feet, then plunge down a dizzying series of upside-down turns, twists, and sudden drops. With over 1200 plastic pieces, the task of building this monstrosity may be daunting, but the payoff-- blasting a coaster car up, down, and around the perilous ride-- is well worth the long assembly time. While assembly is part of the fun, it certainly doesn't hurt that the instructions include over sixty pages of colorful, detailed illustrations. The color-coded plastic assembly pieces are easy to identify and each clicks nicely into place so that kids can build with confidence. The motorized blaster requires three "C" batteries (not included) that must be installed with the help of a screwdriver. Otherwise, the only tools required are a nimble pair of hands. 1200 Color-Coded Pieces that Click Together While prior experience with model kits is not required to construct this K'NEX coaster, dedication is a must! Assembly time ranges from three hours to several afternoons. Kids can choose to build on their own with the help of the easy-to-follow instructions, or they can invite friends to join in the fun. Once the coaster is complete, kids will be proud of their work and excited by the ride that awaits. Five graphic panels provide a final decorative flourish to the volcano-shaped structure. Then, it's blast-off time! Kids should wait a few seconds after turning on the motorized blaster to allow it to spool up. After gently pushing the coaster car into place, kids can watch in awe as the car blasts to a height of four feet. If the track pieces have been properly connected, the car will race along the entire length of the 20-foot track. Otherwise, if the car gets hung up, the assembly instructions make it easy for kids to identify design flaws in the track and make the necessary corrections. Optional Turbo Booster Coaster for Added Excitement! The fun doesn't end with the completion of the Lava Launch Coaster. Kids will find additional instructions on the K'NEX Web site to build a second model, the Turbo Booster Coaster, using the same building set. Additionally, separately sold K'NEX building sets allow kids to add more rides like a Ferris Wheel or Octopus Whirl to create their very own model amusement park. What's in the Box 1300 K'NEX pieces for assembly, five graphic panels, one coaster car, one motorized blaster, instruction manual. (Batteries not included.) Instructions for a second thrilling coaster are available at knex.com.

The KNEX Lava Launch Coaster is an all-new roller coaster building set that features an explosive, motorized blaster! Shaped like a volcano and towering over 4+ feet high, the Lava Launch Coaster provides powerful performance that matches the thrilling building experience. This set includes 1,200+ colorful KNEX pieces, including a motorized blaster, roller coaster car, and over 20 feet of track. Follow the color-coded instructions to build this exciting thrill ride step-by-step. Then switch the motorized blaster on, let it spool up, and watch in awe as the coaster car shoots up and out of the volcano. On the way down, the coaster car whips down, around and through the volcano with awesome speed. Instructions for a second dynamic model are available on www.knex.com. Lava Launch Coaster is appropriate for builders and roller coaster enthusiasts ages 9 and up. This set requires 3 C batteries- not included.

One of the more impressive things about A Christmas Celebration is its glowing immediacy. The record's rich vocals and colorful instrumentals create a concert-like setting, reprising the season's most loved hymns, carols, and pop standards, along with a Gaelic version of "That Night in Bethlehem." Unexpected numbers such as "Christmas Pipes" and "Carol of the Bells" (here led by the spirited fiddling of Mariread Nesbitt) only enhance an already engaging disc that finely weaves between the piety of classical music and the playfulness of pop. Chloe Agnew, Orla Fallon, Lisa Kelly, and Meav Ni Mhaolchatha combine their Celtic voices against orchestral arrangements and sparser settings--spiked with the traditional Irish fare of uilleann pipes, harp, and ancient choral harmony--to deliver an assortment of reverent but lively arrangements that wouldn't be out of place at a church, concert hall, or good Irish celli. --Martin Keller

Irish producer/arranger David Downes, the creative mastermind behind Celtic Woman's chart breakthrough and burgeoning international success, here conjures up an inviting holiday showcase for his neo-superstar crossover quartet. He pushes the group's crowd-pleasing formula into more expansive arrangements with the Irish Film Orchestra, supplemented by a strong core of featured instrumentalists, including Downes himself. If the ethnic folk influences that gave the group its name are sometimes less pronounced, the result is a collection whose dignified, pop elegance often transcends national boundaries. The vocal performances are expectedly polished, with the quintet breaking off into smaller units and solo showcases such as Lisa Kelly's Broadway-lullaby take on "The Christmas Song," a neo-classical "Panis Angelicus" by Chloe Agnew, and the muscular orchestral/choral setting for Mariead Nesbitt's earthy fiddle on "Carol of the Bells." The quintet (backed only by Nesbitt's spare strings) harmonize richly on "Have Yourself a Merry Little Christmas" and bring their trademark neo-Celtic charms more fully to bear on intimate translations of "Silent Night" and "The Wexford Carol" as well as a glorious take on the Gaelic traditional "That Night in Bethlehem." Perhaps to remind fans of their true range, the swinging, big-band bonus track "Let It Snow" closes the collection with upbeat flair. --Jerry McCulley

