Happy Puppy Vintage Computers

Flat rubber o-ring seal. A common replacement part, this seal sits between the top of the blade and the botom of the jar. Only one seal is needed per blender. Fits ALL Oster blenders, Osterizers and Oster Kitchen Centers. Also fits some Sunbeam models which use a metal drive pin. Package of 3 seals.

The world's best selling coffee pot, the Bialetti Moka Express was invented in 1933 and remains virtually unchanged to this day. Simple to own and simple to operate, the Moka Express is a masterpiece of industrial design. Free CaffeSolo Moka Coffee with each purchase.

Lodge Logic, 20" x 10-7/16", Pre-Seasoned Cast Iron Pro-Grid Griddle With Reversible Cooking Surfaces, Smooth and Raised-Rib, Ready to Use, No Seasoning Required, Both Cooking Surfaces Feature A Slight Slope For Drainage Into A Generous Grease Gutter, Use On Camp Stove Or Inside On Gas Or Electric Range, Individually Boxed.

The American-based company Lodge has been fine-tuning its construction of rugged, cast-iron cookware for more than a century. No other metal is as long-lasting and works as well for spreading and retaining heat evenly during cooking. Lodge's Logic line of cookware comes factory pre-seasoned with the company's vegetable oil formula, and is ready to use right out of the box. This professional-size cast-iron grill/griddle combo from the Lodge Logic series measures 20 by 10-1/2 inches (with an actual cooking surface of 19-1/4 by 8-1/2 inches), serious enough to straddle either a campfire or two burners on your stovetop. The reversible feature of this crowd-pleasing cooker means you can use the smooth side for cooking flapjacks, eggs, and grilled cheese sandwiches, and the ridged grill side for hamburgers, steaks, and sausages. A slight slope drains fat into a generous grease gutter, and the two loop-style handles provide safe transport. After the meal is done, simply scrub the cast iron with a stiff brush and hot water, no soap, and dry immediately. Lodge covers the sturdy griddle with a lifetime limited warranty against defects. This pan is guaranteed to pass down from one generation to the next. --Ann Bieri

Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren. Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her." Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."

Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord

BEATLES THE REVOLVER (EDICION LIMITADA)

Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey Wright

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This video misrepresents itself. Although the title is Low Impact Aerobics, it is not low impact. The cardio intervals include jogging, jumping jacks, and other moves with hops. This is a 65-minute reissue of a 1988 video that features Janet Jones-Gretzky, who is so slim that you can count her ribs through her white leotard, leading a class of fit, gorgeous exercisers (female and male). This aerobic interval workout combines fast cardio (no patterns) with more controlled cardio plus weights, though still at a fast pace. We've learned a lot about exercise since 1988, and these two-second reps with weights are not as effective as slower reps. They are also more likely to lead to injury. Although the video is targeted to all levels, unless you're an experienced exerciser, it's too easy to lose correct form when you're doing such fast reps and aerobic moves at the same time. You might find the weight intervals repetitious (tons of lunges and shoulder presses). A floor-work segment uses ankle weights, followed by a stretch. Unless you miss the old Firm workouts, choose one that is more up to date (and therefore safer and more effective). --Joan Price

A beautiful collection of Disney cartoons, all with a Christmas theme. Titles are "Once Upon a Wintertime," "Santa's Workshop," "The Night Before Christmas," "Pluto's Christmas Tree," "Donald's Snow Fight," and "On Ice."

"Pluto's Judgement Day" (1935), "Lonesome Ghosts" (1937 with Mickey, Goofy and Donald), and "Trick or Treat" (1952 featuring Donald and his nephews, Huey, Dewey and Louie).

Quality helping hands with solid heavy duty cast iron base, great for soldering and working with small items. Useful tool for electrician, engineers, jewelers and more. Helping hand comes with 2-1/2" glass lens mangifier and 2 alligator clips mounted on 4 way swivels.

The Waste King Legend 8000 One-Horsepower Disposer showcases an ultra-powerful motor, stainless steel grinding components, superior sound insulation, and a corrosion-proof grinding chamber for efficient, quiet, no-fuss waste disposal. Once installed, this continuous-feed waste disposer will more than earn its place in your kitchen. The Legend 8000 1.0-Horsepower Disposer At a Glance:2,800 RPM permanent magnet motorStainless steel swivel impellers reduce jammingSplash guard is removable and easy to cleanSound insulated to reduce noiseLifetime mechanical and corrosion warrantiesThe Legend 8000 offers more power per pound than the competition. View larger.Experience a More Powerful GrindFeaturing an energy-efficient, high-speed, 2,800 RPM 'Vortex' permanent magnet motor, the Legend 8000 offers more power per pound than comparative disposers. This one-horsepower motor will grind just about anything, and it requires 115 volts, 60 Hertz, and 7.0 current-amps to operate.Jam-Free, Mess-Free FeedsThe Legend 8000 is a continuous-feed disposer, which means you can add waste while the unit runs. Stainless steel swivel impellers reduce jamming, and an easily removable Grinding Components Minimize Noise and WearBecause the Legend 8000's grinding chamber is made of glass-filled nylon, you will never have to worry about corrosion. Also, the stainless steel grinding components are insulated, so you'll get the quietest grind possible.Easy Installation; Works with Septic TanksThe Waste King Legend 8000 includes a fast-and-easy mount system, with all the necessary hardware for no-hassle installation. The disposer is safe for properly sized septic tanks and comes with a 36-inch power cord.Lifetime In-Home Service WarrantyThe Waste King Legend 8000 is backed by a limited mechanical warranty. This means that if your disposer develops a material or mechanical defect within the lifetime of the original purchaser, it will be replaced in your home--free of charge. The disposer also comes with a lifetime warranty against corrosion.What's in the BoxThe Waste King Legend 8000 1.0-Horsepower Disposer, mounting hardware, and power cord.

The Waste King Legend series 1 HP garbage disposer has a 2800 RPM motor, heavy cast stainless steel anti jam swivel impellers, and stainless steel grinding components. It is sound insulated, comes with an installed power cord, and has a front mount reset button and plumb EZ mounting system.

NELSON RAIN TRAIN TRAVEL SPRINKLER *Covers up to 13500 square feet *Travels up to 200 feet *Propels across the lawn following the pattern you lay out with the hose *Equipped with 3 speed settings *Designed to automatically shut off at any given point along your hose track *Ideal for medium to large lawns *Cast iron body with chip resistant powder-coat paint

While an automatic sprinkling system certainly ensures greener grass and nurtured flowerbeds during the sweltering days of summer, not every household comes equipped with such a system and they can be downright expensive to install. Historically, the alternative to the built-in sprinkler system has involved setting up a hose and sprinkler and then manually relocating the water source to several strategic locations every thirty minutes for several hours. Despite all the detail and time this manual system receives, the sprinkler never quite makes contact with certain patches. Likewise, swamping also occurs at times because homeowners generally have more important things to worry about than whether it is time to switch the sprinkler. Luckily, the folks at LR Nelson are employed to worry about finding comprehensive watering methods for busy homeowners who don't have the means, time, or desire to dig up the yard to install and intricate system of sprinkler pipes. Responsible for a bevy of creative lawn care solutions, the Peoria, Illinois outfit introduce this ingenious Raintrain traveling sprinkler. With a rustproof cast iron construction, the sprinkler waters up to 13, 500 square feet, though covering a lesser area of 11,9000 square feet ensures more effective performance. The sprinkler arms adjust for varied spray patterns and arcs, throwing water from 15 to 56 feet. The sprinkler waters as it travels along a hose on a preset route, much like an electric model train, except with a hose as the rails. To water, the homeowner lays out the hose as desired, taking care to avoid dramatic corners or turnabouts that may result in hose kinks or a derailed sprinkler. A front wheel runs on the hose with the two traction-ready rear wheels bestride. The hose connects to the posterior of the sprinkler. For the best results, LR Nelson recommends a 5/8-inch hose, though a 1/2-inch hose may suffice, up to 200 feet in length. For sprinkling termination, the user places a shut-off ramp on the hose to lift the sprinkler off its "rails," while simultaneous stopping operation. The shut-off ramp should be installed with at least five feet of hose between it and the spigot. The traveling sprinkler operates at two motor speeds, high and low. On high power, the sprinkler travels approximately 37 feet per hour, with a 1/4-inch water application. On low power, the sprinkler moves at a 21 feet per hour rate with a 1/2-inch water application. The simple installation requires no tools. The sprinkler weighs 18.1 pounds upon shipping. --Jessica Reuling