No Description AvailableTrack: 10: Panis Angelicus,Track: 11: Don Oiche Ud I Mbeithail That Night In Bethehem,Track: 12: O Comes All Ye Faithful,Track: 13: The Little Drummer Boy,Track: 14: The Wexford Carol,Track: 15: Let It Snow Bonus Tracks,Track: 1: O Holy Night,Track: 2: Away In A Manger,Track: 3: Ding Dong Merrily On Hight,Track: 4: White Christmas,Track: 5: Silent Night,Track: 6: Christmas Pipes,Track: 7: The Christmas Song,Track: 8: Carol Of The Bells,Track: 9: Have Yourself A Merry Little ChristmasMedia Type: CDArtist: CELTIC WOMANTitle: CHRISTMAS CELEBRATIONStreet Release Date: 10/03/2006

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As the song goes, "Merry Christmas" has already "been said many times, many ways." Diana Krall's Christmas Songs is a worthy--though not particularly unique--addition to the holiday catalog. On it, she excels with an approach mastered long ago: elegant delivery that gives extra polish to a very familiar lineup. Some might find her style frosty at times, but that will come as a relief to those who want their carolers to cut through some of the holiday treacle and create a festive, yet grown-up vibe. And Krall does show off her playful side with little, personal touches. In "Winter Wonderland" she promises to "frolic and play the Canadian way," which should draw smiles from her native land. (That'll mean toasting the holiday with Molson, eh?) Elsewhere, she ends "Jingle Bells" with the girlishly giddy statement, "I'm just crazy about horses." Well…can't argue with that. --Leah Weathersby

KRALL DIANA CHRISTMAS SONGS

Produced by Ban Dai in 2003. Very Rare. Approximate size of unopened packaging is 12" x 7.5" x 2". Requires 2 AAA batteries (not included).

Produced by Ban Dai in 2003. Very Rare. Approximate size of unopened packaging is 14 x 12 x 4 inches. Requires 2 AA batteries.

Heaven hardcover

A New York Times Notable BookA Time Magazine “Best Comix of the Year”A San Francisco Chronicle and Los Angeles Times Best-sellerWise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