With an unprecedented production budget of $25 million and from the makers of Blue Planet: Seas of Life comes the epic story of life on Earth. Five years in production over 2000 days in the field using 40 cameramen filming across 200 locations shot entirely in high definition this is the ultimate portrait of our planet. A stunning television experience that captures rare action impossible locations and intimate moments with our planet's best-loved wildest and most elusive creatures. From the highest mountains to the deepest rivers this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before to experience sights and sounds you may never experience anywhere else.Running Time: 550 min.Format: DVD MOVIE Genre: MISCELLANEOUS/SPECIAL INTEREST UPC: 794051293824 Manufacturer No: E2938

As of its release in early 2007, Planet Earth is quite simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized so that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet has been magnificently represented by the most astonishing sights and sounds you'll ever experience from the comforts of home. The premiere episode, "From Pole to Pole," serves as a primer for things to come, placing the entire series in proper context and giving a general overview of what to expect from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis on the urgent need for ongoing conservation, best illustrated by the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes in their fast-melting habitat) in the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, from the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain in the wild. That's just a hint of the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is packed with images so beautiful or so forcefully impressive (and so perfectly photographed by the BBC's tenacious high-definition camera crews) that you'll be rendered speechless by the splendor of it all. You'll see a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering in the hundreds of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not really a lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" of the deep oceans... these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough with his trademark combination of observational wit and informative authority. The result is a hugely entertaining series that doesn't flinch from the predatory realities of nature (death is a constant presence, without being off-putting), and each episode ends with 10-minute "Planet Earth Diaries" (exclusive to this DVD set) that cover a specific aspect of production, like "Diving with Pirahnas" or "Into the Abyss" (the latter showing the rigors of filming the planet's most spectacular caves, including the last filming ever officially permitted in the "Chandelier Ballroom," a crystal-encrusted cavern found over a mile deep in New Mexico's treacherous Lechuguilla, the deepest cave in the continental United States.) With so many of Earth's natural wonders on display, it's only fitting that the final DVD in this five-disc set is devoted to Planet Earth: The Future, a separate three-part series in which a global array of experts is assembled to discuss issues of conservation, protection of delicate ecosystems, and the socio-economic benefits of understanding nature as a commodity that returns trillions of dollars in value at no cost to Earth's human population. At a time when the multiple threats of global warming should be obvious to all, let's give Sir David the last word, from the closing of Planet Earth's final episode: "We can now destroy or we can cherish--the choice is ours." --Jeff Shannon Stills from Planet Earth (click for larger image)

Pardon Us (1931), Laurel and Hardy's first feature-length film, finds the duo causing chaos behind bars after selling bootleg beer to a cop. Ex-soldiers Stan and Ollie try to reunite a war buddy's orphaned daughter with her grandfather in "Pack Up Your Troubles" (1932). The boys are lodge members who sneak off to a convention--minus their wives--in "Sons of the Desert" (1933). Based on an opera, "The Bohemian Girl" (1936) has Gypsies Stan and Ollie caring for a kidnapped princess. The pair play dual roles as long-lost twin brothers in "Our Relations" (1936) and help a young woman save her frontier inheritance from land grabbers "Way Out West" (1937). An Alpine lodge is the setting for music and laughs in "Swiss Miss" (1938), while Ollie brings old army pal Stan home to care for him in "Block-Heads" (1938). The boys are off to college in "A Chump at Oxford" (1940), and they take a "relaxing" ocean voyage as "Saps at Sea" (1940). This 10-disc set also features all 40 L&H sound shorts made for Hal Roach from 1929-1935--including "Berth Marks," "Brats," "Below Zero," "Our Wife" "The Music Box," and others--plus Spanish-language versions, guest cameos, and more. 32 1/3 hrs. total. Standard; Soundtrack: English.