"The man in black fled across the desert, and the gunslinger followed." With those words, millions of readers were introduced to Stephen King's Roland - an implacable gunslinger in search of the enigmatic Dark Tower, powering his way through a dangerous land filled with ancient technology and deadly magic. Now, in a comic book personally overseen by King himself, Roland's past is revealed! Sumptuously drawn by Jae Lee and Richard Isanove, adapted by long-time Stephen King expert Robin Furth (author of Stephen King's The Dark Tower: A Concordance) and scripted by New York Times bestseller Peter David, this series delves in depth into Roland's origins - the perfect introduction to this incredibly realized world; while long-time fans will thrill to adventures merely hinted at in the novels. Be there for the very beginning of a modern classic of fantasy literature! Collects Dark Tower: The Gunslinger Born #1-7. Questions for The Dark Tower Illustrators, Peter David and Robin Furth Amazon.com: How closely did you work with Stephen King on this project? Peter David: Robin worked far more closely with Steve before the fact, as it were, working out the overall story arcs and beats. My association was more after the fact: I wrote the scripting, which then went to King who provided the line edits and tweaks. Robin Furth: I've been working with Steve King (and Roland!) for about seven years now, so the three of us have quite a long history. While working on The Gunslinger Born, I ran my outlines by Steve King and Chuck Verrill (Steve's editor) at the same time that I ran them by our Marvel editors. After all, The Dark Tower is Steve's child so it's only right for him to have first dibs on any changes. I feel it's really important that Steve has final say about The Long Road Home. Hence, I always try to make sure he sees everything as soon as I can send drafts to him, and that includes the articles I write and which are at the end of each issue. Steve has been really supportive of this whole project which has been great. I was lucky enough to be with Steve while he looked through some of Jae's early sketches for The Gunslinger Born and his reaction was a lot like mine—it felt as though somebody had reached into his imagination and had taken his characters and given them a physical existence. I think that's pretty high praise, don't you? Amazon.com: Roland is one of the most iconic characters King has ever created. How hard was it to get him (and the other characters) "right" on the page? Did any iterations get vetoed by King? Robin Furth: We were really lucky with The Gunslinger Born because we could adapt scenes directly from Wizard and Glass. We could really stick to Steve's descriptions. (Occasionally we dipped into other Dark Tower novels, but on the whole, Wizard and Glass was our template.) The Long Road Home was a little more complicated since we spun the story from scattered tales that Roland tells about his youth—stories that are found throughout the Dark Tower books. (As you can imagine, I used my Concordance quite a lot while I was working on the outlines!) To tell the truth, Roland has such a strong personality that he feels almost human. I even dream about the guy, and once or twice I swear I've seen his shadow pacing past my writing room door. (No joke.) But even when it comes to writing about someone you know well, every person has their own perspective. As long as Steve King feels like we've caught Roland's youthful self, I'm happy. If longtime Dark Tower fans feel we have, then I'll be INCREDIBLY happy. So far Steve has been pleased with our approach. Fingers crossed that the fans will feel the same way! Peter David: King was very supportive of the license we took in terms of both the story compression and narrative stylizations that Robin and I undertook that were required to take a work of such massive scope and transform it into something that works as a graphic series. Amazon.com: What was the most challenging aspect of this particular project? Peter David: For me? Stage fright. Steve had stated that, as "a words guy," he was awaiting the scripts with great anticipation. That's pretty daunting, knowing that Stephen King is going to be going over my interpretation of what is arguably is most personal work. Robin Furth: I suppose the biggest challenge has always been (in Mid-World speak) to stand true. In other words, to remain true to our original mission and to translate the Dark Tower universe from novel form to comic book form. The Dark Tower universe is so big that we have to do a lot of condensing. It's both scary and exhilarating. Amazon.com: Robin, I imagine it is challenging to fit a several thousand page series into a graphic novel. As the DT aficionado, was it hard to adapt this series? What parts of the book did you wish you could include but had to cut because it just wouldn't fit? Robin Furth: It certainly has been challenging (you should see the state of my fingernails), but it has also been a really great experience. I have learned huge amounts about comics and about storytelling. I have always loved Roland, Alain, Cuthbert, and Susan so it has been wonderful to work with them again. There's something very moving about working with young Roland—the boy who grew into such a hard and (at times) unforgiving man. You see the wounds that later become calluses, if you know what I mean. As for the parts of the book I had to cut—there are many! When we first started working on these comics, The Gunslinger Born was supposed to be six issues long. I handed in eight issues! In the end we managed to cut back to seven, which worked well. In retrospect, I guess the greatest challenge has been to know when to stick to the plot of Wizard and Glass and when to borrow from other books (or occasionally even other parts of the Dark Tower universe) in order to fill out Mid-World for those who don't know the novels, or to make the comics ring true for long-term fans. That takes a lot of careful planning and sometimes it means taking risks, but if it works it's really worth it. Amazon.com: Peter, What was it like to work with Robin and King on this project? Have you worked closely with writers before on adaptations of their work? Peter David: It was both exciting and daunting: exciting being part of something as ambitious and potentially groundbreaking as this endeavor, and daunting in that King is a writing god whom I desperately wanted to please with my interpretations. No, I've never worked with a writer adapting his work before, which is why this was new territory for me: And what a place to start, huh? It's difficult to imagine any subsequent experience with adapting someone's work measuring up to this. Amazon.com: What is your favorite panel? Robin Furth: I must say I like them all, so I don't know if I could choose. However Jae recently sent me the cover for the first issue of The Long Road Home, and I think that would be in my top ten! Peter David: I'm torn on that. In terms of story narrative, the one where Roland and Susan give in to their passion. In terms of pure iconic power, that two-page spread early on where we first see Roland, as the gunslinger, in pursuit of the man in black. You never have a second chance to make a good first impression, and Jae and Richard just absolutely nailed it.

"The man in black fled across the desert, and the gunslinger followed." With those words, millions of readers were introduced to Stephen King's Roland -- an implacable gunslinger in search of the enigmatic Dark Tower, powering his way through a dangerous land filled with ancient technology and deadly magic. Now, in a comic book personally overseen by King himself, Roland's past is revealed! Sumptuously drawn by Jae Lee and Richard Isanove, adapted by long-time Stephen King expert Robin Furth (author of Stephen King's The Dark Tower: A Concordance) and scripted by New York Times Best-seller Peter David, this series delves deep into Roland's origins -- the perfect introduction to this incredibly realized world, while long-time fans will thrill to adventures merely hinted at in the novels. Be there for the very beginning of a modern classic of fantasy literature!

Experience the World of Warcraft! World of Warcraft is an online role-playing experience set in the award-winning Warcraft universe. Players assume the roles of Warcraft heroes as they explore, adventure, and quest across a vast world. Being "Massively Multiplayer," World of Warcraft allows thousands of players to interact within the same world. Whether adventuring together or fighting against each other in epic battles, players will form friendships, forge alliances, and compete with