"Eternal pals and eternal antagonists, Stan Laurel and Oliver Hardy are the great partnership of movie slapstick. They finally get their DVD due with Laurel & Hardy: The Essential Collection, a 10-disc orgy of pratfalls, slow burns, and slap fights--in short, a collection that truly qualifies as a must-have for connoisseurs of comedy. The collection contains the sound films that Laurel and Hardy made for producer Hal Roach, the man who teamed the simpering English vaudeville player and the rotund American actor in the first place (although their laughs are evenly divided, Laurel was the creative force and chief gag-inventor of the duo). Their track record is proof that it isn't merely the jokes that make for comic success; it's the personalities of the comedians. Thus, Stan's dimwitted innocence and Ollie's perpetually exasperated reactions (raised to an exquisite art by Hardy's comprehensive glances at the camera, assuring the audience's complicity in his misery) are the essence of their success. Some films are great, some merely passable, but all stick blissfully to character. This is on glorious display through these Roach pictures, whether it's the boys sharing one small train berth in Berth Marks, executing their famous synchronized dance in Way Out West, or laboring to get that piano up a very steep flight of stairs in the Oscar-winning The Music Box. The films look as good as movies from 1929 to 1940 can reasonably be expected to look. Included in the boxed set are seven foreign-language films (six in Spanish, one in French), shot in order to keep the duo popular in overseas markets, before dubbing made that goal easier. Fascinatingly, these films often extend the English-language films they are ostensibly adapted from, with different gags and plot turns--and it's fun to hear Stan and Ollie speaking in another language. Special features include a ho-hum 40-minute tribute with testimonials from fellow comedians (especially talkative are Dick Van Dyke and Jerry Lewis); an ""Interactive Map"" with Los Angeles location sites from their movies; three Roach shorts in which L&H pop up in cameos; and a 1942 short produced for the Department of Agriculture (another L&H cameo). A few (not many) films have commentaries that include the informed Laurel and Hardy buff Richard W. Bann; Sons of the Desert has a track with Tim Conway and Chuck McCann, who don't seem to know how a commentary track works but have a nice time watching the movie. --Robert Horton"

Director Blake Edwards, fresh from the success of the first two Pink Panther movies, indulged his love of classic slapstick comedy with this long free-for-all, which throws in everything but Laurel and Hardy's kitchen sink. The film reunites Some Like It Hot stars Tony Curtis and Jack Lemmon, ably aided by a spunky Natalie Wood. The subject is a New-York-to-Paris auto race in the early years of the 20th century, pitting the Great Leslie (Curtis), a goody-goody dressed all in white--even his teeth sparkle--against the malevolent Professor Fate (Lemmon), whose coal-black heart is reflected in his handlebar mustache. He looks like a bill collector from a silent- movie melodrama. Lemmon does double duty, also playing the pampered, drunken king of a small European country, whose laugh sounds like the wail of a cat in heat. The film may be too long for its own good, and you really have to love Jack Lemmon to put up with his over-the-top performance, but it's side-splitting in spots. It's one of those movies, if seen in childhood, that stays in your mind for years afterward. Some of the bigger routines, such as a pie fight of epic proportions, don't work as well as the simple chemistry between the perpetually exasperated Professor Fate and his much-abused assistant, Max (a terrific Peter Falk). Push the button, Max. --Robert Horton

Kitchen sink comic salute to silent slapstick from Blake Edwards follows a pack of wacky racers, including stalwart hero Tony Curtis, dastardly villain Jack Lemmon, and femme fatale Natalie Wood, on a 22,000-mile road race from New York to Paris in 1908. Peter Falk, Keenan Wynn, Vivian Vance, Larry Storch and Ross Martin also star. 160 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French; Subtitles: English, Chinese, French, Japanese, Korean, Portuguese, Spanish, Thai; "making of" documentary; biographies; trailer.